IMDb-BEWERTUNG
5,2/10
1254
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA rape victim returns from the dead to seek vengeance on her rapists.A rape victim returns from the dead to seek vengeance on her rapists.A rape victim returns from the dead to seek vengeance on her rapists.
- Regie
- Drehbuch
- Hauptbesetzung
J. Cynthia Brooks
- Girl in T-Bird
- (as Cindy Brooks)
Empfohlene Bewertungen
I first saw this movie in 1991...pretty much the same time it was released to video store. It was a little too violent for me back then and made me a bit uncomfortable (I was just a kid). I just watched it again (I bought the tape through Amazon)...and I have to admit that it has stood up pretty well. It is a rather dark story but it has some rather interesting and creative kill scenes. Also watch for the forensic detective...he has some pretty funny comments about the murders. It is a pretty original movie...definitely B grade but worth a look.
7/10
7/10
Out of the all too numerous and all too familiar rape revenge films, "Steel and Lace" emerges as different and clever. This is no "Ms 45", but is definitely better than a lot of lesser exploitation movies. The acting is pretty good, with David Naughton and Bruce Davison best. The story is more than just blood letting, with the rape victim brought back as a cyborg and methodically terminating her tormentors. Her kill methods are somewhat creative, my favorite being decapitation by helicopter blade. Even though this was never intended as anything more than splatter, it has some welcome dark humor in the mix. "Steel and Lace" is a keeper. - MERK
Coming hot off the heels of The Terminator and RoboCop. Steel and Lace is another B-Grade cyborg film. This time with a twist it is a female killer getting revenge on yuppie rapists.
The plot is ridiculous, but at least it is original. Clare Wren puts in a great and surprisingly nasty performance. Mainly B-Movie veteran David Naughton is also class. Drawing influence from slasher films there are some gory deaths, but nothing you haven't seen before.
This film is hampered by its budget. Sparse uninspiring sets, dodgy special effects and boring action scenes. The real letdown is an insipid script with workman like dialogue that just drives the plot forward. There's no pizzazz or sparkle like in a Walter Hill script.
The unfortunate thing is I have seen elements of the same thing done better elsewhere. In Hong Kong action cinema you have B-Movie, Black Cat (1991) about a cyborg female assassin while not a masterpiece it delivers on action or the delerious and sexy, Robotrix. Loads of much better Rape & Revenge films Ms. 45, A Gun For Jennifer, even Dirty Weekend is more fun.
The Blu-ray has a slightly subdued colour palette, but is as good as it gets. Also gains a point for great cover art.
The plot is ridiculous, but at least it is original. Clare Wren puts in a great and surprisingly nasty performance. Mainly B-Movie veteran David Naughton is also class. Drawing influence from slasher films there are some gory deaths, but nothing you haven't seen before.
This film is hampered by its budget. Sparse uninspiring sets, dodgy special effects and boring action scenes. The real letdown is an insipid script with workman like dialogue that just drives the plot forward. There's no pizzazz or sparkle like in a Walter Hill script.
The unfortunate thing is I have seen elements of the same thing done better elsewhere. In Hong Kong action cinema you have B-Movie, Black Cat (1991) about a cyborg female assassin while not a masterpiece it delivers on action or the delerious and sexy, Robotrix. Loads of much better Rape & Revenge films Ms. 45, A Gun For Jennifer, even Dirty Weekend is more fun.
The Blu-ray has a slightly subdued colour palette, but is as good as it gets. Also gains a point for great cover art.
I went into Steel and Lace (original title "Lady Lazarus" more creative if less of a good sell for VHS) expecting to make a hackneyed "well, how about that Promising Young Cyborg! Huyuck" line, and quickly realized that with Bruce Davison as really the one pulling much of the Sordid and Ultra-Violent Revenge strings this could actually be on a double feature with Ben (1971), which was his breakout role also out for payback (I saw that pretty recently so it's still on my mind). This would likely make the bottom half of the bill, however, as, aside from Davison being in too little of the movie to be we'll defined past basic lines, when the movie isn't having our hard cheekboned blonde badass Wren slaughtering these late 80s-cum-early 90s wannabe Patrick Bateman West coast jerks all but tearing them new a-holes (at least one of the effects sequences comes close to that), we have too much time with (sadly) dull Detective David Naughton not stopping the determined young former Courtroom sketch artist Alison (Haiduk) getting too close to the 5 years gone comeuppance crimes.
