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Barton Fink

  • 1991
  • 16
  • 1 Std. 56 Min.
IMDb-BEWERTUNG
7,6/10
133.350
IHRE BEWERTUNG
BELIEBTHEIT
2.600
301
John Turturro in Barton Fink (1991)
Home Video Trailer from 20th Century Fox Home Entertainment
trailer wiedergeben2:14
2 Videos
99+ Fotos
FarcePsychologischer ThrillerPsychologisches DramaSatireSchwarze KomödieShowbiz-DramaZeitraum: DramaDramaKomödieThriller

Ein renommierter New Yorker Bühnenautor lässt sich von einem Angebot nach Kalifornien locken, um dort für den Film zu arbeiten, und lernt dabei die infernalischen Abgründe Hollywoods kennen.Ein renommierter New Yorker Bühnenautor lässt sich von einem Angebot nach Kalifornien locken, um dort für den Film zu arbeiten, und lernt dabei die infernalischen Abgründe Hollywoods kennen.Ein renommierter New Yorker Bühnenautor lässt sich von einem Angebot nach Kalifornien locken, um dort für den Film zu arbeiten, und lernt dabei die infernalischen Abgründe Hollywoods kennen.

  • Regie
    • Joel Coen
    • Ethan Coen
  • Drehbuch
    • Joel Coen
    • Ethan Coen
  • Hauptbesetzung
    • John Turturro
    • John Goodman
    • Judy Davis
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    133.350
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.600
    301
    • Regie
      • Joel Coen
      • Ethan Coen
    • Drehbuch
      • Joel Coen
      • Ethan Coen
    • Hauptbesetzung
      • John Turturro
      • John Goodman
      • Judy Davis
    • 293Benutzerrezensionen
    • 129Kritische Rezensionen
    • 69Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 3 Oscars nominiert
      • 19 Gewinne & 29 Nominierungen insgesamt

    Videos2

    Barton Fink
    Trailer 2:14
    Barton Fink
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers

    Fotos130

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    Topbesetzung34

    Ändern
    John Turturro
    John Turturro
    • Barton Fink
    John Goodman
    John Goodman
    • Charlie Meadows
    Judy Davis
    Judy Davis
    • Audrey Taylor
    Michael Lerner
    Michael Lerner
    • Jack Lipnick
    John Mahoney
    John Mahoney
    • W.P. Mayhew
    Tony Shalhoub
    Tony Shalhoub
    • Ben Geisler
    Jon Polito
    Jon Polito
    • Lou Breeze
    Steve Buscemi
    Steve Buscemi
    • Chet
    David Warrilow
    • Garland Stanford
    Richard Portnow
    Richard Portnow
    • Detective Mastrionotti
    Christopher Murney
    Christopher Murney
    • Detective Deutsch
    I.M. Hobson
    • Derek
    Meagen Fay
    Meagen Fay
    • Poppy Carnahan
    • (as Megan Faye)
    Lance Davis
    • Richard St. Claire
    Harry Bugin
    • Pete
    Anthony Gordon
    • Maitre D'
    Jack Denbo
    • Stagehand
    Max Grodénchik
    Max Grodénchik
    • Clapper Boy
    • Regie
      • Joel Coen
      • Ethan Coen
    • Drehbuch
      • Joel Coen
      • Ethan Coen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen293

    7,6133.3K
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    Empfohlene Bewertungen

    9Hitchcoc

    John Goodman, Forevery!

    I knew I was entering the world of the insane when I picked this up. I wasn't disappointed. This is a dark comedy where people don't talk to each other, they just talk. Barton Fink is a big phony one hit wonder. He has these high ideals which he really doesn't understand. He's unable to see the forest for the trees. When he meets John Goodman's character, Charlie, he has an opportunity to find his muse, but he doesn't even listen. When he does, it's too late. The events of this film are wonderful, from Barton's speeches and his block. To Mayhew, the ersatz Faulkner, who drinks constantly and screeches. Barton Fink is so unlikeable that we don't even care what happens to him in other than a casual way. Goodman steals every scene he is in and ends up so much more that originally thought. This is a movie about taking everything to a higher pitch. It's about the artist and the dilettante. It's about the movies being a purely commercial enterprise. Wallace Beery is the king of the screen. It's a wrestling movie. For God's sake, they're asking for so little. Barton Fink is a whiny loser and he pays the price. The Coens are, without a doubt, the most refreshing thing of the last two decades.
    8artzau

    Another Coen Brother great!

    I liken the Coen brothers to Haagen-Daz ice cream, i.e., various stages of good. I would argue this dark film, laden with more allegories than Dante, is not their best...but, it's good, damn good. To begin with, stellar performances form Turturro, Goodman, Mahoney, Buscemi and Lehner. The thing I find amazing is the skill in bringing so much darkness to such a bright, colorful cinemagraphic work-- remindful of Ingmar Bergman's Cries and Whispers, in that regard-- that teeters on the edge. Goodman's last scene walking into the burning hotel room is eerie but very bright (why not? The damn place is burning down.) This is another great Coen brother film and let's hear it for Ethan and Joel! See it!
    7titusbiwot

    Hmmm....

