IMDb-BEWERTUNG
6,1/10
2085
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring... Alles lesenNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
Anna Thomson
- Faith Hope
- (as Anna Levine Thomson)
Empfohlene Bewertungen
I thoroughly enjoyed this movie. The jokes about Albanians were hilarious and Peter Falk's character was the most ridiculous. Just one person creating so many multi dimensional characters. Especially the fire scene. Very dramatic.
Keanu Reeves and Barbara Hershey play very good characters with romantic interests in each other. Well you end up rooting for Keanu's character since he has such an endearing innocence. The backdrop, scenery and the costumes are very colorful and convincing.
The movie is a great joy to watch. It brings light to a entertainment medium that is hard to imagine in this digital age.
I love this movie. I love everything about it.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
From some of the other comments (especially the one complaining about the Southern accents), it's clear that people are judging this film at face value. This movie is not meant to be realistic! It's a whimsical, highly stylized fable, right in line with director Jon Amiel's best work -- and it's a delight from start to finish. Everybody in the cast is clearly having a great time -- particularly Peter Falk -- and if you have an open mind, and are willing to surrender to the film's atmosphere, you'll have a great time too.
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!
A sometimes uneven romp is overtaken by a simply brilliant performance by Peter Falk. Don't miss this overlooked jewel. Falk stars as a writer of radio serials who has been both a success, and ridden out of town, from every decent station in the country. Now in New Orleans, we discover his secret for success, and his hysterical passion to pull everything together.
This was my first Peter Falk movie and I certainly hope it won't be my last. I saw "Tune in Tomorrow" to see Barbara Hershey (a favorite actress of mine) but was completely taken with this funny, eccentric middle-aged man looking like either a French maid or a Jewish rabbi. The plotline was charming and the characters were cute...Simply that. Don't expect a whole lot out of "Tune in Tomorrow" because when you see it, it'll then blow you away. Keanu looked so young! Besides that, it was a very VERY funny movie with a lot of "Paris When it Sizzles" type fluff added to it. Very sweet. 9/10
WUSSTEST DU SCHON:
- Zitate
Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.
- Crazy CreditsThe opening credits are read over the radio instead of being shown.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Silent Classics (1990)
- SoundtracksChewin' Fat
Written by Wynton Marsalis
Performed by Wynton Marsalis and His Band
Featuring Johnny Adams
Top-Auswahl
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- How long is Tune in Tomorrow...?Powered by Alexa
Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.794.001 $
- Eröffnungswochenende in den USA und in Kanada
- 62.747 $
- 28. Okt. 1990
- Weltweiter Bruttoertrag
- 1.794.001 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Julia und ihre Liebhaber (1990) officially released in India in English?
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