Satanic - Ausgeburt der Hölle

Get hold of this film, any way you can (not illegally, of course). Scream its name from the rooftops of buildings everywhere, high or small, and offer prayers to your God for a fully-featured special edition DVD release. There is no film like Sonny Boy: even Leonard Maltin was moved to call it (I quote verbatim) "A repulsive, socially irredeemable waste of celluloid ... filmed for no apparent reason other to offend and appal", and if that isn't a recommendation for a cult movie, I don't know what is. Critics said similar things about Peeping Tom, A Clockwork Orange, Reservoir Dogs, and so many more ... those films are amazing and entirely individual, and so is this. It's pitiful that Sonny Boy has so little recognition apart from a few right-thinking die hards - you don't have to like it, just admit you've never seen its like before or since. Get on the bandwagon speedily, because if I am human this film will, in the near future, be recognised for the angry, iconoclastic, unclassifiable explosion it really is. And you can be among those who educated the world. Feel the adrenaline. There.

I just lucked into seeing this in the 'something different' section of the video store and took it home, hoping it would live up to that promise. It did. You adventurous soul who is reading this, I envy you because as much as I intend on finding this movie and watching it until the tape wears through, you are going to be seeing it for the first time. If you have an open mind, this movie will blow it away. If you don't, stick with the mall movies, you'll hate this. This film has no category and plays by no rules, which explains the low rating here and the fact that it's practically unheard of. To put this in the category of David Lynch is an insult to this film because this is no 'I went to film school' art film. It has no pretensions and plays homage to no one, although I personally tasted a slight flavor of "Bring Me The Head of Alfredo Garcia" in some of its humor. That too was a masterpiece that most audiences hissed at and called tasteless and offensive way back when. There's no doubt that there's something here to offend anyone who is jaded but I personally found the Christ/Frankenstein analogies extremely moving, and David Carradine is thus far the best Virgin Mary I've ever seen (I'm serious). One can read all sorts of stuff like that into this movie if they so desire. I liked the "Father, Son and Holy Ghost' quote in the middle of the film, and Paul L Smith's cartoonishly cruel yet fatherly image comfortably fits with my personal conceptions of God so I was happy to chose that route at times (anyone else see the sheriff as Pontius Pilate?). [Mel Gibson, eat your polyester heart out!!] This director, Robert Martin Carroll, has the most amazing gift for creating visuals to describe feelings. A red, ripe balloon lifting up into a turquoise sky for example, describes a first kiss as well as the shock that succeeds it, with dizzying precision [kudos to DP Roberto Pizzoli for capturing that balloon's ripeness - there's no other way to describe it!] The performances, as others here have mentioned, are superb. And the score is so pure and sincere that it took me nearly an hour before I realized that this film wasn't made thirty years ago. I don't use the word 'masterpiece' very often, and after seeing over 5,600 movies in my lifetime, the 'great' movies are becoming fewer and further between, so please excuse my unabashed need to scream from the rooftops, HALLELUJAH!

Let us now bow our heads and pray for a DVD release.

If you're expecting this to be just a cheap, ugly exploitation film, you may actually be surprised. Although it does border on the offensive, and Paul L. Smith plays (convincingly) one of the most repugnant characters you'll ever see, the film has enough originality and audacity to be preferable to many other formula horror outings. The script develops into a variation on the "Frankenstein" myth, and the terrific music score gives a poetic dimension to some scenes. Outstanding performance by the actor who plays Sonny Boy. (**)

This is one of the most ignored and genuinely horrific horror films I've seen, and I consider myself a connoisseur of these type of films...

This ranks with Irreversible, I Spit on Your Grave, Last House on the Left, Hostel etc for pure nauseous shock - a child's tongue is cut out by his perverted 'parents' as a birthday present which is utterly normal in the context of the film...

Forget Texas Chainsaw Massacre or The Hills Have Eyes - this is real US horror, like The Girl Next Door (though not that shocking).

Utterly nihilistic, very strange and well worth a look if you can find it!

While watching this with a friend (in a general state of disbelief due to the surreal audacity of the flick), they looked over at me to exclaim that I had found "the impossible movie". This comment bluntly yet accurately summarizes in many ways what it is about this movie that cannot really be put into words. Any attempt to describe this movie would simply do it an injustice. The combination of elements; cinematography, music, actors, scenarios, etc. is nearly brilliant and the dark humored tone that dominates this film is disturbing, illuminating and hilarious all at once. Watching this film is definitely a love-it or hate-it proposition, but for those who appreciate the surreal, offbeat and macabre elements of cinema, this film is a motherlode. Just keep in mind that Psychotronic Film Guide ranks this as one of the top ten films of the '80's and the gentleman responsible for the screenplay (Graeme Whifler) created most of the early films and videos for that infamous band of San Francisco musical luminaries, The Residents. If these two facts mean anything to you, then I need to say no more...