Füge eine Handlung in deiner Sprache hinzuIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is ... Alles lesenIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is trying to figure out what to do with his life. John can't be bothered with apathy, but no ... Alles lesenIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is trying to figure out what to do with his life. John can't be bothered with apathy, but no matter how much he wants to help people, he is too immobilized to do anything useful. Haun... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- John
- (as James LeGros)
- Breadstore Clerk
- (as Dolores Delucé)
- Yolanda
- (as Yolanda Garcia)
- Pepe
- (as Angel Garcia)
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Truly one of the highlights is when Billy Bob Thornton sells James LeGros a gun, son of a gun Thornton! He steals it, definitely.
The philosophy is not very lasting. The conservation with his father talking about sending the army into America's inner cities after the L.A. riots, since they control the country already. 'I think that's called fascism, dad.' And then the topic it's dropped and the film contains some more of these quasi-philosophical intakes, not very strong. And you don't wanna see James Le Gros dancing when he's drunk.
The whole thing is primitively filmed, it almost feels like a home movie, with the low key and somewhat amateurish score, but as a whole a slight but still quite an engrossing film.
Camera Obscura --- 7/10
This is not a feel good movie for people who already feel good or people who feel bad and want to stay that way. It is for people who feel that something is wrong, about the world, about themselves, about life as they know it. They want to fix what's wrong but they don't have the energy, the knowledge or the power to do it.
Nobody wants to be the main character, Jon, but if you were ever a unemployed college graduate, who smokes. drinks, fornicates, and thinks too much, you know how he feels and have had at least one day like his. The only difference is he snaps. Most of us dont snap because we are afraid of what we might do. What the movie shows is the results would probably be more ridiculous than terrifying.
This sixties time-warped retro kind of "power to the people" nineties flick is mostly a procession of set pieces, some of which are not bad. The bit at the gun store with Billy Bob Thornton was superb. The crack philosophers scene was also very good. And the way "What's So Funny ‛Bout Peace, Love and Understanding?" was sung so badly was just perfectola. (Actually that's "What's So Bad about Peace, Love and Understanding?" but whatever...)
And the way that big silver fish popped those gold fish...gulp!
I think some of the negative comments about this movie ought to be greeted with a "Whoa, dudes--get a sense of humor." Or, "Don't be offended, man, it's only a movie." Or maybe, "Uh, the soundtrack is awesome, dude." (Oh, god, people really did talk like that!) The dream sequences fooled me at least twice. They were funny. Funniest line: when the trash lady pulls her rifle out of her cart and says "Vive la Revolution!" Second funniest line: "What kind of music do you want to hear?" "The farm report."
Okay, this was no masterpiece, and any episodic movie sans plot is not going to rival The Godfather here at IMDb. And James LeGros ain't no Marlon Brando. And if you've ever been to Venice Beach...well, you know it's a freak show. But I think director and screen writer Peter McCarthy did a nice job of bringing that slacker street scene to life. I think the big mistake was to headline actors like Steve Buscemi, John Cusack, Ethan Hawke, and Billy Bob Thornton when they only had cameos. That should have been made clear up front. And there was more than a touch of the kind of sixties moral pretension that we've all grown a little tired of. But bottom line for me, this was a funny movie.
The movie has the right things to say. It attacks greed, racism, corporate indifference, and shallow relationships, and it features cameos by such interesting people as Steve Buscemi. John Cusack, and Billy Bob Thornton.
Unfortunately, it lacks one thing one usually looks for in a comedy, namely humor. It just isn't very funny.
Our hero has a really bad hair day. His girl is with another guy when he shows up early for a date. His brother breaks out of rehab, gets wasted and now thinks our hero is the devil. His bank accounts are possessed by the IRS. His unemployment runs out. His idealistic high school teacher has become a racist greedhead. He is pursued in a drive-by shooting.
He O.D.'s. He is sodomized after he passes out. ....Well, you get the point.
There are two ways to attack a hateful target. One is to use the sharp eye of satire, the other is to say "hey, that stinks". This movie does the latter. It uses the Beavis and Butthead level of analytical depth.
Unfortunately, everyone knows that racism stinks, and they go to movies to be entertained. Viewers may agree with the ideas in this one, and so they may feel good when he strikes back, but not many people will be entertained by it.
Sophomoric.
~The movie suffers from many of the usual independant film problems: unconvincing sets, bad acting...~ HA do you know why independant movies are like that because they have no big budgets to work with. If you want those problems fixed go rent a james cameron movie and dont waste your time, so people like me who appreciate movies like this can rent it.
As for the character being in every scene, last time i checked the main character is usually in the movie or story quite a bit. how would a main character being in every scene mean death for a movie.
the movie is a few days in the life of a highly stressed neurotic guy who is fed up with the way things are going not a shallow guy. the back of the box usually sums up the movie for you, i suggest you start reading the back of the boxes before you rent anymore.
Wusstest du schon
- PatzerAt 80 minutes, at the motel, John tucks his revolver into his belt but less than a minute later, he again tucks his revolver into his belt.
- SoundtracksMy Drug Buddy
Performed by Stan Ridgway & Zander Schloss
Words & Music by Stan Ridgway
(c) & (p) Mondo Spartacus/Illegal Songs
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 20.031 $
- Eröffnungswochenende in den USA und in Kanada
- 2.604 $
- 6. Nov. 1994
- Weltweiter Bruttoertrag
- 20.031 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1