Aus Mangel an Beweisen

I don't know that I've ever seen a "perfect" depiction in a movie as far as how things really work in police investigations and in the courtroom.

Sometimes there are errors so blatant and ridiculous that it ruins the film. But with Presumed Innocent, I was able to quickly overlook things I felt were maybe questionable, because the plot and twists and acting were engaging enough to overcome these minor shortcomings.

Overall, this was an engrossing film which kept me engaged for the entire two hours, and I would recommend it.

Presumed Innocent presents a stiff challenge to its principal actors. Many of them must read their lines and convey body language that is ambiguous, suggesting both guilt or innocence and good or evil. The talented cast accomplishes this superbly. The story (based on a book of the same name which I haven't read) intelligently and knowledgeably examines the morality of the legal system and how it is compromised because of human fallibility. All in all, this was a very engrossing motion picture. Strongly recommended, 8/10.

Since it's Harrison Ford on trial for the murder of his coworker/mistress, and most everyone loves Harrison Ford, you want to believe he's innocent. But that belief is never a sure thing in "Presumed Innocent": a gripping, suspenseful whodunit that keeps you guessing mercilessly. All the leads here are right on target, especially Ford as the mumbling, elusive murder defendant. Most importantly, all the main players are ambiguous in one way or another, and while I certainly will not give away the ending (which is a beauty, I promise you) keep that in mind as you watch. Can you trust anyone??

The final scene was shocking and thought-provoking. And I couldn't help but think of the title, "Presumed Innocent." Naturally.

This film is just another courtroom drama, where a prosecutor, a fairly ordinary and straightforward fellow, is accused of the brutal death of a colleague with whom, after all, he had had an affair.

The plot starts in a cold way and takes a while to catch our attention, there is really nothing that holds us and the film looks like it is going to suck. But after we enter the courtroom things really start to get interesting. We followed all the lawyers' arguments and the dialogue with the judge, the pace becomes more pleasant and faster and the twists and turns are taking place, endangering the life of that man who, after all, just wished that his wife had not heard of that stab in the marriage.

Harrison Ford is very good when he has to give life to ordinary men but to whom things happen. It is on him that much of the burden of the film falls, depending on his good performance. Beside him, we have a good and discreet Bonnie Bedelia and a sensual Greta Scacchi, with whom the actor gets good sexual chemistry. Raul Julia shone as a lawyer and Paul Winfield also does not do badly in the role of the judge.

Not being a very technical film, it is based mostly on the story it tells, and on the excellent performance of the actors. It may not be one of the court films that has aged better, as it is truly forgotten these days, but it deserves to be seen and appreciated for what it is.

Presumed Innocent is directed by Alan J. Pakula, who also co-adapts for the screen with Frank Pierson from the Scott Turow novel. It stars Harrison Ford, Brian Dennehy, Bonnie Bedelia, Raúl Juliá, Paul Winfield, John Spencer and Greta Scacchi. Music is scored by John Williams and Richard Wolf, and cinematography is by Gordon Willis.

Prosecuting attorney Rusty Sabich (Ford) suddenly finds himself a murder suspect after his one time lover, Carolyn Polhemus (Scacchi), is found raped and murdered in her home. As the evidence piles up against him, and his marriage comes under further strain, Rusty hires top lawyer Sandy Stern (Juliá) to represent him when the case goes to trial. Battling the system that he knows inside out, Rusty finds that there's a big can of worms about to be opened.

A tip top court room mystery drama that we could do with seeing more of these days. Expertly strung together by the director of All the Presidents Men and Sophie's Choice, Presumed Innocent isn't just a by the numbers legal who done it? The makers get in deep with the political machinations of a district attorney's office, the intricate steps of a police investigation, and of course the legal eagle operations of a court room. In to the mix is an horrendous crime, of which a lawyer himself is charged with committing, he may or may not be guilty of the crime, but wonderfully we are never sure until the astonishing finale plays out. The air of mystery hangs heavy throughout, nagging away like an itch you can't scratch, with Pakula neatly unfolding the drama in a collage of flashbacks, side-plots and present time intricacies. Mood is heightened by the photography of Gordon Willis, who along with Pakula's looming camera work, manages to convey a claustrophobic feel in keeping with an unstable marriage and a court room itself.

A great cast is assembled for the picture. Ford expertly plays it low key, brooding intently, he makes us unsure as to his guilt or innocence, and that's a testament to how good his performance is. Bedelia is excellent as the stoic wife, holding it together as the marital cracks begin to appear, and Juliá dominates the second half of the picture as we shift to the court room. Dennehy does a nice line in morally compromised smarm, and Scacchi wonderfully exudes a femme fatale sexuality. Winfield is a mighty presence as the judge presiding over such a tricky case, and Spencer is as reliable as ever. Only disappointments come with the performances of Joe Grifasi and Tom Mardirosian, who as the prosecutors come across as wimpy and hardly brick tight lawyers trying a high profile murder case.

An intense and intellectual adult drama, Presumed Innocent is one of the best of its type from the modern era. 8.5/10