Eine gefährliche Affäre

Tony Scott loves his so-called good guys to be amoral anti-heroes. The more ruthless they are, the better (after they've taken a pounding from the bad guy first, natch). And whenever possible, he likes Mexico to be in the mix. With that set-up, I could be describing 'Man On Fire', 'True Romance', or 1990's 'Revenge'. Since he unofficially remade 'Revenge' as 'Man On Fire' earlier this year, I should just call up that review and replace Denzel Washington's name with Kevin Costner's. Even though I'm seeing them out of order, the 14-year-old flick is better. Scott even shows more grown-up sensibilities than he usually does and directs his actors through believable love scenes. I don't think he's been so unabashedly romantic since this period in the early '90s.

Costner plays Jay Cochran, a cocky Navy pilot (shades of Maverick from 'Top Gun') who vacations in Mexico after retiring from the jet-set life. Playing host to the flier is a ruthless tycoon, Tibby Mendez (Anthony Quinn). The two men are old friends, despite the generation gap and the fact they have nothing in common. But just when you think Costner is going to have some fun, he has to go and fall in lust with Tibby's wife, Mireya (the heavenly Madeleine Stowe). [What beautiful kids those two actors would make.] They don't vault into bed immediately, but neither of them lets a little thing like loyalty to Tibby get in the way of their passion. When the husband finds out, Jay is severely beaten and Mireya is scarred & banished to a whorehouse.

You thought revenge would be Quinn's for his cuckolding? No, vengeance is Costner's. He spends most of the second hour of this bloody picture busting up anybody who might know what happened to his lover. 'Revenge' equals serious violence, no doubt about it. It's rare that the usually heroic Costner is given the chance to ride the gruesome line between good & evil. He's probably justified, but he DID betray his friend by bedding the man's wife. You don't do that in Mexico without waking up in the afterlife, so you might say Cochran got off easy. The tender climax is a bit of surprise from the the slick Scott, giving his otherwise angry film a heart. The movie might not be much fun, but the actors are pretty good and the story is always watchable. And violent.

A story about uncontrollable passion and desire that forces two people to act upon impulses they know they should put aside but they cannot control their true feelings, and act with reckless abandon. Madelaine Stowe is the lovely lady in an unfulfilling marriage to Tibby Mendez (Anthony Quinn) that Jay, Costner's character, almost immediately falls in love with. Tibby belongs to the Mexican underworld, probably a drug king-pin, and befriends Jay who saved Tibby's life in a hunting accident. When Tibby invites Jay to spend a few weeks at his estate in Mexico, he never imagined Jay would attempt to steal his lovely young wife.

This is a solid story, with strong characters, and fine acting all around. However, understand what this film is not. This is not a 'date movie', and not a 'happy' story, but it does indeed reflect real life, and how things do not always end up rosy in the end, or the way we want them. It simply tells a good story, something many films never seem to accomplish, and we get to come along for the ride. It's racy, violent, passionate and moving all wrapped into one. I felt an understanding of the love, pain, betrayal and yes the need for revenge. It was entertaining and an epic portrayal of love and pain.

Overall rating: 8 out of 10.

I'd avoided this film for years, despite being a huge Costner fan, because people had described it as nearly unwatchable. On the advice of someone on the internet, I gave it a shot, and what a surprise! Although it'll never be one of my favorite films, it's certainly worthwhile, a highly engrossing (albeit graphically gory) trip through a wide and shifting range of emotions. Quinn gives his best performance since "Zorba," and Costner and Stowe are extremely good. The photography is extraordinary, and Mexican music has seldom been used so effectively. I'd recommend it to anyone with a strong stomach. The love scenes, by the way, are romantic AND sexy, a rare combination.

Costner is Jay Cochran, a freshly retired Navy jet pilot who ventures down to Mexico for a long holiday with old friend, and ruthless kingpin, Tibby Mendez (Anthony Quinn). In no time at all, Cochran becomes enamored of Tibby's gorgeous young wife, Mireya (Madeleine Stowe). Sparks fly between the two, and a steamy love affair ensues. Tibby discovers his wife's illicit activities, and moves to exact revenge for his friend's betrayal. Cochran is beaten to within an inch of his life and left for dead on the side of the road. Mireya, physically marred, is sentenced to life in a brothel to live out her days in a heroin-induced haze. Cochran survives and mounts his own campaign of vengeance.

Now in all honesty, I don't think anyone watches this movie without shaking their head at Cochran. Until he takes up arms and swears revenge, he's your basic facepalm of a character. He knows she's taken, and he knows his old amigo has a vicious temper. She's a well-kept trophy wife surrounded by gun-toting henchmen. Tibby's not going to let this go with a slap on the hand. But it's Tibby's sheer brutality that's so shocking. The film takes a sudden and savage turn when Cochran is beaten to a bloody pulp, bones crushed, consciousness fleeting. And the payback Tibby has in store for his adulterous wife is off the charts; sold into a life of prostitution in a semi-conscious state.

But the common sense of the main characters is not what's important in the long run. This film lives and breathes through the undeniable chemistry between Costner and Stowe. They really do bring 110% to their roles. Their love scenes only add to the horror we (and they) experience when they're punished. Both find genuine (albeit short-lived) happiness only to be sentenced to their respective hells.

The Director's Cut actually excises 30 minutes from the original version, and it serves to quicken the pace and add a visceral punch to an already brutal (and morbid) love story. In a time when such revised cuts are used merely as gimmicks, this film truly benefits from Scott's revisions.

7/10

Kevin Costner in his early days managed to convey a rawness to his characters that was seldom seen after he made "Dances with Wolves" and became a successful producer. Films such as "No Way Out" (1987), "Bull Durham" (1988) and of course "Revenge" (1990) showed him when he was trying to establish his career and you could feel the actor at work rather than the movie maker.

In "Revenge" Costner plays US Navy pilot Michael "Jay" Cochran who is retiring after 12 years in the service. He seems to have lost direction and wants to take some time out for himself. He plans first to go and see his old friend and Tennis partner Tiburon "Tibby" Mendez (Anthony Quinn) who is a powerful mob boss in Mexico. Exactly why they are friends is a little unclear but it seems that Tibby owes Jay a debt for saving his life at some point in the past. Once Jay arrives at the Mendez Hacienda he meets Miryea (Madeleine Stowe) Tibby's wife. Instantly attracted to one another and although initially fighting the chemistry between them, they begin an affair, which comes with massive consequences.

This film has elements of "The Wild Bunch" (1969) to it and the location shooting in Mexico adds so much to the atmosphere and tensity of the story. There are seamy and claustrophobic qualities to many of the situations which are enhanced beautifully by the background. The acting is nicely understated, Costner manages to display a barely restrained anger throughout the second part of the film and Anthony Quinn is convincing as the superficially charming but totally ruthless mobster. Madelaine Stowe is OK as the female lead but struggles with a Mexican accent and seems a bit uncomfortable with the innocence that her character is supposed to portray.

"Revenge" was commercially unsuccessful but is one of those movies that deserves to be seen. Costner, being an actor of limited range, was always best at these type of roles. When he behaves rather than acts, you get to see the best of him.

If I have any complaints, I believe the denouement of the story, although certainly interesting, doesn't quite fit. The build up to it promises something more of a violent showdown and the character of Jay would seem by this point to be poised to take his "revenge". Perhaps the downbeat finish was done to avoid "going Hollywood" with a big finale and as i mentioned it is certainly effective, but leaves a general feeling that there is business still to be done.

An interesting and entertaining movie that is well worth viewing.