Die Addams Family

The Addams family are far from being normal but they are rich and as such are their attorney's only chance of getting rich. Tully has debts up the yazoo and the only thing that stops his knees being violently replaced with fresh air is the fact that Abigail Craven's son Gordon looks eerily like Gomez's missing brother Fester. Shaving his head, Gordon enters the Addams home as Fester and tries to use his spare time to get into the family vault. However Gomez's joy at his return is gradually marred by a sneaking feeling that Fester is not himself – meanwhile Wednesday has no such doubts at all and is out to expose the impostor.

One of the few remakes that actually works, The Addams Family takes the Gothic humour of the TV series and makes it feel fresh and entertaining. The story is essentially a nail for us to hang our coats on so we can watch the gags come but even with this it is actually pretty good. Making one of the family a "new character" is a clever way of adding to the formula without having to bring in new characters to lead the film and it does work. Within this frame the twisted comedy is rather entertaining and, although rarely laugh out loud funny, it is still consistently amusing and enjoyable.

The cast are roundly good. Julia is a perfect Gomez and Huston is a great Morticia despite the latter being a fairly one-note affair. Lloyd is enjoyable in the lead and manages to do well to carry the "new character" aspect of Fester without disrupting the dynamic of the family. Ricci is excellent and the only downside is that the film doesn't give her enough to do; Workman is also good and has good chemistry with her. Hedaya, Wilson, Ivey and others are strong in support and generally do well to shore up the story.

Overall a kooky affair that is enjoyable in you are in the mood for its particular brand of dark silliness. The plot is more than enough to act as a frame, the jokes maybe don't hit many real highs but they do consistently get very close to the target and the fact that the actors all buy into the joke makes it that little bit better. An enjoyable remake that succeeds because it has the strength to stand as its own beast.

The Addams Family has had a death... Fester Addams. But lo and behold, their lawyer knows a man who resembles Fester and if he passes the impostor off, could gain access to the family vault, full of treasures untold. But can the fake Fester survive the family's maniacal games?

I don't have much experience with older incarnations of the Addams Family. So, I can't make an educated comparison. However, this film excels in every way: macabre, humorous and just plain eccentrically absurd. The casting is also amazing... Raul Julia in the performance of his career, and Christopher Lloyd in a very offebeat role even for him.

This was a breakout performance for Christina Ricci (playing Wednesday Addams). Sure, it possibly typecast her into weird roles ("Casper", "Sleepy Hollow", "Pumpkin") but this is, beyond a doubt, where she fits. She can do drama ("Monster", "Black Snake Moan") but will always be America's goth girl.

This film's dark humor is family appropriate -- cartoon violence, no nudity and marginal language. They simply do not make films like this anymore. Full credit must be given to the writer and director for bringing this family to life in a way that just cannot be repeated. Well, aside from the sequel.

Extremely enjoyable update to the old t.v. show retains the eccentric spookiness and oddball humor of old, then proceeds to update the warped family familiarity with a rousing sense of decadent glee. The unexpectedly classy affair benefits greatly from the amazing casting that went into choosing all the Addams clan. What is nothing short of ensemble perfection, a sense of fun had by all on set during production remains undeniably infectious throughout, lending the amusing proceedings a distinct level of class.

Directed by easily digestible Barry Sonnenfeld, The Addams Family may be a bit intense for young kids but should stay a delight to all others. A wonderful, gentle perversity that hangs over the entire family might have pushed things a little too far to justify this family film to the younger set, but will stay surprisingly balanced with an outpouring of heart and morality,simply flipped inside out here, for comedic intent.

Wonderful set and prop design mixed with it's politely warped sense of humor would have been enough to make Addams Family the success it became, although it was the brilliant casting which continues to uphold a credibility for this film. Led by the outstanding (and sadly missed) Raul Julia, nearly every single family member wears their role with an unreal amount of dignity, making the fairly standard plot completely memorable.

Charles Addams' dark characters get the film treatment in Barry Sonnenfeld's THE ADDAMS FAMILY, which is something of a cross between the actual New Yorker comics and the 1960s television show. Not trying to lean too far to either, the movie stays at a safe plane, even incorporating a vague plot involving two grifters, Gordon and Abigail Craven, posing as Uncle Fester and a renowned psychiatrist (Christopher Lloyd and Elizabeth Wilson) who are in cahoots to rob the Addams of their fortune and house. The problem arises when Craven seems to go against his take-the-money-and-run attitude and when the Addams themselves appear to enjoy every minute that they're being taken advantage of. It suits the dark humor well, because since the Addams live in an alternative universe of their own creation in which dark is light, repugnant is beautiful, pain equals pleasure, death is life, and chaos equals order, it leaves the door open for many of their Gothic eccentricities to pull the rug over Lloyd and Wilson over and over again. It's clever, although its only problem is the "needing to introduce the characters we all know" setup which like in all movies based on comics or television shows, looks obvious.

But despite this, everyone is uniformly excellent. Raul Julia and Anjelica Huston lend their looks to embody their cartoon counterparts and are the romantics at the heart of this decidedly perverse story. Christopher Lloyd is also great in his representation of Uncle Fester. But hands down: the one who walks away with the entire movie is Christina Ricci who plays Wednesday as if she were living the role day by day. There's a sadistic gleam in her eyes and her voice that not many child actors have and I think that any other actor of the time that this film was made would have been unable to fit into this difficult part. Other than that, the tone of the movie is perfect: as dark as it wants to be, but never letting its Gothic setting drown it in an inescapable mire. On the contrary, we're constantly aware that this is a typical American family who lives upside down and who are happy in being so even when we gawk and cringe at their oddities.

The Addams are an unique wealthy macabre family. Their corrupted lawyer Tully Alford (Dan Hedaya) owns money to a loan shark. Together they plot to inject a fake Uncle Fester Addams (Christopher Lloyd) into the family so he could search for the family treasure of gold Doubloons.

Barry Sonnenfeld has created a well made Gothic Addams world. The family is played by Anjelica Huston, Raul Julia, and Christina Ricci as young Wednesday Addams. This is mostly amusing especially what Wednesday keep doing to Pugsley. All the performers are wonderful. They have all the fun creating these amazing characters. The whole setup is incredibly inventive. The story itself is a bit of a grind. It would be better for the Family to clash more with the 'normal' suburban life. The regular jobs are funny. The kids should wreck havoc on regular school. That's the better sweet spot.