Geschichten aus der Schattenwelt

Preparing for a dinner party, a witch starts to cook a young boy for the party, and when is told what will happen to him, decides to stall for time by telling her three stories while a local priest searches for a way to stop the whole thing.

The Good Stor(ies): Lot 249-Receiving a special package, a professor enlists several friends to open his newest prize, lot 249 from a special auction that contains the remains of an ancient Egyptian mummy, and becomes obsessed with trying to bring it to life using the magical scrolls sent along with it. Went a string of murders around their college campus appears to have them befuddled, they learn the secret of why the lot was bid on and try to get away from it. This is a light and breezy tale, mostly centered around the mummy's antics, as the few killings are quite eerie and creepy. The attack in the dorm, which includes the graphic killing where it removes the brain with a wire hanger through the nose, and a later one inside a living room is really great. The special effects on the mummy are great, making it look effectively rotten and crumbling, and it's destruction scene is great, playing that off as well. It ends predictably, but that's a minor after-thought here.

The Bad Stor(ies): Cat from Hell-Summoned to a giant mansion, a hit-man finds that his charge wants him to kill a cat. Surprising and a little befuddled over the request, he explains that the creature has had a long-standing habit of killing those in its path, including the former inhabitants of the house. Left alone to deal with it, he finds that killing the cat isn't the easiest assignment of his career. This here had a lot of potential, with an intriguing story and some really inspired ideas, notably the idea of the cat's motive for coming back. The flashback scenes are good fun, and the fact that a major attack sequence is shot through the cat's POV is really great. The main thing that stops this one is that it's way too long. The majority of the segment consists of the two talking about what the cats' done to deserve the punishment, taking a lot of drama out of the chase. The conclusion is also foretold from the beginning, which all of the stories consists of and makes it feel really uninspired.

Lover's Vow-Trying to create new artwork, a struggling artist is told by his agent that his work can no longer be represented through his agency. Walking through an alley, he runs into a strange woman out alone in the night and offers help. Becoming obsessed with a strange creature he saw that spared his life for the secrecy of its existence, he allows it to become his sole desire to his own detriment. What really hurts this one is the inordinate amount of cheese on display. The design of the gargoyle, with the large eyes, big mouth and intricate designs on the side of his head, make it more cute than fearsome. The easily determinable rubber used for the creation makes it another strike. There's also the fact that it takes way too long to get to its really good parts, concentrating on the romance angle way too much, and the way they get together also is a little unbelievable. As with the others, the ending is way too predictable and doesn't really get the chance to become the possible shock it could've had.

Rated R: Graphic Violence, Graphic Language, Brief Nudity and children-in-jeopardy.

Okay, not officially, but basically this Romero/King joint effort is a successor to their Creepshow movies as much as a movie-length version of the TV series Tales from the Darkside. Maybe they avoided calling it Creepshow 3 due to the poor take from the second movie? Regardless, while the framing device is merely adequate, all three of the stories are chilling enough. The first two stories are in the fine old EC Comics/Creepshow tradition of bad people getting their comeuppance in memorable style. The third is a rather touching romance, all things considered. The best segment is probably the first, with performances from Christian Slater doing his best Jack Nicolson impression, and cult-fave Steve Buscemi as a murderous grad student. But it's all pretty enjoyable if you like that kind of thing.

In director John Harrison's adaptation from the 80s TV series, four horror stories are told (one of them as a wraparound story) with different results, although the movie leaves the audience with a feeling of pure worthy entertainment.

The wraparound story stars ex-Blondie singer Deborah Harry as Betty, the typical next door woman, the only difference is that she hides her cannibalistic habits a a secret. Matthew Lawrence is Timmy, a kid who was kidnapped by Betty in order to be her dinner tonight. Timmy begins to tell her stories from the "Tales from the Darkside" book in order to gain time while he plans his escape. The stories Timmy tells are the other three stories in the movie.

