Feivel, der Mauswanderer im wilden Westen
Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.Eine Familie von Emigrer-Mäusen beschließt, in den Westen auszuwandern, ohne zu wissen, dass sie in eine Falle geraten, die von einer geschmeidig sprechenden Katze gestellt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Wylie
- (Synchronisation)
- Cat R. Waul
- (Synchronisation)
- Miss Kitty
- (Synchronisation)
- Fievel
- (Synchronisation)
- Mama
- (Synchronisation)
- Tanya
- (Synchronisation)
- Papa
- (Synchronisation)
- Tiger
- (Synchronisation)
- (as Dom Deluise)
- Chula
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- (as Philip Clarke)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Additional Voices
- (Synchronisation)
- Jolly Lady
- (Synchronisation)
- (as Mickie Mc Gowan)
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The script is little more than a clothesline on which to hang a series of visual gags and opportunities for Cleese to give his character a few Pythonian scenes. It takes a promising premise for an entertaining sequel and burdens it with instantly forgettable songs (snappy though they were) and an insufferably cute protagonist. It's great for kids, don't get me wrong. If you're childless, however, save it for video and watch it for the quality of the animation. While astounding, it can't make up for the lack of story.
A by-product of the comedic approach is the look of the movie. Instead of the dark, dull, forbidding color scheme of the first movie, the sequel is supposed to be bright, funny, and altogether welcoming. Thus, you get bright sunshine (sometimes a bit too bright from the characters' point of view) and varied color. The animation hasn't changed all too much, unlike The Land Before Time's sequels for video. The animation retains a bit of Don Bluth's touch, though still a bit different. Altogether, the animation is just about as good as it could be in 1991.
The film as a whole is a gem, but the one thing truly, wonderfully beautiful thing about Fievel Goes West is James Horner's immortal soundtrack. The songs are just as good as An American Tail, which is saying a lot; besides, you have a brutally edited reprise of "Somewhere Out There" from the first film, sung by Tanya. Speaking of Tanya, she's voiced by someone different, presumably to allow for her great singing. For proof, all you need to do is listen to "Dreams To Dream". Great though the aspiring singer is, the end credits rendition of the song by the crazy Lindstradt lady is beautiful.
In Fievel Goes West, our title protagonist is lost on the way to Green River, where he will supposedly find a new lease on life with his family and lots of other hopeful mice. But the dream is shattered when Fievel explores the train, and finds a bunch of cats and a huge spider, led by the smooth talking Cat R. Waul, plotting to befriend the mice before turning them into mouse-burgers by means of a mysterious "better mousetrap"! But Fievel is found out, and the spider knocks him off the train, leaving him hopelessly lost in the desert. I thought they might have made up something different, not the whole mouse-gets-lost-must-return-to-family routine. I couldn't help feeling they'd done that before. However, Dom DeLuise returns for a bigger part alongside the legendary canine sheriff Wylie Burp.
So, overall, what of this sequel? Well, it certainly does the original justice. Yes, it does lack the heart of the original, but having less heart than An American Tail does in no way mean being heartless. Don Bluth might not have had a hand in this, but Fievel Goes West lives up to Bluth's classic story of a little mouse called Fievel.
Animation-9/10; Story-7/10; Plot-7/10; Comedy-8.5/10 = Overall-8/10
Despite these flaws, there is quite a lot more to enjoy in this film. If you're a fan of westerns as I am, you will enjoy an animated take on the theme, particularly the very enjoyably cartoonist showdown at the end. Secondly, the voice cast of FGW is far superior to that of AAT. Not content with Dom DeLuise as the loveable cat Tiger, they add to that cast for the sequel the likes of John Cleese, Amy Irving, Jon Lovitz and none other than the great James Stewart himself playing the sheriff of a one-horse western town. They're all impeccably cast and pull off a wonderful job.
All this said and done, is the sequel better or worse? I have to say I think it's completely equal. Still the same level of childish fun and heartwarming moments, wonderful voice talents and great musical score. Definitely worth showing your kids. ***1/2 / *****
Wusstest du schon
- WissenswertesJames Stewart's final film.
- PatzerWhen Fievel says "Let's go on that ride again!" after the can goes down the last waterfall, his voice is sped up.
- Zitate
Wylie Burp: Just remember, Fievel - one man's sunset is another man's dawn. I don't know what's out there beyond those hills. But if you ride yonder... head up, eyes steady, heart open... I think one day you'll find that you're the hero you've been looking for.
- Crazy CreditsInstead of showing the traditional Amblin logo (the one of Elliot going on the bicycle and flying up to the moon) the logo says, "Amblimation" and Fievel is pushing it, then he stands next to it and his hat falls down over his eyes.
- Alternative VersionenWhen it was released on DVD and Blu-ray in early 2017, the infamous penis doodle is cut from the film completely, as it was finally detected after all these years.
- VerbindungenEdited from Feivel, der Mauswanderer (1986)
- SoundtracksSomewhere Out There
Music by James Horner and Barry Mann
Lyrics by Cynthia Weil
Performed by Cathy Cavadini
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Un cuento americano: Faivel va al oeste
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 22.166.041 $
- Eröffnungswochenende in den USA und in Kanada
- 3.435.625 $
- 24. Nov. 1991
- Weltweiter Bruttoertrag
- 40.766.041 $
- Laufzeit
- 1 Std. 15 Min.(75 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
- 1.85 : 1