Bloodsucking Pharaohs in Pittsburgh

Pittsburgh cops Joe Blocker (Joe Sharkey) and Sweeney Birdwell (Jake Dengel) are in charge of finding a serial killer who is carving up prostitutes with a variety of gardening tools. It all seems so familiar for Blocker as the case echoes an Egyptian killer he almost nabbed in Las Vegas. He sends for his old Vegas partner, but gets his daughter Deedee (Susann Fletcher) instead. Why? Because it seems her dad is mysteriously missing. Another in the line of BLOOD FEAST wannabes (alongside the likes of BLOOD DINER), BPIP is something I didn't like when I first saw it on video back in 1991. So, naturally, I must revisit it 20+ years later to confirm, yup, it still sucks. The filmmakers openly compare this horror-comedy to AIRPLANE, but I'd think you'd have to include some jokes to do that. It certainly tries to be funny, but fails miserably. Example of humor: Blocker slipping on a severed ear while chasing a suspect. The recurring joke is Blocker gets ill any time he sees blood and people always say "I hear he has a sexual problem" when he is mentioned. Haha? The highlight for me was Birdwell's wife taking anti-smoking sessions, one of which ends with her being blasted by a water hose by some guys in gorilla costumes. It is a shame it didn't come together better because the production looks really nice with some great photography. Tom Savini did the gory FX, most of which ended up on the cutting room floor for the Paramount VHS release. The Lucky 13 special edition features the cut stuff in a deleted scenes supplement and it is pretty good work from the man.

Bloodsucking Pharaohs in Pittsburgh stands as a testament to the chasm between ambitious titling and actual execution. The film's wonderfully absurd moniker promises a gonzo horror-comedy romp that sadly never materializes, leaving viewers with a decidedly conventional police procedural dressed up in genre clothing.

The cinematography feels workmanlike rather than inspired, capturing Pittsburgh's gritty urban landscape without any particular visual flair or atmospheric depth. Tschetter's direction lacks the manic energy necessary to elevate what amounts to a straightforward serial killer investigation into the realm of effective horror-comedy. The film's tone wavers uncomfortably between genuine police drama and attempted camp, never finding the right balance to make either approach compelling.

Jake Dengel delivers a serviceable performance as Detective Sweeney Birdwell, bringing a weary professionalism to his role that anchors the film's more grounded moments. Joe Sharkey, as Detective Joe Blocker, commits fully to his character's squeamish nature, though the recurring gag of his vomiting at crime scenes grows tiresome quickly. Susann Fletcher brings energy to her role as Deedee Taylor, the detective's daughter who becomes involved in the investigation, though her character feels somewhat underdeveloped. Beverly Penberthy, who also served as co-producer, provides occasional comic relief as Birdwell's chain-smoking wife attempting to quit through extreme methods.

The film's greatest asset comes from Tom Savini's makeup effects work, which provides the visceral punch the story desperately needs. However, even these expertly crafted gore sequences cannot compensate for the film's fundamental lack of narrative drive or comedic timing. The script repeatedly returns to the same handful of running gags without developing them into anything more substantial or amusing.

My review was written in May 1991 after watching the movie on Paramount video cassette.

The cutesy title fronts for an occasionally amusing horror/comedy mishmash. Pittsburgh is the locale, and Tom Savini provides some gruesome makeup effects for diehard fans.

Direct-to-video release was produced in 1988 with the title "Picking Up the Pieces". That monike more accurately reflects a case surprisingly similar to "The Silence of the Lambs", as Pittsburgh cops are trying to apprehend a serial killer who mutilates women and keeps body parts for some strange ritual.

In a parody of a down-on-his-luck detective, Jake Dengel is the policeman with no stomach for his job. He calls in his former partner from Las Vegas who has expertise in this area, but the crony's daughter, spunky Susann Fletcher, shows up instead to assist.

Key clue of notes containing hieroglyphics, left on the corpses, leads to a cult working on eternal life via an ancient Egyptian formula. Porno veteran Jane Hamilton (a/k/a Veronica Hart) has fun as the slapstick villainess. Rest of the cast is nondescript.

Filmmaker Daan Tschetter's mix of gore and yocks strains, the equation that exaggerated blood equals black humor. Savini fans may get something out of this one but as "Silence" proved, this material is better off played straight.

Strange movie, part slasher, part parody, part detective story. The idea of mad killer murdering people and keeping bloody souvenirs in order to satisfy bloodlust of ancient Egyptian god is somewhat reminiscent of H.G.Lewis' Blood Feast (of course, Fuad Ramses didn't use power tools). The director borrowed a few ideas from various horror movies and tried to create crazy combination of black humor and thrills, but it is obvious that he wasn't too familiar with the genre. Mr. Tschetter mentions The Texas Chainsaw Massacre or films by H.G.Lewis as the main inspirations for Picking Up The Pieces in the commentary track of Bloodsucking Pharaohs DVD. He also talks about being shocked when he first watched The Texas Chainsaw Massacre and when he found out that such movies as Herschell's gore epics really existed. Picking Up The Pieces is a horror comedy as directed by an artist usually involved in producing Shakespearian theater plays.It is professionally shot and occasionally amusing but most jokes don't work. Blocker and Birdwell- two cops with lots of personal problems trying to catch insane murderer, are quite interesting duo- Blocker throwing up each time he glimpses blood and Birdwell provoking his buddy by mentioning Blocker's embarrassing sexual problem. Some parts of the movie are played out completely serious, other parts that could be taken from Naked Gun or Airplane!, for example the flashback scene explaining Blocker's trauma from the past, don't seem to fit in the film. The violence is quite tame,but the DVD is surprisingly cut by MPAA although killings consist of shots of murderer manipulating with power saw (or some other tool) and shots of splashing blood. Tom Savini provided one rubber corpse with the top of the cranium sawed off and one neat melting scene. During the final showdown between cops and the killer even good old chainsaw makes an appearance. Unfortunately, nobody is hacked to pieces.

No pun intended - I had no idea what I was getting myself into. And some may feel the movie had no idea what it was supposed to be either. I think it is fair to say, that the movie is as silly and cheesy as it can be. And quite bloody overall - although deleted scenes on the disc I own suggest it could have been worse/better (depending on your own taste I reckon).

The scene with the hat quite early on will be an indicator if you can bare it - do you like the humor (silly - I repeat: Silly!) or do you find it annoying as it can get? This will inform if you should continue watching. If you can dig it, there is some fun to be had along the road of course. An oddity I had no idea existed ...