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Feivel, der Mauswanderer im wilden Westen

Originaltitel: An American Tail: Fievel Goes West
  • 1991
  • 6
  • 1 Std. 15 Min.
IMDb-BEWERTUNG
6,5/10
29.580
IHRE BEWERTUNG
Feivel, der Mauswanderer im wilden Westen (1991)
Home Video Trailer from Universal Studios Home Entertainment
trailer wiedergeben2:29
2 Videos
99+ Fotos
Handgezeichnete AnimationTierabenteuerWüstenabenteuerZeitraum: DramaAbenteuerAnimationsfilmFamilieKomödieMusikalischWestern

Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.

  • Regie
    • Phil Nibbelink
    • Simon Wells
  • Drehbuch
    • David Kirschner
    • Charles Swenson
    • Flint Dille
  • Hauptbesetzung
    • James Stewart
    • John Cleese
    • Amy Irving
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    29.580
    IHRE BEWERTUNG
    • Regie
      • Phil Nibbelink
      • Simon Wells
    • Drehbuch
      • David Kirschner
      • Charles Swenson
      • Flint Dille
    • Hauptbesetzung
      • James Stewart
      • John Cleese
      • Amy Irving
    • 53Benutzerrezensionen
    • 18Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos2

    An American Tail: Fievel Goes West
    Trailer 2:29
    An American Tail: Fievel Goes West
    An American Tail: Fievel Goes West: Rawhide
    Clip 1:15
    An American Tail: Fievel Goes West: Rawhide
    An American Tail: Fievel Goes West: Rawhide
    Clip 1:15
    An American Tail: Fievel Goes West: Rawhide

    Fotos111

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    Topbesetzung26

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    James Stewart
    James Stewart
    • Wylie
    • (Synchronisation)
    John Cleese
    John Cleese
    • Cat R. Waul
    • (Synchronisation)
    Amy Irving
    Amy Irving
    • Miss Kitty
    • (Synchronisation)
    Phillip Glasser
    Phillip Glasser
    • Fievel
    • (Synchronisation)
    Erica Yohn
    • Mama
    • (Synchronisation)
    Cathy Cavadini
    Cathy Cavadini
    • Tanya
    • (Synchronisation)
    Nehemiah Persoff
    Nehemiah Persoff
    • Papa
    • (Synchronisation)
    Dom DeLuise
    Dom DeLuise
    • Tiger
    • (Synchronisation)
    • (as Dom Deluise)
    Jon Lovitz
    Jon Lovitz
    • Chula
    • (Synchronisation)
    Jack Angel
    Jack Angel
    • Additional Voices
    • (Synchronisation)
    Fausto Bara
    Fausto Bara
    • Additional Voices
    • (Synchronisation)
    Vanna Bonta
    Vanna Bonta
    • Additional Voices
    • (Synchronisation)
    Philip L. Clarke
    • Additional Voices
    • (Synchronisation)
    • (as Philip Clarke)
    Jennifer Darling
    Jennifer Darling
    • Additional Voices
    • (Synchronisation)
    Annie Holliday
    • Additional Voices
    • (Synchronisation)
    Sherry Lynn
    Sherry Lynn
    • Additional Voices
    • (Synchronisation)
    Lev Mailer
    Lev Mailer
    • Additional Voices
    • (Synchronisation)
    Mickie McGowan
    • Jolly Lady
    • (Synchronisation)
    • (as Mickie Mc Gowan)
    • Regie
      • Phil Nibbelink
      • Simon Wells
    • Drehbuch
      • David Kirschner
      • Charles Swenson
      • Flint Dille
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen53

    6,529.5K
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    Empfohlene Bewertungen

    6mig28lx

    A lovely plot killed by lack of story.

    Well, this is one of those films that seems about a step-and-a-half away from being truly great. You have undeniable star power in John Cleese, James Stewart, and Don Bluth regular Dom deLuis. You have a handful of snappy tunes. You have bright colors and technically brilliant animation. Yet I watched it and came away from it thinking, "There was something wrong with this flick. What was it?" After due deliberations, the answer came to me: the writing.

    The script is little more than a clothesline on which to hang a series of visual gags and opportunities for Cleese to give his character a few Pythonian scenes. It takes a promising premise for an entertaining sequel and burdens it with instantly forgettable songs (snappy though they were) and an insufferably cute protagonist. It's great for kids, don't get me wrong. If you're childless, however, save it for video and watch it for the quality of the animation. While astounding, it can't make up for the lack of story.
    poetryinmotionpictures

    Fievel Cheers Up

    Let me get this out of the way - I hate An American Tail (the original) - I think it is a gloomy, morose and overly sentimental piece of tripe. What's more, you try getting a child to watch this trek into unhappiness and gooey emotions... it's not going to happen! Fievel Goes West on the other hand is a much lighter affair, with more cheer and one or two really lovable characters the kids will want to watch and adults won't want to smear the screen with chocolate because of. It is a little two dimensional (no pun intended) and it is also a little episodic and disjointed in places, but it recovers well and bounces back for a great finale. In short, if the kids have been good then let them watch Fievel Goes West (if they've been naughty then you could always punish them by making them watch An American Tail). I have always enjoyed this film and it continues to lighten the day.
    rapt0r_claw-1

    A worthy sequel to a great classic

    Fievel, the cute little mouse from An American Tail, is going west for Fievel Goes West. This is one of very few sequels that really deserve the title of the original classics. Fievel Goes West may not have as many touching moments as the original, but that's because it's more of a fast-paced western comedy rather than a heartwarming, sometimes tragic tale (tail?) as An American Tail was.