First one, "Lot 249", stars Steve Buscemi as Bellingham, a misfit in a yuppie university. Bullied by Andy (Christian Slater), Lee (Robert Sedgwick) and Susan (Julianne Moore), he works as assistant in the Museum. When he receives Lot 249, troubles will begin as he revives an ancient mummy to do his will.

Second one stars William Hickey and David Johansen in a tale of a devilish cat that seems to haunt Hickey's character. Johansen plays a professional assassin hired to kill the feline.

In last one, writer Michael McDowell develops a love story loosely based on a Japanese tale. James Remar stars as Preston, a failed artist who is having the worst day of his life, as he watches his best friend being brutally killed by a mysterious beast who makes him promise that he won't tell anyone about it; everything looks worse until he meets Carola (Rae Dawn Chong), and his life changes for good. What would happen if he reveal the secret of the monster?

The four stories have very good performances, particularly those of Buscemi and Hickey. The downside is that while the three main stories present a very adult horror style with very gory scenes, brief nudity and foul language, the wraparound story looks tame and more similar to kid's horror like "Goosebumps". That doesn't mean that it's a bad tale, is just that it seems out of place in the film, but still the movie is good enough to keep the attention of the viewer.

Very good movie that it's almost forgotten today. The very good acting and the good SFX (although outdated for today's standards) create a very rewarding movie that surely will give entertainment. 7/10

Tales From the Darkside: the Movie was a very entertaining film. It has four stories in it. The first is a wrap-around story about a woman going to cook a ten year old boy for dinner, yet the child reads stories to her to try and delay his death. In a way, this is related to tales of the Arabian Nights. The three other stories are the ones told by the young boy. All of them are actually very interesting, have elements of fright, are generally well-acted, and have some kind of message. One deals with an ancient mummy out to avenge a smart yet socially outcast student at a college. Another story deals with a malevolent cat out to duel with a hitman paid $100,000 to kill a cat. Gruesome but great story with some real good acting, especially by William Hickey. Love that voice! The final story deals with a relationship between a gargoyle and an artist. An intriguing tale and has Rae Dawn Chong in it(a nice asset). All the stories are well-made and well-written, the wrap-around story being the weakest due to its resolution. Nonetheless, Tales From the Darkside is a fun horror film in the vein of Tales From the Crypt and Creepshow.

Tales from the Darkside mixes together three individual stories, all "narrated" by a kid in a "wraparound" story he's telling to a woman (Deborah Harry) preparing to cook him. As with Arabian Nights, Timmy is trying to stay alive by telling stories. The first story is the best of the three: "Lot 249" features Christian Slater as well as pre-fame Steve Buscemi and Julianne Moore in a mummy story. The pacing is good, the story works, and the acting is well above what one expects in a cheap horror story. The second story, "Cat From Hell" is an adaptation of a Stephen King short story about a cat that has killed its way through most of a family. An old man (William Hickey) hires a hit man (David Johansen) to kill his cat and the story goes from there. This is yet another example of a Stephen King story that works very well on paper but has gotten mangled horribly in translation to screen. Part of the problem is the special effects involving the cat look dreadful now - but I don't think they were even state of the art in 1990. Regardless, I don't quite know how you could film a fight between a man and a cat and not have the result end up looking ridiculous. "Cat From Hell" didn't really try very hard. The third story, "Lover's Vow", concerns a man who witnesses a friend murdered by some kind of gargoyle-type creature. The gargoyle promises to spare him his life in return for the man's pledge to never tell anybody about the encounter. It's an interesting premise that is tested when the man later hooks up with a young woman played by Rae Dawn Chong. Ultimately the story doesn't make all that much sense, and again the story is hurt by relatively weak special effects. The wraparound story works very well, as does "Lot 249", but ultimately that doesn't feel like enough to redeem the weakness of the other two segments. "Cat From Hell" in particular is a failure. But I would recommend watching the movie if only to see early-career work from Buscemi and Moore in "Lot 249".