IMDb-BEWERTUNG
5,8/10
20.821
IHRE BEWERTUNG
Ein Ex-Knacki und seine hingebungsvolle Frau müssen vor der Gefahr fliehen, wenn ein Raubüberfall nicht wie geplant verläuft.Ein Ex-Knacki und seine hingebungsvolle Frau müssen vor der Gefahr fliehen, wenn ein Raubüberfall nicht wie geplant verläuft.Ein Ex-Knacki und seine hingebungsvolle Frau müssen vor der Gefahr fliehen, wenn ein Raubüberfall nicht wie geplant verläuft.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Philip Seymour Hoffman
- Frank Hansen
- (as Philip Hoffman)
Empfohlene Bewertungen
Alec Baldwin and Kim Basinger were a married couple when they portrayed the married McCoys in this 1994 remake of the 1972. Their on-screen chemistry is incredible. Any time you get this kind of casting occurrence in a film, it is at least worth checking out. Here it really works.
The thing that distinguishes this Jim Thompson story is the catch-22 Carol McCoy is faced with- and the percussive effect her necessary action has on the McCoy couple- while the tension is ratcheted up to 11- in their non-stop hour-and-a-half getaway throughout the Southwest.
It is a juicy role for a married couple, and Baldwin & Basinger make the most of it. They both are in prime form here and very compelling to watch together.
Besides the McCoys (and Richard Farnsworth), it is a B film. Michael Madson's hair is a real challenge to deal with. At least you can cut out of the Richard Marx end credit song. You have to live with Michael Madson's hair for the whole ride. IMDb rating should be around 7.
The thing that distinguishes this Jim Thompson story is the catch-22 Carol McCoy is faced with- and the percussive effect her necessary action has on the McCoy couple- while the tension is ratcheted up to 11- in their non-stop hour-and-a-half getaway throughout the Southwest.
It is a juicy role for a married couple, and Baldwin & Basinger make the most of it. They both are in prime form here and very compelling to watch together.
Besides the McCoys (and Richard Farnsworth), it is a B film. Michael Madson's hair is a real challenge to deal with. At least you can cut out of the Richard Marx end credit song. You have to live with Michael Madson's hair for the whole ride. IMDb rating should be around 7.
Way back when, pulp novelist genius Jim Thompson wrote "The Getaway." It was about a man and a woman who teamed up to rob. It has been filmed twice. About 12 people argue on IMDb about which is the better version. I am one of those arguing that the second version is better.
The first version in 1972 was directed by Sam Peckinpah and had a stellar (at the time) cast including Steve McQueen and Ali McGraw. It was directed by Sam Peckinpah. Among the character actors were legends Al Letteiri, Ben Johnson, Sally Struthers and Slim Pickens.
There is no doubt this is an outstanding movie.
Here's the big difference -- Ali McGraw Vs. Kim Basinger. Kim B. blows Ali M. out of the water. Seriously, the whole contest rides on this and Kim so totally takes charge in the second movie there is no competition.
I won't talk about the sex scene between Kim and Alec Baldwin, who is her husband. Why? They deserve their privacy. Even though we saw ... lots.
Bottom line: This movie requires a tough broad. Ali McGraw? Fugeddabout it! No way. Kim, you relentless female tough woman, you rule here.
Kim Basinger? This is a woman who does not look ridiculous handling a nine. But she's also vulnerable in the back of a garbage truck. Alec, you are one lucky guy.
And, Richard Farnsworth has the role that Slim Pickens played in the original. Tough call. I say equal props.
Bottom line? The remake has more ... coolness. 'Nuff said.
The first version in 1972 was directed by Sam Peckinpah and had a stellar (at the time) cast including Steve McQueen and Ali McGraw. It was directed by Sam Peckinpah. Among the character actors were legends Al Letteiri, Ben Johnson, Sally Struthers and Slim Pickens.
There is no doubt this is an outstanding movie.
Here's the big difference -- Ali McGraw Vs. Kim Basinger. Kim B. blows Ali M. out of the water. Seriously, the whole contest rides on this and Kim so totally takes charge in the second movie there is no competition.
I won't talk about the sex scene between Kim and Alec Baldwin, who is her husband. Why? They deserve their privacy. Even though we saw ... lots.
Bottom line: This movie requires a tough broad. Ali McGraw? Fugeddabout it! No way. Kim, you relentless female tough woman, you rule here.
Kim Basinger? This is a woman who does not look ridiculous handling a nine. But she's also vulnerable in the back of a garbage truck. Alec, you are one lucky guy.
And, Richard Farnsworth has the role that Slim Pickens played in the original. Tough call. I say equal props.
Bottom line? The remake has more ... coolness. 'Nuff said.
10kevdo
The action scenes are top notch. Maybe I'm just a sucker for colorful characters and the bank heist angle is well done. Best of all is Alec Baldwin's character, Doc. Baldwin and the rest of the cast really deliver their lines with panache.
Bank jobs, car chase, cat-and-mouse in a four story hotel, steamy sex, crazy characters.... what else do you want?
Bank jobs, car chase, cat-and-mouse in a four story hotel, steamy sex, crazy characters.... what else do you want?
Roger Donaldson's remake of Sam Peckinpah's 1972 gangster movie classic "The Getaway" is alright, but cannot - as many remakes - reach the power, humor and style of the original version. There are some plus points - the bloody and lengthened showdown in the hotel at the end tries to overpower the impact of the original version, and it works.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.
This was a very entertaining, if morally way below par, action movie which consistently keeps your attention with intense scenes. Kim Bassinger probably looked as good as she ever looked which is saying a lot. She has one of the steamiest scenes I've ever seen on a mainline film (my tape was the "unrated" version) but at least it was with her real-life husband (at the time) Alec Baldwin.
This re-make of the 1972 film also has Michael Madsen, James Woods, Mike Morse and Jennifer Tilley - all playing sleazy characters. They are so bad they make Baldwin & Bassinger look like monks. This movie is not exactly Mary Poppins. There's almost too much of a mean edge to it....almost. Perhaps I enjoy ogling Bassinger too much to can this movie for its baseness.
Whatever, this entertains to the degree that it makes it a very quick two hours. There is no way you could get bored watching this film.
This re-make of the 1972 film also has Michael Madsen, James Woods, Mike Morse and Jennifer Tilley - all playing sleazy characters. They are so bad they make Baldwin & Bassinger look like monks. This movie is not exactly Mary Poppins. There's almost too much of a mean edge to it....almost. Perhaps I enjoy ogling Bassinger too much to can this movie for its baseness.
Whatever, this entertains to the degree that it makes it a very quick two hours. There is no way you could get bored watching this film.
Wusstest du schon
- WissenswertesWhile filming the scene in which Doc notices Rudy waiting in ambush outside his hotel room, Michael Madsen dropped his pants off camera in order to get the desired look of surprise out of Alec Baldwin.
- PatzerWhen Doc and Carol exit the hotel, neither is carrying a bag. Doc then drops the bag when he flees. When they encounter the old man with his truck, they have the bag back again.
- Zitate
Rudy Travis: It's been my experience that having friends is overrated.
- Alternative VersionenUS theatrical version trimmed sex scenes between Alec Baldwin and Kim Basinger to get a R-rating. The European release and US unrated videocassette are uncut.
- SoundtracksCarmelita
Written by David White
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Getaway?Powered by Alexa
- Is this film a remake?
- What are the differences between the R-Rated and Unrated Version?
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 16.094.974 $
- Eröffnungswochenende in den USA und in Kanada
- 5.806.515 $
- 13. Feb. 1994
- Weltweiter Bruttoertrag
- 30.057.974 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen