12 Stunden Angst

The minute Gene Hackman entered the picture, this was a totally different movie. The murder had to take place, and we had to see the setup that led to it. But this turned into what seemed like an episode of a humorous TV murder mystery. Hackman did a great job and gave us plenty of laughs, even though this wasn't a comedy. Once he and Anne Archer's reluctant witness got together, it was almost a romantic comedy with two mismatched partners. And the action just kept on coming.

Along with the two fine performances of the leads, we had plenty of memorable characters. J.A. Preston's demanding district attorney, Emmet Walsh's edgy detective (who didn't stay around long, which was a shame), and an older man who gave up his suite so Caulfield and his "pregnant" wife could have their privacy. Doogie Howser's father did a great job as the main bad guy. And the woman whose name I don't remember who hoped for a romantic relationship with Caulfield.

We were always on edge as we wondered what would happen next. And there was the real excitement of action on top of the train cars. And beautiful scenery in western Canada.

I mentioned Hackman's comic abilities, but he did an amazing dramatic performance in one scene as he made it clear why he was going to so much trouble to make sure the bad guys got justice, if they could. There are so many moral dilemmas.

It was a worthy effort.

Gene Hackman and Anne Archer star in a good thriller that has tense moments and wonderful Canadian scenery. The story is of a frightened woman who sees a man killed and takes flight to avoid having to appear as a witness to a murder. Hackman is the resourceful district attorney who convinces Archer to return to Los Angeles and testify against the killers. The rest of the picture details a game of cat and mouse between Hackman, Archer and their pursuers who see Archer as a loose end and are determined to keep her from the courtroom. The scenes of pursuit atop the moving passenger train have been done in other films but is expertly done here without becoming a cliché. The picture does have its flaws but is a diverting film and any movie starring Hackman is certainly worth watching.

Narrow Margin (1990) is a remake of a fondly remembered B-movie that became a real sleeper hit. It does not match the original for suspense or excitement, but it does boast a truly towering performance by Gene Hackman who takes the Charles MacGraw role and gives it everything he's got.

The story is about a DA from L.A, who travels to a mountain cabin in Canada to pick up a female murder witness. Some baddies follow him (because they want to kill the witness), but he manages to escape with her as far as the local railway station. They board an overnight train, bound for Vancouver, and spend the next day or so evading the killers on the train.

Hackman is quite brilliant, whether delivering panicky dialogue in a whisper or indulging in some violent action atop the speeding express. James B. Sikking makes a chilling assassin. Anne Archer is convincing as the vulnerable and terrified witness who would rather be anywhere other than where she is. Director Peter Hyams packs in some solid action sequences, such as a nerve-jangling car chase through a forest, and a savage fight on the roof of the train.

Where this film falls short is in the suspense department and the pacing. There are moments where Hackman and Archer are allowed to relax too much. One scene in particular involves Hackman and Sikking having a lengthy conversation at a dinner table; when Hackman leaves, you'd expect them to follow him to her, but they don't. There's another bit where the action jumps from about 1 a.m. to the next morning, without any indication of what kind of events have taken place during the night. There's also a lot of long shots of the lovely scenery, but to get the claustrophobic atmosphere the maker's needed to emphasise the inside of the train, not the outside landscapes. It's a pretty good film, but there are just a few things about it which drag it down a peg or two.

In Los Angeles, the editor of a publishing house Carol Hunnicut (Anne Archer) goes to a blind date with the lawyer Michael Tarlow (J.T. Walsh), who has embezzled the powerful mobster Leo Watts (Harris Yulin). Carol accidentally witnesses the murder of Michel by Leo's hit-man. The scared Carol sneaks out of Michael's room and hides in an isolated cabin in Canada.

Meanwhile the Deputy District Attorney Robert Caulfield (Gene Hackman) and Sgt. Dominick Benti (M. Emmett Walsh) discover that Carol is a witness of the murder and they report the information to Caulfield's chief Martin Larner (J.A. Preston) and they head by helicopter to Canada to convince Carol to testify against Leo. However they are followed and the pilot and Benti are murdered by the Mafia. Caulfield and Carol flees and they take a train to Vancouver.

Caulfield hides Carol in his cabin and he discloses that there are three hit-man in the train trying to find Carol and kill her. But they do not know her and Caulfield does not know who might be the third killer from the Mafia and who has betrayed him in his office.

"Narrow Margin" is a great remake of the 1952 "The Narrow Margin" by Richard Fleischer. When I saw this remake in the early 90's for the first time, I did not know the original movie. The story is well written and this remake is breathtaking with the action scenes on the roof of the train. Further, the lead actor is the Gene Hackman, one of the best actors of the American cinema. My vote is seven.

Title (Brazil): "De Frente para o Perigo" ("In Front of the Peril")

If your memory is good, you'll recall that this is a remake of the B&W sleeper classic starring Charles McGraw and Marie Windsor called "The Narrow Margin," with most of the action taking place aboard the confinement of a speeding train. Their tough chemistry throughout made it very watchable indeed.

The remake has made a few minor changes in the story and expanded the scenery to include some lush images of Canadian forests and countryside to give credit to some photogenic Canadian wilderness from various angles.

The expansions mean the film isn't quite as taut as the '52 thriller with occasional dull stretches of talk, but the performances are so good that it doesn't matter too much. It still contains a spellbinding climax aboard the top of the train that includes some dangerous stunt work and a nice twist, as well as spectacular moments involving a helicopter.

Not bad at all, passes the time quickly and once the suspense aboard the train starts there's no turning away.

Perhaps not as good as the original, but still worth watching. Gene Hackman and Anne Archer do fine work at the head of a competent cast.