Füge eine Handlung in deiner Sprache hinzuSandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relations... Alles lesenSandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.Sandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.
- Regie
- Drehbuch
- Hauptbesetzung
Axel Lott
- 'Female' Backup Singer
- (as Axel Vera)
Estuardo Volty
- 'Female' Backup Singer
- (as Estuardo M. Volty)
Vonte Sweet
- Child Caroler
- (as Vonte' Sweet)
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I cant believe how few people posted comments!? (original post June 2005) Thats just shows that not many people care about this film...and thats sad. I had the privilege to see her perform her 1 woman show LIVE w-a-a-a-y back in1988 (or so? i cant remember) and it was HYSTERICAL!!!! She is a fantastic writer and stand up comic. The live audience laughter was infectious and I remember thinking she was a brilliant performer. But somehow seeing the same monologues performed on film spoken in a smoky Jazz nightclub to a less than enthusiastic crowd of actors (who probably had a very hard time keeping a straight face) was just not as funny. Sandra If you read this PLEASE PERFORM THIS SHOW LIVE AGAIN. IT'S TIME. or maybe you have. I'm going to look out for you more now.
(POST UPDATE: Film is being shown at OUTFEST Los Angles July 2009 YAY!!!).
(POST UPDATE: Film is being shown at OUTFEST Los Angles July 2009 YAY!!!).
Sandra shows that she really has loads of talent in this quasi-concert film, a la Stop Making Sense.
She is too-hip-gotta-go in attitude, but this is part of her schtick. The revelation here is her voice - which is absolutely lovely. The band and musical arrangements are very cool, and slyly swinging.
The format of the film is very clever, and most of the pieces work wonderfully. When she announces that her true musical hero is Patti Smith any reservations I had crumbled, as they deserved to.
She certainly captures the irony of her title. The film is absolutely worth seeing . . .
She is too-hip-gotta-go in attitude, but this is part of her schtick. The revelation here is her voice - which is absolutely lovely. The band and musical arrangements are very cool, and slyly swinging.
The format of the film is very clever, and most of the pieces work wonderfully. When she announces that her true musical hero is Patti Smith any reservations I had crumbled, as they deserved to.
She certainly captures the irony of her title. The film is absolutely worth seeing . . .
This is one of those unfortunate films that suffered an even more sad, unfortunate death at the box office. I saw this film at a local art cinema,in revival form,shortly after it tanked in mainstream cinemas. It certainly deserves to be approached a second time (or even a third). Sandra B. takes it to the limit by doing spoken word & taking on some well known songs in this piece (her version of Hank William's 'I'm So Lonesome I Could Cry' could easily move you to tears). Maybe someday, audiences will be ready to take this film a bit more seriously (but not without some well placed laughs,too). The film moves at a brisk pace (thanks to some nice editing),so that some viewers will not find it stale & boring. Perhaps a revival is just down the pipeline.
Sandra's kick*** one-woman, off-Broadway show is made into a poor man's art house film: the result is a wildly uneven ride that contains some hilarious bits and is still more than worth a look.
Her performance in Scorsese's The King of Comedy will always be her best and she's without peer when appearing in front of a live audience; yet the depressed blues singer who unleashes her anger about her narcissistic hairdresser boyfriend, the growing-up-with-my-parents and the 'I'm straight, man!' monologues, and the sexy, in-your-face ending are wonderful bits that equal those aforementioned examples of her talent and wit.
She's not everybody's cup of tea to be sure but those who appreciate her sharp edge and straightforward style will be grateful this film exists. Now if we can get it out on DVD!
Her performance in Scorsese's The King of Comedy will always be her best and she's without peer when appearing in front of a live audience; yet the depressed blues singer who unleashes her anger about her narcissistic hairdresser boyfriend, the growing-up-with-my-parents and the 'I'm straight, man!' monologues, and the sexy, in-your-face ending are wonderful bits that equal those aforementioned examples of her talent and wit.
She's not everybody's cup of tea to be sure but those who appreciate her sharp edge and straightforward style will be grateful this film exists. Now if we can get it out on DVD!
Well, this might be one of the funniest movies of all time, and Sandy gives a tour-de-force performance! Alas, her career never quite took off, but - at last - she will always be remembered for her three first-rate pictures: "The King Of Comedy", "Dallas Doll", and "Without You I'm Nothing". She dons into different personas from New York socialite to Diana Ross to create a biting and hilarious critique of popular culture in America. Sexy and fierce, tender and sensual, philosophical and melancholic, she convinces the audience in every scene, and she actually IS "really pretty". Watch this one (if you're not from Iowa), you'll certainly enjoy it!!
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- Без тебе я ніщо
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.218.730 $
- Weltweiter Bruttoertrag
- 1.218.730 $
- Laufzeit
- 1 Std. 29 Min.(89 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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