Ed Wood

As one of the most overlooked films ever made, "Ed Wood" does for Tim Burton what "Malcolm X" did for Spike Lee and "JFK" did for Oliver Stone, it ruins any expectations one can have of Tim Burton, because he has set a standard here that he will never achieve again. An interest in the period in which it is set is essential, given the set decoration is the film's greatest triumph. It's not surprising that Burton's first "biopic" is about someone revered in the b-movie heyday of the 1950s - that spawned Burton himself. Burton must have felt he had to make this picture because without filmmakers like Ed Wood, Burton himself would have never existed. Set in seedy B-movie Hollywood in the mid 1950s - and wisely and beautifully shot in black-and-white, Johnny Depp plays the titular character; a young, talentless, but optimistic auteur who dreams of being a film director; going so far as to model himself after his idol, Orson Welles. Despite an over-reliance on stock footage, a tin ear for dialogue, and a fondness for wacky, exploitative horror and sci-fi fare, Wood wiggles his way into B-moviedom. Casting anyone willing to step before his camera, Wood cranks out a series of cheesy movies.

When he has a chance encounter with horror film legend Bela Lugosi, now a 74 year-old, foul-mouthed morphine addict wrecked by his lost fame, Ed sees his meal-ticket. Quick for his next fix, Lugosi doesn't seem to mind that Wood is also an out-and-proud transvestite with a particular fondness for Angora sweaters, and soon begins starring in Wood's features. Lugosi, played by Martin Landau, gives the story its biggest jolts of energy. Landau is hysterical in scene after scene utilizing the "dirty old man" routine. Remember, there is nothing funnier on earth than an old man who likes profanity. A gentle - albeit somewhat fictionalized - bond forms between Wood and Lugosi. Depp does a spectacular job of fleshing out Wood's quirky innocence and unbridled passion for moviemaking. This may also be the only Johnny Depp film where you actually see him smile!

What ultimately makes this film so stellar is the impeccable production and costume design and the crisp B&W cinematography; it literally transports you back to the clean-cut, wide-eyed days of the 1950s. I cannot recommend this film enough if you have an interest in the world of 1950s B-movies that produced titles like "Teenagers From Outer Space" and "Project Moonbase". This film functions quite well as a time warp. I liken "Ed Wood" to epics like "JFK" because like those films, this movie doesn't seem to be about what happens as much as how it FEELS to be there; and that's what draws me to the film every time I see it. With "Ed Wood", I'm not always interested in following the story, but I'm totally fascinated with being inside that world. Tim Burton did the best job that anyone could in taking you there.

I am a Johnny Depp fan, and this film only reinforced my enjoyment of his genuine talent. He's whatcha call a real actor. He's on record ("Inside the Actor's Studio" & elsewhere) as saying that his characterization of Wood was a mixture of "the blind optimism of Ronald Reagan, the enthusiasm of the Tin Man from 'The Wizard of Oz' (1939) and Casey Kasem." Well, I must add that either he left out channeling Jon Lovitz or that's where Lovitz got his inspiration, too. It is at moments positively eerie how well it works, and without feeling like Depp stole Lovitz's act--his overall character is so much more, so much else, that the Lovitz echo becomes a small part of a larger coherent whole, although it never disappears entirely.

Sarah Jessica Parker and Patricia Arquette as the principal women in Wood's life are each endearing and effective in their own separate ways. Bill Murray is fun as always, and the secondary and bit players are very well cast.

Martin Landau . . . well . . . Martin Landau simply left me awestruck. Depp is all over the screen doin' his best wacky movie guy and chewing the scenery, Parker, Arquette, Murray, and the rest are obviously having a real fun time backing him up, and Martin Landau is shuffling around in the foreground muttering in Romanian and writing a book called "How to Steal a Movie." Mind boggling performance, and absolutely deserving every award it got him in 1995, which included a Best Supporting Actor Oscar, Golden Globe and SAG Awards, and the American Comedy Award for Funniest Supporting Actor in a Motion Picture. (Incidentally, his daughter Juliet, better known to millions of Buffy the Vampire Slayer fans as the vampire Drusilla, is one of the supporting players.)

If I weren't already a Tim Burton fan this movie would have made me one. He here makes an almost perfectly crafted period piece (anachronisms noted--see the "goofs" page--and dismissed), half cheesy fake scifi B movie and half period noir thriller, as a cinematic biography about the quintessential cheesy fake noir scifi thriller B movie guy. This film goes beyond pastiche, and beyond homage to a genre, although it is both. With this film Burton genuflects--no, prostrates himself--before the gods of 1950s low-budget black and white, and the gods are pleased indeed. It seems like he must have watched every movie made in America for under a million dollars between 1948 and 1962. I lost count of the echoes and parodies and pastiches and mini-homages that fill, I think, every darn frame of the movie, and which by no means are mostly of Wood and his work.

