Eine gefährliche Affäre

'Revenge' has a recently retired fighter pilot (Kevin Costner) who goes to the coastal city of Puerto Vallarta, to enjoy the hospitality of an old friend he saves once his life on a hunting trip...

The possessive longtime friend has a wonderful-but-unhappy wife... Mireya (Madeleine Stowe) is an exotic young brunette, with great magnetism, who truly blew Costner's mind... Mireya embarks on a passionate affair, that naturally drives her husband 'Tibby' (Anthony Quinn) out of his mind...

Sexual tension is an integral part of Tony Scott's character's conflict... It rises off like heat emanating from the sand when the two lovers head in a jeep toward a nearby cute cabin... Costner and Stowe are attracted to one another, and naturally, the more they fight the attraction, the more they are thrown together...

Stowe's body comes alive at that brief caress, quickening her pulse, making her breath catch in anticipation... She experiences the heat in the slow slide of Costner's fingers, a passionate demand she couldn't help but respond to...

The plot is really predictable, and there's real high tension in the first part, but multiple stabbings, shootings, and beatings in the second, as the husband enters a storm of insane fury against the lovers...

'Revenge' is certainly a realm of brutality and pain, of love gone wrong and vengeance gone mad...

This is a movie that I always enjoy watching, no matter how many times I've seen it previously. Kevin Costner stars in what is one of his better roles as the veteran pilot J. Cochran who retires from his job in the navy and goes to Mexico to visit his old friend Tiburon "Tibey" Mendez, played excellently by Anthony Quinn in what is one of his last powerful performances. Madeleine Stowe plays Mendez' much younger wife who catches Cochran's eye from the first moment. A passionate love affair ensues, but with tragic consequences.

The theme of love, forbidden love, vs friendship/loyalty is worked out here in a striking way and it makes this a powerful and highly emotional film. Here we see the effect a betrayal can have on a man like Tiburon Mendez. Once the bridge is burned, there is no way back to his grace. Despite the fact that Cochran saved his life, he shows no mercy for him. When you break that old Mexican code, nothing else matters.

This film has a great photography with some visually stunning scenes, specially sunsets and sunrises and Costner and Stowe never looked better. That, together with the even performances and the suspenseful twists makes this a very enjoyable and for most a recommendable movie.7/10

Certainly the ending of this film is extremely moving and literally takes your breath away. It leaves you with a feeling that you have probably seen something better than what you actually have. Of course Tony Scott is one of the most stylish directors about ie.- 'The Hunger'(1983) which has to be one of the most stylish films about. He's also made his fair share of blockbusters ie.-'Top Gun'(1985),'Beverly Hills Cop 2'(1987),'Days of Thunder'(1989) and more recently 'Enemy of the State'(1998)- all of which took a lot of money, the profits of the first one in particular bordering on the ridiculous. And don't forget he made the little seen(in the cinema anyway) but memorable 'True Romance'(1992). So you get the feeling that here Mr.Scot was making a picture trapped in-between both worlds- that of the blockbuster and the more personal picture. The film did only average in the box office and did not really make any kind of impact on any of the performer's careers.It is beautifully filmed with lots of trademark Scott shots ie- sun beams pouring through a drawn blind and mist covering the scenery. The violence is maybe a little too graphic. Costner goes through the motions somewhat in a character who is a mix of the roles he played in 'No Way Out'(1987) and 'The Bodyguard'(1992).He does his best acting in the final quarter of the picture where he shows well executed, muted regret and sorrow.Stowe is very attractive and impressive as Miryea who for the second half of the picture is dying slowly through a drugged daze. Anthony Quinn delivers a solid display as the larger than life Mexican gangster who after delivering his vengeance on Jay and Miryea becomes a sad, secluded old man who takes no pleasure in the measures he has taken but continues to justify them.Such a role is very undemanding for a legend like Quinn.Miguel Ferrer also has an undemanding role and John Leguziamo is impressive in an early career role as an eager but almost mute gunman who aids Costner.The plot is nothing special.The only interesting point is that Quinns character's vengeance, though excessive, is justifiable. Ultimately Jay and Miryea get their just deserts in the sense that both betrayed him through their secretive adultery which seems more born out of lust than love. The love between these two is not well enough developed to justify the beautiful ending to the film. If the couples relationship had been longer and not completely based around sex you could understand the emotion between them more.The piano track used for the two lovers is very touching and forms the perfect soundtrack for the memorable ending sequence. OVERALL- I give this picture 7/10. It is raised above average by the ending. Ultimately it is worth sitting through the picture,which is overlong, and paying attention to it just for the ending which is beautifully shot, romantic, captivating and probably one of the most heartbreakingly sad moments in film history(yes its that good). Even the most stoneyhearted will be touched.

