Alienkiller

Aliens punish one of their own by sending him to earth. The alien is very violent, and when the body he occupies is damaged, he is forced to find another. Strange, unorthodox science fiction/horror film. The script is quite clever and the film has plenty of amusing moments, but Mr. Mcnaughton should stick to more serious films, i.e. "Henry". Impressive make-up effects by Kevin Yagher and plenty of gore help but only to a certain extent. Runs to long and tends to drag out a bit, especially towards the end. Above average for this kind of film but somewhat disappointing in the end.

5.5/10.

A disappointing horror flick from John McNaughton("Henry:Portrait of a Serial Killer")has one of the dumbest premises in memory.The plot is about an alien whose head keeps exploding for some reason,forcing him to steal new heads from innocent victims.There are some interesting twists and the gore effects are suitably splashy!The cast is also okay,but still the film is laughable and stupid.Definitely one to avoid,if you don't like cheesy horror/sci-fi genre!

If you enjoy bad movies, especially late 1980s/early 1990s science fiction/horror, I recommend this movie. The premise and story are interesting, there are both intentionally funny parts and unintentionally funny parts, and the music is good (especially the theme). Probably the weakest aspect is the acting. Between the title character--an alien who is played by five different actors as he changes identities--and the two heroes, a pair of cops boringly played by Rae Dawn Chong and Dan Gordon, we never really have anyone to care about. One aspect of the movie that I found especially pleasantly surprising is its urban setting. Most low-budget SF or horror b-movies are set in the wilderness or a post-apocalypse to cut down on costs, while this was set in the big city, full of people and streets and buildings and modern technology. That--and the unexpected cross-dressing by Brad-Pitt-manqué Neil Giuntoli--are what make this movie a keeper!

A criminal alien is sentenced to spend time on Earth ("A fate worse than death") but finds the climate doesn't agree with its genetics and its human head explodes. No problem, right? It just keeps grabbing heads off of victims (including a dog) and swapping them out to survive. Chicago cop Diana Pierce (Rae Dawn Chong) is on the case though. This was John McNaughton's follow-up feature to HENRY: PORTRAIT OF A SERIAL KILLER and I will admit it has a genius set-up. Unfortunately, the film completely lacks focus and feels like two scripts slapped together. Chong's cop character, who apparently is assigned every case in and outside of the city, spends too much time obsessing over a rapist she busted and they try to wrap this into the alien head snatching plot. When the film focuses on the alien bits, it really shines thanks to great turns by Tom Towles as alien's first victim and Antonio Fargas as a homeless guy who befriends Towles. This was shot in the late 80s (a movie marquee offers DAKOTA) but not released until 1991. As a rule, this should always be played as a double feature with JT Petty's THE BURROWERS.

What a strange career decision of John McNaughton to follow-up his dark masterpiece "Henry: Portrait of a Serial Killer" with this silly and ultra-cheesy Sci-Fi romp! "Henry" was an intense and harrowing shock-drama, partly based on horrible real-life events, whereas this crazy flick revolves on naughty aliens banished from their planet and killer headaches! "The Borrower" is an endurable and occasionally even fun little flick, but it lacks a proper script and especially that last half hour lingers on enormously. This low-budget B-movie opens with images inside an alien spaceship as it heads for earth to drop off a banished member of their intergalactic community. The opening is pretty funny, as the alien refers to human beings as the absolute lowest forms of life and getting sent to earth is actually a punishment far worse than execution. Gee thanks, Mr. Alien! We like your planet, too. The rest of the film is reminiscent of "The Hidden"; only the alien's modus operandi to switch hosts is a whole lot messier. Whenever the unfriendly visitor runs out of energy or gets damaged, he simply rips off the head of any poor person (or dog) that stands too close and attaches it to his own body. His first victim is a redneck hunter (the ultra-cool Tom Towles of "House of 1.000 Corpses") and the alien uses his head to go to the big city and run a little amok there. Meanwhile, the ambitious female detective Diana Pierce pursues an escaped psycho-killer and naturally both story lines will neatly come together in the end. The crazy head-transplant aspect results in some excellent splatter-sequences and a fair amount of delightful black humor. Also, and as some other reviewers already mentioned, the film is even mildly effective as a social commentary pointing out all the issues of life in the big city. Too bad about the imbecile and downright crappy ending. It almost seems like McNaughton completely lost interest in finishing the film properly.