Meerjungfrauen küssen besser

this film was wonderful!!, i loved winona's and christina ricci's acting in their roles for this film! this film shows the lengths, and the relationship, of how a mother and daughter work out their relationship together! it was funny, tragic, sexy, and works for winona fans. it takes place in 1963/64. vcher is snobby, yet, hysterical in a mean way for this film! bob hoskins is wonderful in this film! he's very talented when he hides his english accent. this movie is foir drama lovers, who love mother/daughter dramas! it seems long, but, is enjoyable if you watch it a number of times! see this movie!! if you love winona!

Cher and Wynona Ryder are very believable as Mrs. and Charlotte Flax, respectively. Mrs. Flax is a single mom who lives by the motto "Real women never get too old." Her bright, bold, sexy ways make her a special woman but aren't enough to spare her from all the characteristic pains of single motherhood. Moving from town to town with every new relationship, she finds herself at odds her 15 year old daughter, Charlotte.

Charlotte wants to be everything her mother isn't - pious, proper, humble, and pure. Her good intentions, however, are constantly in conflict with her basic nature, which is more like her mothers. Charlotte develops a fierce crush on Joe, the caretaker at a nearby convent. When Mrs. Flax's potentially serious relationship with the endearing Lou, played by Bob Hoskins, hits a rough patch, she too finds herself attracted to Joe. With competition for his affection to add fuel to the fire between Mrs. Flax and Charlotte, the only thing they can seem to agree on is caring for Katie, Charlotte's little sister, charmingly played by a young Christina Ricci. As things come to a head in the small town where the Flaxes are living, Katie's well-being hangs in the balance while both her mom and older sister try to work through their impulses.

Winona Ryder is fantastic in this movie - its a helluva part and she plays it for all it is worth. Whether she is worshipping Joe (the local hunk-deluxe), or watching 'The Singing Nun' on television, she is completely believable. Her relationship with her less-than-perfect Mother (Cher) is also believable. As a bonus, you get Christina Ricci and Bob Hoskins and some beautiful cinematography. It also has a real feel for the 60's.

Downsides are one cliche too many (WHY does every movie that takes place in the 60's have to feature JFK's assassination?) and it goes on a tad too long, but its worth watching for sure.

I first saw this film as a preteen and have loved it ever since. Endlessly entertaining performances are the best thing about this underrated and understated coming-of-age comedy that features Cher doing what she does best--convincing you she rules the world, and she really does. As Rachel Flax, a headstrong and independent mother of two (Winona Ryder, Christina Ricci), she thinks nothing of jumping into her car at the slightest sign of trouble and moving to another town ("Life is change", she says). Ryder is excellent as the fifteen year-old Charlotte, a girl who thinks that the best way to fight her burgeoning hormones is to devote her life to the Catholic church as a nun, despite the fact that she's Jewish. Of course, the boy next door (the sadly now retired Michael Schoeffling) gets in the way of her holy ambitions. Bob Hoskins is also a riot as the awshucks shoe salesman who falls over himself for Rachel, first out of fascination, and then out of love. Great music, great period feel and very light, warmhearted direction by Richard Benjamin.

It's 1963. Charlotte Flax (Winona Ryder) is a teen obsessed with Catholicism despite being Jewish. Her sister Kate (Christina Ricci) swims like a fish. She calls her mother Mrs. Flax (Cher). After yet another failed relationship with her married boss, Mrs. Flax randomly chooses coastal Eastport, Massachusetts and leaves Oklahoma. Charlotte falls for local handyman 26 year old Joe and overjoyed with the local convent. Meanwhile Mrs. Flax is courted by shoe store owner Lou Landsky (Bob Hoskins).

It is a fine coming-of-age movie that concentrates heavily on the interior monologue of Charlotte. Her imaginative confused teenage mind lends itself to some comedy. It does need more and funnier jokes. It's more like a slice of quirky teenage observations. The movie needs some kind of end point or goal. Even if the goal is something fanciful like Charlotte wanting to be a saint or maybe simply wanting to be a nun.