12 Stunden Angst

It's odd to like an original film and then like the re-make equally so, if not more, but that's the case with this film. I have viewed both versions of this film at least three times apiece and thoroughly enjoy both.

Almost 55 years ago, this was a film noir called "The Narrow Margin" and in 1990, this re-make took off the "The" on the title. However, as is sometimes the case with remakes, some of the twists and turns of this thriller were also changed from the first film.

They didn't spoil it. I have no objection to the changes made here because the bottom line is entertainment, and that's where this movie excels. Plausible? No, but neither was the original, for that matter, and neither are a lot of suspense/ crime films.

What makes this re-run good, in addition to the great suspense, are several other things: 1 - Gene Hackman, one of the best actors of his generation and often overlooked in discussions of great actors; 2 - nice photography featuring some great train shots and the scenic Canadian Rockies; 3 - an interesting assortment of characters, some of which keep you guessing whether they are the good guys or the bad guys; 4 - a dash of humor thrown in here and there to break the tension.

In addition to Hackman, we see the sexy Anne Archer, who gives a nice film noir feel to the movie and we get some good supporting performances including two from guys with the same last name: J.T. and Emmet Walsh and one from a guy who plays one of the hit men: James Sikking. That's a name I'm not familiar with, but he has a scene talking to Hackman that is riveting.

The main fault of the movie at least to me, was the "Rambo" mentality in which I mean the villains have the good guy in point-blank, can't-miss range several times and....you guessed it: they miss. The action scenes in here are great but lack credibility, or this would be almost as good as it could ever get for a "thriller." I'm still tempted to rate it a "10" for the entertainment value alone.

This movie succeeds on the talent of Gene Hackman and his co-stars especially Anne Archer and James Sikking. The story is as follows Carol Hunnicutt (Archer) is a witness to a mob killing, so she hides in a remote part of Canada. los Angeles Deputy D.A Robert Caulfield (Hackman)is given the task of finding her to bring her back to L.A to testify at a Mob trial, but he accidently tells the Hit-men out to silence her - her whereabouts, so when he arrives at her remote cabin, there a helicopter full of bad guys waiting for them - so begins a enjoyably suspense chase through remote Canada, they decide to get on a Cross-Country train.. but the bad guys are also on board, so theyt spend the night trying to avoid a bullet. If it sounds familiar it's because the movie's a remake of the 1950'S RKO Picture of the same name starring Charles McGraw and Marie Windsor.

Double crosses,dirty cops and tension throughout but the script could have been better and the movie (just over 90 mins) could have been longer and the climax is slightly disappointing

otherwise it's a good early 1990's movie from Peter Hyams who's had a bit of a hit and miss career since,HIT:- Timecop (1994) and The Relic (1997) and Sudden Death (1995) - MISS:- Stay Tuned (1992) and End of days (1999)

My rating 8/10

The minute Gene Hackman entered the picture, this was a totally different movie. The murder had to take place, and we had to see the setup that led to it. But this turned into what seemed like an episode of a humorous TV murder mystery. Hackman did a great job and gave us plenty of laughs, even though this wasn't a comedy. Once he and Anne Archer's reluctant witness got together, it was almost a romantic comedy with two mismatched partners. And the action just kept on coming.

Along with the two fine performances of the leads, we had plenty of memorable characters. J.A. Preston's demanding district attorney, Emmet Walsh's edgy detective (who didn't stay around long, which was a shame), and an older man who gave up his suite so Caulfield and his "pregnant" wife could have their privacy. Doogie Howser's father did a great job as the main bad guy. And the woman whose name I don't remember who hoped for a romantic relationship with Caulfield.

We were always on edge as we wondered what would happen next. And there was the real excitement of action on top of the train cars. And beautiful scenery in western Canada.

I mentioned Hackman's comic abilities, but he did an amazing dramatic performance in one scene as he made it clear why he was going to so much trouble to make sure the bad guys got justice, if they could. There are so many moral dilemmas.

It was a worthy effort.

This film pops up frequently on the tube, and with good reason -- it's lean, smart, and superbly acted. Director Hyams makes the most of the claustrophobic train interior contrasting with the wide open Canadian wilderness. Gene Hackman has never been better. Tension is built through a series of one-on-one confrontations, each with electric undercurrents. The best by far is the gentlemanly chat between Hackman and James Sikking in the dining car. The standard "action-packed" ending is a bit disappointing. But don't let this stop you if you're into suspense films for the thinking person.

Narrow Margin (1990) is a remake of a fondly remembered B-movie that became a real sleeper hit. It does not match the original for suspense or excitement, but it does boast a truly towering performance by Gene Hackman who takes the Charles MacGraw role and gives it everything he's got.

The story is about a DA from L.A, who travels to a mountain cabin in Canada to pick up a female murder witness. Some baddies follow him (because they want to kill the witness), but he manages to escape with her as far as the local railway station. They board an overnight train, bound for Vancouver, and spend the next day or so evading the killers on the train.

Hackman is quite brilliant, whether delivering panicky dialogue in a whisper or indulging in some violent action atop the speeding express. James B. Sikking makes a chilling assassin. Anne Archer is convincing as the vulnerable and terrified witness who would rather be anywhere other than where she is. Director Peter Hyams packs in some solid action sequences, such as a nerve-jangling car chase through a forest, and a savage fight on the roof of the train.

Where this film falls short is in the suspense department and the pacing. There are moments where Hackman and Archer are allowed to relax too much. One scene in particular involves Hackman and Sikking having a lengthy conversation at a dinner table; when Hackman leaves, you'd expect them to follow him to her, but they don't. There's another bit where the action jumps from about 1 a.m. to the next morning, without any indication of what kind of events have taken place during the night. There's also a lot of long shots of the lovely scenery, but to get the claustrophobic atmosphere the maker's needed to emphasise the inside of the train, not the outside landscapes. It's a pretty good film, but there are just a few things about it which drag it down a peg or two.