Kevin Costner in his early days managed to convey a rawness to his characters that was seldom seen after he made "Dances with Wolves" and became a successful producer. Films such as "No Way Out" (1987), "Bull Durham" (1988) and of course "Revenge" (1990) showed him when he was trying to establish his career and you could feel the actor at work rather than the movie maker.

In "Revenge" Costner plays US Navy pilot Michael "Jay" Cochran who is retiring after 12 years in the service. He seems to have lost direction and wants to take some time out for himself. He plans first to go and see his old friend and Tennis partner Tiburon "Tibby" Mendez (Anthony Quinn) who is a powerful mob boss in Mexico. Exactly why they are friends is a little unclear but it seems that Tibby owes Jay a debt for saving his life at some point in the past. Once Jay arrives at the Mendez Hacienda he meets Miryea (Madeleine Stowe) Tibby's wife. Instantly attracted to one another and although initially fighting the chemistry between them, they begin an affair, which comes with massive consequences.

This film has elements of "The Wild Bunch" (1969) to it and the location shooting in Mexico adds so much to the atmosphere and tensity of the story. There are seamy and claustrophobic qualities to many of the situations which are enhanced beautifully by the background. The acting is nicely understated, Costner manages to display a barely restrained anger throughout the second part of the film and Anthony Quinn is convincing as the superficially charming but totally ruthless mobster. Madelaine Stowe is OK as the female lead but struggles with a Mexican accent and seems a bit uncomfortable with the innocence that her character is supposed to portray.

"Revenge" was commercially unsuccessful but is one of those movies that deserves to be seen. Costner, being an actor of limited range, was always best at these type of roles. When he behaves rather than acts, you get to see the best of him.

If I have any complaints, I believe the denouement of the story, although certainly interesting, doesn't quite fit. The build up to it promises something more of a violent showdown and the character of Jay would seem by this point to be poised to take his "revenge". Perhaps the downbeat finish was done to avoid "going Hollywood" with a big finale and as i mentioned it is certainly effective, but leaves a general feeling that there is business still to be done.

An interesting and entertaining movie that is well worth viewing.

Costner is Jay Cochran, a freshly retired Navy jet pilot who ventures down to Mexico for a long holiday with old friend, and ruthless kingpin, Tibby Mendez (Anthony Quinn). In no time at all, Cochran becomes enamored of Tibby's gorgeous young wife, Mireya (Madeleine Stowe). Sparks fly between the two, and a steamy love affair ensues. Tibby discovers his wife's illicit activities, and moves to exact revenge for his friend's betrayal. Cochran is beaten to within an inch of his life and left for dead on the side of the road. Mireya, physically marred, is sentenced to life in a brothel to live out her days in a heroin-induced haze. Cochran survives and mounts his own campaign of vengeance.

Now in all honesty, I don't think anyone watches this movie without shaking their head at Cochran. Until he takes up arms and swears revenge, he's your basic facepalm of a character. He knows she's taken, and he knows his old amigo has a vicious temper. She's a well-kept trophy wife surrounded by gun-toting henchmen. Tibby's not going to let this go with a slap on the hand. But it's Tibby's sheer brutality that's so shocking. The film takes a sudden and savage turn when Cochran is beaten to a bloody pulp, bones crushed, consciousness fleeting. And the payback Tibby has in store for his adulterous wife is off the charts; sold into a life of prostitution in a semi-conscious state.

But the common sense of the main characters is not what's important in the long run. This film lives and breathes through the undeniable chemistry between Costner and Stowe. They really do bring 110% to their roles. Their love scenes only add to the horror we (and they) experience when they're punished. Both find genuine (albeit short-lived) happiness only to be sentenced to their respective hells.

The Director's Cut actually excises 30 minutes from the original version, and it serves to quicken the pace and add a visceral punch to an already brutal (and morbid) love story. In a time when such revised cuts are used merely as gimmicks, this film truly benefits from Scott's revisions.

7/10