Undercover Cops

As one reviewer pointed out, the film is neither good or bad. I think the problem lies mainly in the marketing. Like many people who viewed this film, I thought it would be a comedy. It is, to a degree. Judging by the subject matter, I knew "Exit" would be at least somewhat risque, but since I found out Garry Marshall directed it, I assumed it would be tastefully done with little or no nudity. After all, this is the guy who directed films like "Runaway Bride" and "The Princess Diaries," and I think he produced "Laverne and Shirley." Naturally, I wasn't expecting softcore porn! Maybe this isn't an EXACT clone of a late night movie on Cinemax, but it comes pretty close. I guess I would compare this with certain adult comedies like "The Bikini Carwash Company" and "Beauty School."

I was entertained and stimulated by some of the nude scenes, and I never knew Dana Delaney had such an AWESOME body! I will never look at her the same ever again! And you've got the handsome Aussie, Paul Mercurio, so there's something for the guys and gals to enjoy. Unfortunately, I kept waiting for something funny to happen and my patience was running low.

Many people think of Rosie O'Donnell as an annoying you-know-what, but that's because many of those people didn't know her until she started doing her talk show. I watched her show sometimes, but I admit there were times where I just wanted to slug her. But she was putting on a sing-songy, G-rated persona for the show. I've seen her one of her stand-up acts on television, and quite a few words had to be bleeped. So trust me, she doesn't have the same clean-cut persona you've seen in her talk show. And she does have a reasonable amount of talent as a comedienne, which is why I wanted to check out the film in the first place. At times she's funny, at times she's not, due to faulty writing and forced comic timing. Dan Aykroyd has a few funny moments as well, but also seems humiliated to be in this movie. Don't expect the same high-energy, manic Aykroyd performance he usually delivers.

"Exit to Eden" works out well as softcore porn, but doesn't totally deliver as a comedy. The film would've worked out better, if it didn't suffer from this identity crisis.

My score: 5 (out of 10)

Exit to Eden was a fine erotic book by Ann Rice, full of texture, sensuality and drama, all of the things the movie is not. Why Gary Marshall chose to turn a great novel into a non-funny comedy with the miscasting of Rosie O'Donnell and Dan Aykroyd is beyond me. The subject of this movie has never been dealt with in a non-X movie and it should have been done with tact instead of a loose comedy hand. The cast is good except the above duo. Dana Delany is great as the Mistress of a pleasure island; she takes a chance and shows her sexy side of herself as well as full body nudity. You watch this movie and shake your head about how good it could have been. read the book, forget the movie. 4 out of 10

I have looked at this movie at least forty times. It is sheer pleasure. Lots of laughs. I enjoyed seeing Dana Delaaney in a very different role than I have usually seen her. Paul Mercurio too I had only seen before in his profession as a dancer. He is a superb dancer.

At first I was surprised at the extent of nudity, but then realized, how else could they depict the island. Both Dana and Paul have great looking bodies and get to show them off throughout the movie. Paul's outstanding butt is highlighted in a scene between the two of them.

Clever was the scene involving the buttered croissants. Really good flick!!! JFC

I watched this movie, having been a fan of Anne Rice's novels. I found that a few of the scenes did a good job of imagining what the book was suggesting. These were mostly trivial in the movie. I really enjoyed the story and managed to sit through the horrible overlapping story (All of Dan & Rosie's scenes) to catch a bit of the fantasy brought to the screen that had been in my head reading the book. I guess if it had been passed off as other than a comedy, it would have to be labeled pornography. The good parts of the movie show that this could have been a great project if they had attempted to stay close to the spirit of the novel.

One thing can be said about veteran director Garry Marshall; he'll go nearly ANYWHERE for love and laughs.

EXIT TO EDEN may be about as unlikely a mainstream comedy/romance as you'll find, with most of the action occurring at a 'Club Med'-type resort catering to S&M devotees, but someone, somewhere, might have been able to pull it off...but not, unfortunately, the ever-conventional Marshall, who, try as he might, can't make either the comedy (as two cops attempt to infiltrate the club to capture a fugitive 'hiding out' among the 'mistresses' and 'slaves') or the love story (as a somewhat jaded 'mistress' discovers the joys of conventional romance with a mysterious newcomer) more than mildly entertaining.

The main problem is miscasting; while a Dan Aykroyd/Rosie O'Donnell team-up might have looked good on paper, on film the two actors have virtually no chemistry together. Aykroyd is better as a 'straight man' than comic, and, as age has given him a 'cuddly' quality (along with extra pounds), the edginess he displayed in THE BLUES BROTHERS or even DRAGNET is gone. O'Donnell, on the other hand, is TOO edgy, and can become annoying quite easily. Her one-liners seem contrived and often mean-spirited...and Rosie in leather is a sight I've been trying to forget for 10 years! Dana Delany fares somewhat better, as the Number 1 Dominatrix (her voluptuous curves, encased in leather, and brief nude scenes have made EXIT TO EDEN a video store favorite), but her personality, fundamentally sweet-natured (more 'Girl Next Door' than 'Supervixen') plays against her. She is simply too 'nice' for her role! Coming off best is Australian newcomer Paul Mercurio, in his first American film. With a twinkle in his eye, he 'plays' the S&M 'game' as a joke, championing traditional romance, and, ultimately, converts Delany to his point of view. Totally natural, Mercurio 'steals' the film from the veteran cast. He, and Marshall 'regular' Hector Elizondo are both so good, in fact, that they seem to have been 'lifted' from a different film!

EXIT TO EDEN stumbles frequently, in it's attempt to be both mainstream AND daring, and ends up being boring and a bit distasteful.

PRETTY WOMAN, it ain't!