Offene Türen

Sober, slow, beautifully photographed study of a murder trial in 1930s fascist Italy.

The accused is clearly guilty, but one judge, opposed to the death penalty, is determined to understand the man and his motives rather than join the rush to execute him and be done with it.

Some terrific, subtle acting. But the ideas get a bit clunky in the last third – more didactic, less nuanced. And while I enjoyed and admired the film, I wasn't really moved by it. That said, I will certainly re-watch it at some point, and moments have really stuck with me over time.

He's killing a boss who made a fool of him Replacement, and a wife who talked more than an intelligence informant during the cold war era He wants to be sentenced to death. . .

But someone has other plans.

On 10 March 1937, in Palermo, the clerk Tommaso Scalia (Ennio Fantastichini) that was the scapegoat for embezzlement in the Confederation Building kills with a bayonet his former chief, the lawyer Spadafora Vincenzo (Tuccio Musumeci), and his replacement, the accountant Speciale Antonio. Then he drives his car through a lonely road and rapes and executes his wife with a shot on her head. He goes to trial expecting to receive the capital punishment, but Judge Vito Di Francesco (Gian Maria Volonté) that is against the death penalty finds evidences that the murder has a passionate motive. However, the defendant wants to be executed by the firing squad in an eccentric situation.

"Porte Aperte" has the intention of discussing the capital punishment, using the Fascist Italy as background and a judge that does not agree with this sentence that serves to politicians but not to the citizens in his opinion. The theme is disclosed in slow pace and using a very unusual situation, with the defendant declaring himself guilty and wishing to be executed by the firing squad. Gian Maria Volonté has a great performance, as usual, but this movie is confused and boring. In Brazil, it was released on VHS by Top Tape Distributor. My vote is five.

Title (Brazil): "As Portas da Justiça" ("The Doors of the Justice")

Excluding any political comment, the performance of G.M. Volontè is simply amazing: the character is explained even with a close-up, expressing what not only a judge but every man should think about so-called undisputed truths... Trying to be anything but superficial trough doubt and curiosity. Maybe "ccthemovieman" were too left-wing or better were too convinced of his opinions once and unfortunately nowadays. He's partially understandable because this movie is deep-seated in Italian culture so is pretty difficult to a foreigner get some light nuances, amplified by the Sicilian environment of the script based on novel of the great Leonardo Sciascia. In my opinion this movie deserves 9 out of 10 stars for the psychological deepening of the characters.

cheers

This film had the tension and intellectual underpinning of a Doestoyevski novel. The cinematography was superb, but the main focus of interest was in the acting, particularly that of the judge and the accused.The tenderness and general humanity of the judge and above all his compassion, is an example for all of us, and it is what each human being should strive to be like. A beautiful, poignant and evocative movie, that makes one think and think hours afterwards about the nature of crime and punishment.