Füge eine Handlung in deiner Sprache hinzuPolitician Michael Murray's life entwines with headmaster Jim Nelson's, changing their trajectories when their paths cross unexpectedly.Politician Michael Murray's life entwines with headmaster Jim Nelson's, changing their trajectories when their paths cross unexpectedly.Politician Michael Murray's life entwines with headmaster Jim Nelson's, changing their trajectories when their paths cross unexpectedly.
- 2 BAFTA Awards gewonnen
- 5 Gewinne & 7 Nominierungen insgesamt
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This is British drama at it's ultimate. There has been little to touch it since it's release. Bleasedale's script is full of twists and turns taking you from outright hatred and revulsion of the main characters through pity, sympathy and finally on to adoration.
The story is truly mesmerising, on the face of it a plain story of extreme left-wing politics in local government. So very typical of the late 70's and early 80's Britain and led to the phrase "Loony Left".
As the story progresses we learn that not all is quite what it seems. Michael Murray (Robert Linsay) is shown to be just as much of a pawn of the system, as the wretched Jim Nelson (Michael Palin) who he tries to take down in the first few episodes.
The acting is powerful, and way beyond what is expected of a TV drama. Look out for many of Bleasedale's favourite actors throughout the story.
Sadly this was one of the last real dramas produced and funded by UK Channel 4 before they were forced by the UK government to produce more 'popular' programming. A move that eventually forced C4 from becoming the major source of funding for British film, into nothing more than a proud sponsor.
The story is truly mesmerising, on the face of it a plain story of extreme left-wing politics in local government. So very typical of the late 70's and early 80's Britain and led to the phrase "Loony Left".
As the story progresses we learn that not all is quite what it seems. Michael Murray (Robert Linsay) is shown to be just as much of a pawn of the system, as the wretched Jim Nelson (Michael Palin) who he tries to take down in the first few episodes.
The acting is powerful, and way beyond what is expected of a TV drama. Look out for many of Bleasedale's favourite actors throughout the story.
Sadly this was one of the last real dramas produced and funded by UK Channel 4 before they were forced by the UK government to produce more 'popular' programming. A move that eventually forced C4 from becoming the major source of funding for British film, into nothing more than a proud sponsor.
I dont know what it was in the 90's but UK TV produced GBH, Our Friends in the North and Prime Suspect.
My favourite was GBH, it is so substantially long that all characters receive the fleshing out they deserve, some episodes are hard hitting drama, others are on a smaller more personal level and others are out and out hilarious (one commentator mentions the daleks scene which was verging on slapstick in the midst of high drama and yet it worked perfectly).
Simple to follow yet complicated plot, great all round performances cemented by towering contributions from Robert Lynsey and Michael Palin, while the script wears its heart on its sleeve it does not become too sentimental, nor does it lecture.
Perfect television, and criminally unreleased on dvd, Channel 4 would make a packet if they repeated it then released a spec edition.
My favourite was GBH, it is so substantially long that all characters receive the fleshing out they deserve, some episodes are hard hitting drama, others are on a smaller more personal level and others are out and out hilarious (one commentator mentions the daleks scene which was verging on slapstick in the midst of high drama and yet it worked perfectly).
Simple to follow yet complicated plot, great all round performances cemented by towering contributions from Robert Lynsey and Michael Palin, while the script wears its heart on its sleeve it does not become too sentimental, nor does it lecture.
Perfect television, and criminally unreleased on dvd, Channel 4 would make a packet if they repeated it then released a spec edition.
GBH is a remarkable miniseries: superbly written, directed and acted. The characterisations are especially outstanding, with some of the most genuinely nasty bad guys I've ever seen; though many of the main characters are multi-faceted, and evolve before your eyes as the series unfolds.
In part it's a story about how The Left can be manipulated by the Far Right; in other ways it is a character study, particularly of Palin's character - even if occasionally the comedy sits just a little uneasily with the drama. Given the series' intensity though, it's faintly amazing that they were able to get with some scenes at all.
I do have a few criticisms of GBH. At times it can be painfully slow, with some scenes which are stretched out for minutes, to no real purpose. Also, the eccentric, obnoxious hotel owner is obviously inspired by Basil Fawlty, and his antics get just a little distracting.
I would give GBH about 8.5, but to quote a record review I remember reading (actually it was of an Elvis Costello album, and Costello provides background music to the series), "by the standards of mortal craftsmanship, this is a wondrous thing indeed."
In part it's a story about how The Left can be manipulated by the Far Right; in other ways it is a character study, particularly of Palin's character - even if occasionally the comedy sits just a little uneasily with the drama. Given the series' intensity though, it's faintly amazing that they were able to get with some scenes at all.
I do have a few criticisms of GBH. At times it can be painfully slow, with some scenes which are stretched out for minutes, to no real purpose. Also, the eccentric, obnoxious hotel owner is obviously inspired by Basil Fawlty, and his antics get just a little distracting.
I would give GBH about 8.5, but to quote a record review I remember reading (actually it was of an Elvis Costello album, and Costello provides background music to the series), "by the standards of mortal craftsmanship, this is a wondrous thing indeed."
Just an addendum to my review: someone commented on the important scene which takes place during a Dr Who convention. 28 years previously, G.B.H. executive producer Verity Lambert had been the legendary original producer of Dr Who, who recruited William Hartnell as the first Doctor. There's no way that scene was a coincidence :)
Putting aside Robert Lindsay's much deserved BAFTA for his portrayal of sleazy politician Michael Murray, this show is worth watching because Alan Bleasdale's script is simply phenomenal. Even when the plot actually on occasion does move where you think it will -- you'll still be surprised, amazed, amused, angered. In short, this must be something like the Elizabethan audiences felt when they first watched Hamlet. The script is densely layered, mounting complexities upon issues upon personalities. And for all that, one doesn't have to be a genius to understand it and be moved through a number of emotions and reactions before finally being hung out to dry. It's brilliant.
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- WissenswertesAlan Bleasdale originally offered the role of Michael Murray to Michael Palin. At that time, Robert Lindsay was busy working on a movie in the U.S. and was not available. When Lindsay became available a few weeks later because his U.S. project had fallen through, Bleasdale offered him the role of Michael Murray, saying that it was the part that he (Bleasdale) had always wanted Lindsay to play. Rather embarrassed, he asked Palin to play Jim Nelson instead. Michael Palin freely admits that Robert Lindsay portrayed Michael Murray far better than he (Palin) would have done.
- Zitate
[a Doctor Who convention is taking place in the hotel. A man dressed as a Dalek is following a woman dressed as Doctor Who's assistant Jo Grant towards her bedroom]
Dalek: [Dalek voice] Foooooooooornicate! Foooooooooornicate!
- Alternative VersionenThe series was originally broadcast in seven episodes of approximately 90 minutes each; however, for some repeat screenings, the series has been recut into 10 hour-long episodes.
- VerbindungenFeatured in Right to Reply: Folge vom 20. April 1991 (1991)
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