Genial normal

If you're looking for a fun movie that will make you laugh, this is it.

Michael Riley gives a great performance as an ordinary guy who works at two hum-drum jobs and lives a pretty boring life. Robbie Coltrane comes into his life and changes it for the creative better. As always, Coltrane is over-the-top with his portrayal of a failed, but always hopeful restauranteur. The dialogue is witty especially from Kristina Nichol, who has a minor, but standout role. Eugene Lipinski, who also wrote the original story and co-wrote the screenplay, gives a hilarious performance as the jealous, slightly-psycho 'Hopeless.' Kenneth Welsh is equally funny as the obsessed-to-win hockey coach and boss.

The list of memorable performances goes on. The cinematography involves unique camera shots that are creative beyond what I've ever seen.

Definitely, a must see. I give it a 10 and a spot on my favorite movies of all time list.

Renzo Parachi (Michael Riley) is a quiet introvert working at the brewery under Charlie Glesby who coaches the employees in an amateur hockey league where Renzo is the goalie. He is alone after the death of his mother. He drives his father's cab during his off hours. One night, he picks up Alonzo Turner (Robbie Coltrane) in the cab and is forced to bring home the passed-out talkative drunk. He rents out his mother's room to Alonzo for the money to build his dream house. Denise works at the rink and is taken with the quiet goalie. Alonzo decides to start a lavish Italian restaurant with money found in Renzo's mother's record collection. He convinces Renzo to be the cross-dressing opera-singing headliner.

I didn't laugh. This quirky Canadian indie has a lot weird little touches. I like the characters. I love Coltrane and Riley. I simply didn't laugh. It's an odd little film and some of it is quite memorable. Riley doesn't fit the quiet type and Coltrane could be much funnier. The writing needs actual jokes. It's quirky without being funny. Some may enjoy it for some light fun. I'm somewhat blah about this.

Oh, so you want to see a *Canadian* film. Say, something set in a beer factory, and maybe in a hockey rink too. And something about "tiny, fizzy" little dreams, all going unfulfilled. And maybe add an American character who has big, bold, huge dreams, and imposes them on the main character. The only Canadian content that could possibly be added would be a cameo by Paul Henderson.

Also, you can see the Sam's on Yonge street in Toronto in one of the shots. Does it get any better than this?

No, it doesn't. This film rivals Hard Core Logo for Canadian content. So, like, see it. It's cool, eh?

If you like slow, stylish, cynically heart-warming humor...this movie is for you. This isn't sleepless in seattle or when harry met sally. This is a brilliantly conceived, written, directed and acted masterpiece that exalts the multifaceted idiosyncrasies of the great white north, combining it with a deft touch of the quieter side of British humor.

It combines my love of humor, hockey and music in a tale of romance and transformation that is smart, rather than sickly sweet.

Kenneth Walsh is great as the no-holds-barred coach that will fake cancer to motivate his team. Michael Riley gives a performance even more subdued and complex than Bud Cort in Harold and Maude. And Robbie Coltrane is a hugely under-appreciated comic talent - the John Candy of Great Britain.

I seldom gush over a movie...but this one hit the spot.

You want conventional? Forget it! This film is for those who love a delightfully skewed view on life, in this case the so-called life of one Renzo Parachi. After the death of his mother, into his life comes a whirlwind of a well-meaning shyster in the form of Alonzo Turner (aka Robbie Coltrane), at once turning his life upside-down while simultaneously bringing out the inner opera-loving Renzo. This film ranks as one of my favourite films because of its delightfully skewed world that at the same time holds true to itself. Renzo can never be considered an everyman but, if we're honest, we can maybe hear an echo from somewhere within.

Well acted, well written, well shot and edited. If you're looking for formula comedy, you'd better off with some other film. Otherwise, sit back and enjoy the ride.