    A by-product of the comedic approach is the look of the movie. Instead of the dark, dull, forbidding color scheme of the first movie, the sequel is supposed to be bright, funny, and altogether welcoming. Thus, you get bright sunshine (sometimes a bit too bright from the characters' point of view) and varied color. The animation hasn't changed all too much, unlike The Land Before Time's sequels for video. The animation retains a bit of Don Bluth's touch, though still a bit different. Altogether, the animation is just about as good as it could be in 1991.

    The film as a whole is a gem, but the one thing truly, wonderfully beautiful thing about Fievel Goes West is James Horner's immortal soundtrack. The songs are just as good as An American Tail, which is saying a lot; besides, you have a brutally edited reprise of "Somewhere Out There" from the first film, sung by Tanya. Speaking of Tanya, she's voiced by someone different, presumably to allow for her great singing. For proof, all you need to do is listen to "Dreams To Dream". Great though the aspiring singer is, the end credits rendition of the song by the crazy Lindstradt lady is beautiful.

    In Fievel Goes West, our title protagonist is lost on the way to Green River, where he will supposedly find a new lease on life with his family and lots of other hopeful mice. But the dream is shattered when Fievel explores the train, and finds a bunch of cats and a huge spider, led by the smooth talking Cat R. Waul, plotting to befriend the mice before turning them into mouse-burgers by means of a mysterious "better mousetrap"! But Fievel is found out, and the spider knocks him off the train, leaving him hopelessly lost in the desert. I thought they might have made up something different, not the whole mouse-gets-lost-must-return-to-family routine. I couldn't help feeling they'd done that before. However, Dom DeLuise returns for a bigger part alongside the legendary canine sheriff Wylie Burp.

    So, overall, what of this sequel? Well, it certainly does the original justice. Yes, it does lack the heart of the original, but having less heart than An American Tail does in no way mean being heartless. Don Bluth might not have had a hand in this, but Fievel Goes West lives up to Bluth's classic story of a little mouse called Fievel.

    Animation-9/10; Story-7/10; Plot-7/10; Comedy-8.5/10 = Overall-8/10
    todd2u

    my favorite movie ever

    This is my absolutely most favorite cartoon movie ever. it has action, romance, adventure, and gun slinging. The music was really good. I loved every minute of this movie. I'm a big fan. I've loved this movie since I was in 1st grade,( thats when it came out into theaters). I recommend this movie to anyone who loves a good cartoon movie. This one is a classic. You wont be disappointed.
    6Laitue_Gonflable

    In some ways, better and worse than the original

    For whatever reason, The American Tail films were two of the films I was brought up on. I still own both of them on video and still watch them from time to time. In most ways, this sequel is worse than the original. The brief story of Feivel being separated and lost from his family again is really underplayed in comparison to the first one, which revolved purely around this plot. In Feivel Goes West it's almost as though the family are a bit blasé about losing their only son. It's also hard to top the musical score of the first one. There is a repeat singing of "Somewhere Out There" that is rudely cut short but without the whole song, it doesn't have the same warming effect. The feature song of this film, "Dreams to Dream" is very beautiful, however it and the other songs of FGW can't match up to those of AAT.

    Despite these flaws, there is quite a lot more to enjoy in this film. If you're a fan of westerns as I am, you will enjoy an animated take on the theme, particularly the very enjoyably cartoonist showdown at the end. Secondly, the voice cast of FGW is far superior to that of AAT. Not content with Dom DeLuise as the loveable cat Tiger, they add to that cast for the sequel the likes of John Cleese, Amy Irving, Jon Lovitz and none other than the great James Stewart himself playing the sheriff of a one-horse western town. They're all impeccably cast and pull off a wonderful job.

    All this said and done, is the sequel better or worse? I have to say I think it's completely equal. Still the same level of childish fun and heartwarming moments, wonderful voice talents and great musical score. Definitely worth showing your kids. ***1/2 / *****

    Handlung

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    • Wissenswertes
      James Stewart's final film.
    • Patzer
      When Fievel says "Let's go on that ride again!" after the can goes down the last waterfall, his voice is sped up.
    • Zitate

      Wylie Burp: Just remember, Fievel - one man's sunset is another man's dawn. I don't know what's out there beyond those hills. But if you ride yonder... head up, eyes steady, heart open... I think one day you'll find that you're the hero you've been looking for.

    • Crazy Credits
      Instead of showing the traditional Amblin logo (the one of Elliot going on the bicycle and flying up to the moon) the logo says, "Amblimation" and Fievel is pushing it, then he stands next to it and his hat falls down over his eyes.
    • Alternative Versionen
      When it was released on DVD and Blu-ray in early 2017, the infamous penis doodle is cut from the film completely, as it was finally detected after all these years.
    • Verbindungen
      Edited from Feivel, der Mauswanderer (1986)
    • Soundtracks
      Somewhere Out There
      Music by James Horner and Barry Mann

      Lyrics by Cynthia Weil

      Performed by Cathy Cavadini

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. Juni 1992 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Un cuento americano: Faivel va al oeste
    • Drehorte
      • Amblimation - 207-211 The Vale, Acton, London, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Universal Pictures
      • Amblimation
      • Amblin Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 22.166.041 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.435.625 $
      • 24. Nov. 1991
    • Weltweiter Bruttoertrag
      • 40.766.041 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 15 Min.(75 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
      • Dolby Digital
      • Dolby Atmos
    • Seitenverhältnis
      • 1.78 : 1
      • 1.85 : 1

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