Amerikanische Freundinnen

This film, based on the journals of Michael Palin's great-grandfather, is of course humorous, but also teaches a valuable lesson. The script is fantastic, the camera work is beautiful, the acting is superb, and the story, while entertaining, is also quite deep. A must-see for anyone looking for a good film.

There is plenty of atmosphere in this film. It portrays the conflict that occurred in the universities of the day (1866) between the traditional and the newer blood that was required to bring the universities into the modern world. It is almost an allegory showing the old world (Oxford) as it battles against the influence of new ideas represented by the new world (the 'American Friends'). Michael Palin is excellent in the role of Mr. Ashby. Throughout the film he portrays in a wonderful manner the bewilderment of facing the challenge of coming to terms with new order represented by Mr. Sime (Alfred Molina) in the challenge for the presidency of the college. In the end he follows his heart (and probably his head as well) and leaves the old world to its devices. Well worth watching.

Rev Francis Ashby is a bookish and retiring don at Oxford who reluctantly gives in to his colleagues insistences that he go for a holiday. Enjoying the peace and quiet in the Alps he is initially disturbed by the arrival of a group including an American woman (Caroline) and her teenager ward (Elinor). However, acting as their guide when the rest of the group returns to the lodgings, Ashby starts to fall for the darling Elinor but, after slight bonding, he is called back immediately due to the failing health of the college president. When his American friends come to Oxford to visit, their arrival throws the college into a tizzy and he finds himself in competition with others for not only the role of president but also for the hearts of his friends.

Watching this film for the third time since its release in the early nineties I decided to review it and, looking at the title page was astonished (yes, really) to see that only 106 people have voted on it. I know this is not a total representation of how many people have actually seen it but I was surprised how such a well-known film appears to be underseen (although it may say more about the demographics of those that use this site most). This is not to imply that it is an excellent film but it is a well paced film that is enjoyable on its own terms. For those expecting great sentiment you will be let down, likewise those expecting a Merchant Ivory film, or a very comic film but those open to a nicely sensitive little tale that is slightly comic but more enjoyable for being restraining and being very true to the Englishness of its subjects and the polite behaviour of the period.

Based on his own grandfather's diaries, Palin has done a good job as both writer and director to capture the period and deal with the subject in a way that is unshowy but not stale, sensitive and patient but never dull and comic without ever being so crude as to actually make you laugh out loud. It isn't fantastic of course but it is nicely lowkey and it is enjoyable for what it is. As actor Palin continues this good work and he delivers a very restrained and shy performance – even more amazing when you think this is a Python! Booth and Alvarado are both very attractive and restrained at the same time and effective if not memorable. Molina, currently playing a superhero baddie, plays a 'baddie' of another sort here and he pitches his character well to be dastardly while still keeping within the period. Support from Jones, Firth, Eddison and others is good and they all keep to the period and the material yet.

Overall this is not an amazing film or even a really good one, but what it is is a well written period drama that is delivered well enough to prevent it being dull and it comes over as a nice little film that is pleasing to watch even if it never sets the screen on fire. An undervalued little drama that is a well handled, very personal film from Palin who does very well in all three of his roles.

I confess that I've never found Michael Palin very funny. His desperate mugging in "A Fish Called Wanda" marked a particular low. And his many, many travel documentaries have at times stretched to breaking point his ability to say something interesting about his journeys. But, and against type, his finest work as performer and writer is "American Friends" and it is very fine indeed.

Based on the true story of his great grandfather, it is a wonderful, gently comic evocation of the claustrophobic lives - and obligatory bachelorhood - of 1860's Oxford University academics (the repressive world which spawned Lewis Carrol). A wonderfully rich, gently comic performance too by veteran Robert Eddison as the dying head of the college, surrounded at the end simply by his college fellows. Entirely devoted to academic excellence and religiosity, only occasional male horseplay for some ever interrupted their high-minded bachelor lives. The natural candidate to take over as head of the college, the Palin character, thus seemed fated to live and die within its confines just as had his predecessor. Reluctantly persuaded to take a short walking summer holiday alone in the (beautifully filmed) Swiss Alps, suddenly into his late bachelor life comes Womanhood, Beauty - and Love - in the shapes of a middle-aged American lady and her young ward. Again a wonderful poignant dignified performance by Connie Booth; her young ward's youth and beauty making her suddenly aware that her own looks and prospects are now both very much on the downward slope.

An inauthentic jarring note was Alfred Molina's portrayal of Palin's academic rival; so openly leering, crude and dissolute, it was difficult to imagine that he could have coexisted with his high-minded fellows - unless they were so very unworldly that they failed to understand him.

Curiously very reminiscent indeed of "Goodbye Mr Chips" (1935), arguably American Friends is a far better film; subtle, gentle and beautiful. Palin was a student at Oxford and there is affection, respect and an intense attention to period feel in his portrayal of the character and the place.

It's 1861 Rev Francis Ashby (Michael Palin) is a senior Oxford teacher holidaying alone in the Alps. He meets the American family Hartleys. Young Elinor (Trini Alvarado) is especially taken with Mr Ashby. None of the teachers are allowed to marry. When Elinor and Caroline Hartley surprise him arriving at Oxford, they aren't even allowed to stay on the College grounds. Oliver Syme (Alfred Molina) is a scheming new-thinker, and becomes a challenger to the morally unblemished Ashby for the post of College President.

Michael Palin wrote the story, and probably has taken great personal stakes in this movie. It seems that much effort has been put into maintaining the authenticity in the relationship between the sexes. The monastic feel of college life can be a very trying watch. It's very stale and not very exciting. Even a great debate sound dry and uninteresting.

The woman's touch allows the movie to gain a bit of color. Michael Palin is painfully reserved. There is an intense love story amidst the sexual repression to be had, but the pacing is so slow that it never gains the energy to lift off. Palin and Alvarado need more time together. The movie gains some altitude when they are hiding in his room. However the emphasis keeps being pushed to the developing scandal rather than the developing romance. Instead of a love story, it's a story of propriety.