A Bit of Fry and Laurie

Monty Python's footballing philosophers sketch is a good example of the painful varsity guff that has been a part of British TV and radio right up until today's 'League of Gentlemen'. It isn't what Fry and Laurie do at all. They plough a completely original furrow of snatched conversation, admass and inane banter that forms an impressionistic picture of the most baffling and frustrating 'bits' of the British experience.

A collection of sketches and routines that could well baffle some foreign viewers who may not understand the love/hate relationship that most sensible Britons have with their country. For example, in mentioning the town 'Utoxeter' Fry and Laurie are able to throw the audience completely. One viewer may remember a trip to the town, another may never have been there but is able to wonder quite how unpleasant/pleasant it may be. Some will know that there is a race track there but know no more. And we all get to celebrate a name that is bound to be far more interesting than the place it's self. Don't let that put you off. Most of their material is more universal than this example implies. It's this kind of circular thinking that Fry and Laurie spend most of their time exploiting while also chucking in TV show pastiche, songs and quite a few traditional 'shop sketches' that simply leave Monty Python wheezing on the touch-line. What I mean is that random elements are seemingly clumsily adhered to tried and tested comedy formulae to create something quite striking and original.

It's not to everyone's taste but if you believe that stupidity and intelligence are the two vital sides of the comedy coin then this pair may be for you.

Well, really I don't know what to write, as I summarised it all in the title of the review! "A Bit of Fry and Laurie" is a programme that is unique of its time. There were other surreal comedy products in the 80s, such as the Smell of Reeves and Mortimer, The Young Ones and some of the Comic Strip Presents material. However, this is the only mainstream show which managed to effectively bridge the gap between sophistication and comedy, yet somehow managing to avoid coming across as pretentious.

Often as silly as it is clever, the comedy never falls into the trap of alienating a certain audience, always having something for everyone to enjoy, yet never compromising its unique style in doing so.

It's no surprise that the stars of the show are Stephen Fry - renowned for his intelligence and cultured nature and Hugh Laurie - renowned for his quirky and laughter-inducing surreal style. Combined, they make a perfect team.

In the 80s and 90s Rik Mayall and Adrian Edmondson were known as the kings of the 'nob gag'. Stephen Fry and Hugh Laurie will forever be the distinguished gentlemen of surreal wit.

This is the BEST comedy sketch show I have ever seen, besides or perhaps alongside with Monty Python. Their characters are flawless and the duo are absolutely perfect for one another. Laurie wonderfully balances out Fry's excellent but at times overbearing presence, while Fry brings Laurie round and supports him subtly but effectively. Possibly the most outstanding aspect of this marvel is their hilarious and creative wordplay, which is made even better by Lauries comical physical comedy and Fry's occasional hilarious slapstick. An example of their creativeness is seen here:

Fry: "Which of sir's manifold hairs would he care to place in my professional care for the purposes of securing an encutment?"

Laurie: "Well, all of them."

Fry: "My, I haven't cut a full head of hair since before the war!"

Another favorite of mine is the recurring skit of Tony and his coffee-obsessed boss Control, as their interactions are robotic and excessively civil, while at the same time having innuendo like undertones. They supposedly work for the CIA.

This is, again, the most drop-dead hilarious show you will ever come across. If you see only one of Hugh Laurie's or Stephen Fry's works, let this be it!!!

Having never seen ABOFAL on TV, I've now watched all of Seasons 1 and 2 on DVD. To be fair, one should note that not every sketch delights--some are perhaps a shade too random and give us little to hang on to or identify with; but when Fry gets going on his "overly-florid-speech" character, with Laurie as the increasingly put-out straight man, we're in LOL territory. A particular highlight of Season 2 is the extended sketch in which an effete, reticent Laurie is charged by Fry's menacing spy/terrorist with planting a bomb in a local restaurant--then this scenario plays out alongside two or three other situations in the restaurant--each one terrific--with Fry and Laurie playing multiple characters.

In addition to the six episodes of Season 2m the DVD includes a 45ish-minute "Cambridge University Footlights Revue" that, while inconsistent in tone and quality, shows off Fry and Laurie and some of their contemporaries (including Emma Thompson) at college-age, looking freshly scrubbed and adorable. Fry, in particular, had yet to gain his extra poundage--his slender face is beautiful and he is a veritable panther in terms of physical grace. He, solo, also has the best piece in the "Revue," a recitation called "The Letter" that recounts, with raucously funny wordplay, his Harkerian visit to Transylvania to respond to the legal needs of one Count Dracula. ("The journey through Eastern Europe had passed pleasantly enough. I'd picked up a little German on a previous visit, and he and I had met up again at Ragensberg. Now, night was just falling as I knocked on the mighty oaken door, and heard the answering echoes ring through the castle. After what seemed a cliché, iron bolts were drawn back..." "I tried to question Travolta as to the nature of the Count's business as I dressed for dinner, but he made the sign of the cross and said nothing. I asked him why there were no mirrors in the castle, but this time he made the sign of the very cross indeed, and spat." "The wind whistled all through the night, and other Welsh hymns. I arose early, made my toilet, sat on it, and then came down to breakfast.")

If you love comedy that can be intelligent and frivolous at the same time, A Bit of Fry & Laurie is the perfect show to view. Fry and Laurie each bring to the table their own form of comic genius which when combined becomes an explosion of guaranteed laughs. Anyone who has seen this show has their own favorite sketches. Some love the spy sketches in which Fry & Laurie satirize the British Secret Serivce and the mechanically amiable Tony and Control. Others may prefer the Utoxiter sketches featuring the pair as scotch-sucking John and Peter, always trying to outwit their rival, Margorie. My own personal favorites are Hugh Lauries singing numbers (particularly in the fourth series) and any sketch that involves Hugh Laurie and a bar (in particular the one with Fry as the piano player whom he forces to play "Strangers in the Night." For those who enjoy satirical comedy at its best, you will love the work of Fry and Laurie.

As a citizen of the United States, my exposure to the brilliance of British comedy is limited to one night a week on public television. I was familiar with Hugh Laurie from Stuart Little and his guest appearance on Friends. It was in 2004 when I began watching House and became fascinated by the acting of Hugh Laurie. Okay that's an understatement, I fell in love with him. I searched his name on my library database and found that he was in a show called Blackadder. This was my first experience with British comedy and I think it was an amazing show to begin with. With Blackadder I became familiar with British terms and slang, and I began to watch more British comedy on television. When I found this show that was chocked full of Hugh Laurie, (I mean, his name was in the title!) I jumped at the opportunity to view all four series. I was now familiar with some British pop culture and the work of both Fry and Laurie, and I feel that a better pair could not join together than these two brilliant gentleman. Each of them has their own unique qualities that makes the show twice as hilarious. Stephan has the ability to say any random phrase that can make absolutely during conversation without breaking the tone, and his satirical comments are classic. Laurie possesses brilliance with accents and musical talent as well as his ability to play a range of characters from an uptight and short tempered upperclassman to his rather goofy side that is often used in the introduction. (I apologize for that run-on sentence. I get carried away when I discuss Hugh Laurie.)

Hugh Laurie and Stephen Fry bring something very rare to comedy (especially in the United States). They don't spell everything out for the audience. It's hard to explain if you have never before seen their comedy, but what would be a complete joke for another show is only a section of a joke for Fry & Laurie, and not even the punchline. I guess what I mean is that they keep the entire sketch funny, rather than the traditional way of keeping it serious to the punchline. Well, I think I've bored you enough with my thoughts of the show so I will leave you with a phrase which I think sums up all of my thoughts completely: Soupy Twist.