A Bit of Fry and Laurie

A real gem of a program for anyone who likes their humour dry with a hint of genius! It is said that there are two types of comedy performers, clowns and wits but Fry & Laurie break this rule from the off. With perfect awareness of their characters physical presence they bring the intelligent, charming, surreal and downright odd sketches to life with zest and sheer love of wordplay and being silly for the sake of it. Note to the BBC please pull your finger out and release every last bit of this fine comedy series on dvd right now!

This is the BEST comedy sketch show I have ever seen, besides or perhaps alongside with Monty Python. Their characters are flawless and the duo are absolutely perfect for one another. Laurie wonderfully balances out Fry's excellent but at times overbearing presence, while Fry brings Laurie round and supports him subtly but effectively. Possibly the most outstanding aspect of this marvel is their hilarious and creative wordplay, which is made even better by Lauries comical physical comedy and Fry's occasional hilarious slapstick. An example of their creativeness is seen here:

Fry: "Which of sir's manifold hairs would he care to place in my professional care for the purposes of securing an encutment?"

Laurie: "Well, all of them."

Fry: "My, I haven't cut a full head of hair since before the war!"

Another favorite of mine is the recurring skit of Tony and his coffee-obsessed boss Control, as their interactions are robotic and excessively civil, while at the same time having innuendo like undertones. They supposedly work for the CIA.

This is, again, the most drop-dead hilarious show you will ever come across. If you see only one of Hugh Laurie's or Stephen Fry's works, let this be it!!!

I liked Jeeves & Wooster a lot. But it wasn't until I saw BlackAdder that I truly became a fan of Stephen Fry and Hugh Laurie. Over the years I have shifted more toward Laurie than Fry, with "House" completing that shift. (Okay, I'm a House fanatic.) But, living in the U.S., I had never been able to see ABOFAL (other than the occasional sketch posted to the internet). Fortunately, the first two series are now out on DVD. And I've just finished watching the first one.

These men are spectacular together. The acting is beyond reproach. But it is the writing that deserves special note. It is sharp, funny, sly, silly and merciless in skewering the pompous and the ordinary alike. But, above all, it never condescends. They assume the audience is a smart as they are.

I'm tempted to give an example, but so many of the sketches have hilarious twists at the end and I wouldn't want to ruin any of the punchlines for future viewers. But I can promise you at least two or three laugh-out-loud moments in every episode (even if you are watching all by yourself, as I was.)

I do have one quibble which kept me from giving ABOFAL a score of 10. The person who mixed the soundtrack on the DVDs should be taken out and tortured. Slowly. And painfully. There is a laugh track that is silent until they get to a punchline. Then it is dropped in, loudly enough to rattle the walls, frequently ruining the next line. And, in the final sketch in Series 1, the music actually drowns out the actors.

Edit - I have since learned that ABOFAL did not use laugh tracks. The laughter was from the studio audiences (and those tapes have since been used as laugh tracks on other shows.) So the problem was not that they added laughter too loudly, just that the DVDs had a sound mixer who did not comprehend that letting the at-home audience hearing the dialog is more important than proving that the studio audience enjoyed themselves at the taping.

Amidst the 'alternative' comedy chaos of the '80's, 'A Bit Of Fry & Laurie' arrived almost unnoticed. Unlike 'The Young Ones', it had no ambitions to 'tear up the rule book book of comedy', but simply to present funny, surreal sketches. 'Not Only But Also' was undoubtedly an influence; highlights included 'Its A Wonderful Life' starring Rupert Murdoch, 'Kickin' Ass', and the 'Tinker, Tailor, Soldier, Spy' send-up with Fry as a Smiley-type intelligence boss who comes out with such cryptic phrases as: "You know I can't stick The Department up my arse, George.". Another notable feature were the vox pop sequences. As a double act, Fry and Laurie were peerless. After three excellent seasons, the show moved to B.B.C.-1 for its final run, which predictably became bogged down by guest-stars such as Caroline Quentin. The pair then split to pursue successful solo careers. It would be nice to think that they might come together again some day to give us more of their offbeat brand of humour.

Having never seen ABOFAL on TV, I've now watched all of Seasons 1 and 2 on DVD. To be fair, one should note that not every sketch delights--some are perhaps a shade too random and give us little to hang on to or identify with; but when Fry gets going on his "overly-florid-speech" character, with Laurie as the increasingly put-out straight man, we're in LOL territory. A particular highlight of Season 2 is the extended sketch in which an effete, reticent Laurie is charged by Fry's menacing spy/terrorist with planting a bomb in a local restaurant--then this scenario plays out alongside two or three other situations in the restaurant--each one terrific--with Fry and Laurie playing multiple characters.

In addition to the six episodes of Season 2m the DVD includes a 45ish-minute "Cambridge University Footlights Revue" that, while inconsistent in tone and quality, shows off Fry and Laurie and some of their contemporaries (including Emma Thompson) at college-age, looking freshly scrubbed and adorable. Fry, in particular, had yet to gain his extra poundage--his slender face is beautiful and he is a veritable panther in terms of physical grace. He, solo, also has the best piece in the "Revue," a recitation called "The Letter" that recounts, with raucously funny wordplay, his Harkerian visit to Transylvania to respond to the legal needs of one Count Dracula. ("The journey through Eastern Europe had passed pleasantly enough. I'd picked up a little German on a previous visit, and he and I had met up again at Ragensberg. Now, night was just falling as I knocked on the mighty oaken door, and heard the answering echoes ring through the castle. After what seemed a cliché, iron bolts were drawn back..." "I tried to question Travolta as to the nature of the Count's business as I dressed for dinner, but he made the sign of the cross and said nothing. I asked him why there were no mirrors in the castle, but this time he made the sign of the very cross indeed, and spat." "The wind whistled all through the night, and other Welsh hymns. I arose early, made my toilet, sat on it, and then came down to breakfast.")