    Watched the film, understood 60% of it. Went to read its reviews after, understood 75% of it. Now i have to watch it again from another angle to completely get it. This is what the Coen brothers make you do.
    9lastliberal

    Look upon me! I'll show you the life of the mind!

    The Coen brothers have come a long way from their start with an 8mm camera. They have written and produced some great homages to the film noir era of Hollywood, and this film is no exception.

    First, is the great dialog written by the brothers. Great dialog is a feature of their films, and this one has some of the most memorable I have heard. You can almost turn off the visual and just listen and be enchanted and know you are listening to a Coen brothers film.

    But turning off the visual would deprive you of the great cinematography of Roger Deakins. His can frame a scene to the point that you could pause the film and just soak in the texture and color and realism. It is almost as if every frame is a painting.

    The Coen brothers also seem to get the best performances out of an actor that I have seen. John Goodman is brilliant in this film and he seems to do his best work for the Coens. John Turturro is captivating as the hack writer who talks about his love for the common man, but just really doesn't know the common man and really doesn't care about them. Michael Lerner was brilliant as the requisite man behind the desk that is the feature of 40's noir.

    One doesn't always know what is in the Coen brothers minds. Is this a foretelling of the rise of Nazism, of intellectuals who really didn't understand the appeal of fascism to the common man, or a surreal portrait of someone who sells out. No matter what their intention, they make you think and return to see their films again and again.
    8AlsExGal

    The Coen Brothers' strangest film

    You are either going to love or hate this one, and I doubt you'll know which until it's over. Maybe you won't know even then.

    In 1941, Barton Fink (John Turturro) is a successful Broadway playwright. Now that he's got some success under his belt, he says he wants to write plays for "the common man". But his agent has a tempting offer. A movie studio wants him to come to LA and write screenplays for 1000 dollars a week. The agent convinces him to go. Barton checks into the Hotel Earle, which has ornate decorations in the common areas, but is a dump from the standpoint of Barton's room. The heat has the wallpaper peeling off the walls. The sole decoration in Barton's room is the picture of a woman sitting on the beach, her arm raised to block the sun. Remember this picture - it's important.

    Barton's first assignment is to write a "wrestling picture" starring Wally Beery. But Barton has writer's block for assorted reasons, one of them being that he knows nothing about this subject. So he stares at his typewriter with the dread an insomniac might stare at his bed. But then what seemed to start out being a film about how the studio system can beat the creativity and the confidence out of a successful writer changes course and becomes something that is completely surreal and even nightmarish by the end. I can really say nothing more specific than that without giving things away.

    The Coens wrote Barton Fink when they were having writer's block trying to write Miller's Crossing because of the complexity of the plot. So did they manage to pack lots of symbolism into a tight, coherent package, or did they simply let their imagination run wild and undisciplined in an attempt to get back on track on the other film? I have no idea. I just know that I like it and - for me - it's great for repeat viewings.

    One more thing - How can it be so hot in LA, and then suddenly WWII has started, which would make it December? Why is it Barton doesn't seem to notice WWII has started without being told and then really has no reaction. He really isn't plugged into "the common man" is he?

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The first film to win all three major awards (Palme D'or, Best Director, and Best Actor) at the Cannes Film Festival. Also, it was unanimously chosen for the Palme D'or.
    • Patzer
      Briefly visible at the top of the screen when Detective Mastrionotti introduces himself to Barton.
    • Zitate

      Charlie Meadows: Look upon me! I'll show you the life of the mind!

    • Crazy Credits
      The 20th Century Fox logo appears over silence; the "fanfare" is not played.
    • Verbindungen
      Edited into The Clock (2010)
    • Soundtracks
      For Sentimental Reasons
      by Edward Heyman, Al Sherman and Abner Silver

      Licenced with Permission the Successors of Marlo Music Corporation (ASCAP)

    Top-Auswahl

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    FAQ21

    • How long is Barton Fink?Powered by Alexa
    • What was that sticky substance that ran down the hotel walls?

    Details

    Ändern
    • Erscheinungsdatum
      • 10. Oktober 1991 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Бартон Фінк
    • Drehorte
      • Mount Hollywood Dr Tunnel, Los Angeles, Kalifornien, USA(picnic)
    • Produktionsfirmen
      • Circle Films
      • Working Title Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 9.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 6.153.939 $
    • Eröffnungswochenende in den USA und in Kanada
      • 268.561 $
      • 25. Aug. 1991
    • Weltweiter Bruttoertrag
      • 6.154.231 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 56 Min.(116 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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