Haltlos

Floundering is a film I could really relate with when I was fresh out of college, lost and feeling overwhelmed. It is well acted. Direction is passable, though not real important. It's well written if you don't mind breaking the cardinal rule of not having an interior monologue Voiced-over the whole movie by the protagonist. It's THAT kind of movie - where the most interesting action takes place in the characters' head and fantasies. It was also written in Los Angeles immediately following the Riots - which dates the film to anyone who has no memories of the event or climate of the time. (Merryl Fence = Daryl Gates. . . ) This is a character-driven film about a guy in a very confused, bad head-space. And it's good. . .until the end where the Elvis Costello kicks in and the theme of the film is kicked into your teeth with lots of bad singing. For anyone who has been 24 and depressed in the 90's, I'd recommend.

This is a little movie with big things to say. There are some genuinely funny, thought provoking, and disturbing moments in this film. I was surprised to see it rated so low. Certainly not intended to be an academy award candidate nonetheless this film shines in its own way. Floundering takes you on a strange and comical trip that at times poignantly illuminates the absurd realities of modern life. This film takes on many issues through the "floundering" character of Le Gros; recycling, violence,sexuality, drug abuse, wealth disparity, family loss,mental health, and human fraternity to name a few. Look for some great cameos from the likes of Steve Buscemi, Billy Bob Thornton, and Kim Wayans.

Floundering offers a fresh insight into the problems plagueing youth in the 90's. It revolves around a youth named John who is having extreme difficulty in finding his center. His situation is not improved by his philosophic friends who tell him it will take time, or by his drug-addicted paranoid (he calls John the devil) brother. The cast is sterling and the script is stong. This movie is one to see if things haven't been going your way.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

This sixties time-warped retro kind of "power to the people" nineties flick is mostly a procession of set pieces, some of which are not bad. The bit at the gun store with Billy Bob Thornton was superb. The crack philosophers scene was also very good. And the way "What's So Funny ‛Bout Peace, Love and Understanding?" was sung so badly was just perfectola. (Actually that's "What's So Bad about Peace, Love and Understanding?" but whatever...)

And the way that big silver fish popped those gold fish...gulp!

I think some of the negative comments about this movie ought to be greeted with a "Whoa, dudes--get a sense of humor." Or, "Don't be offended, man, it's only a movie." Or maybe, "Uh, the soundtrack is awesome, dude." (Oh, god, people really did talk like that!) The dream sequences fooled me at least twice. They were funny. Funniest line: when the trash lady pulls her rifle out of her cart and says "Vive la Revolution!" Second funniest line: "What kind of music do you want to hear?" "The farm report."

Okay, this was no masterpiece, and any episodic movie sans plot is not going to rival The Godfather here at IMDb. And James LeGros ain't no Marlon Brando. And if you've ever been to Venice Beach...well, you know it's a freak show. But I think director and screen writer Peter McCarthy did a nice job of bringing that slacker street scene to life. I think the big mistake was to headline actors like Steve Buscemi, John Cusack, Ethan Hawke, and Billy Bob Thornton when they only had cameos. That should have been made clear up front. And there was more than a touch of the kind of sixties moral pretension that we've all grown a little tired of. But bottom line for me, this was a funny movie.

Peter McCarthy writer/director of 'Floundering' had a hand in both 'Repo Man' and 'Tapeheads' and that may give you a little bit of an idea where this odd little movie is coming from, but not much. It really is very difficult to categorize. It's an almost stream of consciousness Gen X black comedy that often feels and looks like it's semi improvised. Several sequences completely fall flat, but then it'll bounce back with something genuinely original or inspired. James LeGros ('Drugstore Cowboy', 'Living In Oblivion') stars as a sensitive but confused slacker type who wrestles with his social conscience. The movie shows him going through a crisis period where his whole life falls apart. The movie features an impressive supporting cast of name actors (Buscemi, Cusack, Hawke, Billy Bob Thornton), musicians, weirdos and Alex Cox regulars Sy Richardson and Biff Yeager, even Cox himself appears in a brief cameo. The movies jumps between social realism and surrealism, quirky comedy and darker, more depressing material. It can often be quite frustrating to watch but it's still one of the most interesting and unusual indie movies to come out of the 1990s. Recommended for Alex Cox fans in particular, and fans of the offbeat in general.