That part of the movie isn't entirely bad persay, but it feels draggy and the filmmakers don't do much to make us interested in these two and the very vague sense that they may have a relationship. The real meat of the movie is this vendetta with Davison as the brother of this woman who leaped to her death only to resurrect her and robo-Frankenstein a way for her to not only go in and completely and (believably) all too easily seduce these chodes to their gruesome ends, even as the how of Davison's character managing to... *do* all of this is meant to be explained away by "hey, five years," albeit a soggy exposition dump not being here is kind of nice. Who needs an explanation when good time can be spent with a this Femme Fatale model 001 dispensing justice?;
I think a slightly balsier movie would've had more moral wrangling with the court sketch woman, and Haiduk decent enough in the part she could probably do it. I don't think the director and writers are that interested in depth so much as moving things along so we can get from one set piece to another. In that sense it's also inevitable to compare this to I Spit on Your Grave, though thank God this is more exciting than that. It doesn't do a whole lot to distinguish itself as far as most technical scope aside from the special effects (though director Farino comes from that background), and even in a restored blu ray it looks fairly cheap and drab, but... look it - sometimes seeing a head coming bloodily off a body with what's left of the spine acting as a flailing decrepit member (intentionally? Not? I dunno my Freudian reading of it) is enough for me to give a solid recommendation.
That part of the movie isn't entirely bad persay, but it feels draggy and the filmmakers don't do much to make us interested in these two and the very vague sense that they may have a relationship. The real meat of the movie is this vendetta with Davison as the brother of this woman who leaped to her death only to resurrect her and robo-Frankenstein a way for her to not only go in and completely and (believably) all too easily seduce these chodes to their gruesome ends, even as the how of Davison's character managing to... *do* all of this is meant to be explained away by "hey, five years," albeit a soggy exposition dump not being here is kind of nice. Who needs an explanation when good time can be spent with a this Femme Fatale model 001 dispensing justice?;
I think a slightly balsier movie would've had more moral wrangling with the court sketch woman, and Haiduk decent enough in the part she could probably do it. I don't think the director and writers are that interested in depth so much as moving things along so we can get from one set piece to another. In that sense it's also inevitable to compare this to I Spit on Your Grave, though thank God this is more exciting than that. It doesn't do a whole lot to distinguish itself as far as most technical scope aside from the special effects (though director Farino comes from that background), and even in a restored blu ray it looks fairly cheap and drab, but... look it - sometimes seeing a head coming bloodily off a body with what's left of the spine acting as a flailing decrepit member (intentionally? Not? I dunno my Freudian reading of it) is enough for me to give a solid recommendation.
Steel and Lace is a cool, inventive take on the revenge thriller/gore. Farino has directed a modern gore/thriller. I think this is the Pulp Fiction of its time. New concepts and turns of fate abound in this puzzling film.
A cute blonde lawyer is raped in an alley by a Wall Street Geico type character. He goes to trial and gets off from lack of evidence. He and his 4 buddies own a corporation that has a logo of a hand that is squeezing the world in a claw like grasp. (neat logo) Not being able to cope with the devastating news, the lawyer jumps off a building. Mysteriously, the Wall street crowd is then killed one by one in Ten Little Indians, style.
The director, Francio, really integrates a pastiche of film genres into an action/thriller/gory film that is way above other gore films. A lot of works are derivative to a fault, but this one integrates a lot of genres into a well crafted/shot/edited/music film.
I kept thinking, Death Wish, Gort, Hal, Spit on your Grave, Terminator and other films that were reverently depicted in this surprising film.
The actors and good and production values top notch...considering that this was probably a low budget film, this was an excellent example of good direction and control of the production. I like the way the robot gradually gains awareness about her actions.
Look for it in bargain bin, rental stores, and on cable TV. It is a neat discovery.
A cute blonde lawyer is raped in an alley by a Wall Street Geico type character. He goes to trial and gets off from lack of evidence. He and his 4 buddies own a corporation that has a logo of a hand that is squeezing the world in a claw like grasp. (neat logo) Not being able to cope with the devastating news, the lawyer jumps off a building. Mysteriously, the Wall street crowd is then killed one by one in Ten Little Indians, style.
The director, Francio, really integrates a pastiche of film genres into an action/thriller/gory film that is way above other gore films. A lot of works are derivative to a fault, but this one integrates a lot of genres into a well crafted/shot/edited/music film.
I kept thinking, Death Wish, Gort, Hal, Spit on your Grave, Terminator and other films that were reverently depicted in this surprising film.
The actors and good and production values top notch...considering that this was probably a low budget film, this was an excellent example of good direction and control of the production. I like the way the robot gradually gains awareness about her actions.
Look for it in bargain bin, rental stores, and on cable TV. It is a neat discovery.
Wusstest du schon
- PatzerFilm crew reflected in sunglasses in helicopter scene.
- Zitate
[told his best friend is dead]
Daniel Emerson: So is Elvis - what do you want me to do about it?
- VerbindungenFeatured in Iron, Carbon, Anger: The Elements of Steel and Lace (2021)
- SoundtracksSonata No 14 In C-Sharp minor (Moonlight Sonata)
Written by Ludwig van Beethoven
Performed by Neil Posner
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