As with, I think, every movie biography, there's the odd gratuitous fact changing (see the "goofs" page again)--you know, the "Why'd they do that when the truth wouldn't make any difference?" kind of stuff, and as glowing as this review obviously is I must also say that it is in some ways an imperfect film--it glosses over Wood's later career, for example. But it it so obviously a labor of love and joy for all involved that in my opinion its imperfections are inconsequential. Ed Wood stands proudly, with that slightly odd gleam in its eye, with the best movie biographies made.

Although I had never heard of Ed Wood before hearing of this film, I now understand why anybody would even consider making a film about him. Even though branded as "the worst director of all time," Wood was refreshingly passionate about what he did. Of course, I can't really judge his work, but from what I saw in this movie I'm pretty sure that the critics are right about him.

But that's not the point of Ed Wood. Not at all. My favorite scene in the whole movie is the conversation between Wood and Orson Welles. One perhaps the best filmmaker of his time, the other a young, struggling filmmaker without experience or talent, but each knows what the other is going through. They have the same problems and the same ambitions. The fact that one is a genius and the other a total failure is only secondary.

The performances are all first-rate, starting with Depp and Landau and going all the way to the supporting cast which includes a great performance by Bill Murray. Opposing Ed Wood's statement that "filmmaking is not about the tiny details," Tim Burton gave us another great film filled with wonderful details.

The film does not go into detail about Wood's experiences prior to and after making his first films which is understandable when you make a little research on this very website.

This film made me curious about Ed Wood's work and maybe I'll get over myself and check out Plan 9 from Outer Space or Glen or Glenda.

8.5/10

Ed Wood is a frustrated actor and director who's small theatre productions barely can get a good word said about them. When a cheap little production company advertises a project about sex change, Wood jumps at the chance and uses his personal fetish for women's clothing as the hook to get the job. Despite his final project being laughed out of the major studios, Wood now has the taste for it and starts to try and get funding to make his own films - aided by the ailing star Bela Lugosi who is desperate for work to help fund his habits. With a collection of freaks and oddballs, Wood made what are now considered to be some of the worst films ever made.

Some things in life are depressing and it is often the case that we try to look on the bright side and make jokes about the situation as an attempt to deal with it. I'm from Northern Ireland and my humour is quite dark and gallows style simply because that is the kind of comedy I grew up with was draw from the background of murder and violence - gallows humour is an appropriate term. This film may not be based on gallows humour but it is such a potentially depressing story that the only way to do it and make it enjoyable is to tell it with humour. Burton treats his subject with a great deal of affection and thus makes this film a funny tale of a dreamer who we know will never see his dreams fulfilled in the way he would like. The story is funny but not in the cruel mocking way that it could have been but in a fanciful way that is amusing and all the better for being based on truth. This strand continues all the way through the film and helps us to like Wood even if it is impossible to defend his films - the ending is perfectly upbeat considering that Wood then ended his life an alcoholic making cheap nude pictures. The characters are exaggerated but still quite true to the real life people they represent (I take this from comments made in documentaries).

As director, Burton is excellent. He gives the whole film an otherworldly feel that is very fitting for a tale that involves characters that are very weird indeed. The affectionate approach that Burton has for Wood really helps - I wonder does he relate to the guy just trying to make the films that appeal to him or what it is that makes him feel this way towards him? Either way the end result is very good and it stands out as a film that is pretty much without flaw. I questioned the film's inclusion in the imdb top 250 but then I thought well, what is wrong with it? I had to admit that almost nothing is wrong - the only thing would be that the story may not be to everyone's tastes and not everyone will buy into Burton's affectionate look at Wood.

The cast is led by a magnificent performance by Depp who I have long maintained is one of the finest actors (or at least bravest) of my generation. Here he continues Burton's affectionate approach by portraying Wood as a man filled with hope and dreams - even doing a good job of turning cross dressing into an amusing quirk. The cast is truly all star but they all do a great job playing their characters. Landau's Oscar may have had a touch of sentimentality about it but it was still deserved - he plays Lugosi really well and manages the difficulties of his drug addiction really well to make him both amusing but deeply sympathetic. The support cast includes good turns from Parker, Arquette (quite interchangeable really!), Jones, Murray, Starr, D'Onofrio and Spradlin. All the cast do well but it is those that play Wood's wooden cast members that do the best job - managing to do both natural performances outside of Wood's movie but also doing justice to just how bad their characters really were!

Overall this is a great movie but the tale of a rubbish movie director who enjoys cross-dressing and hangs out with a group of weirdoes is likely not to be to everyone's taste. Regardless of this, if it interests you then you should be pleased with a slick movie that takes an amusing and affectionate look at what is a fairly depressing story.

It's appropriate that Tim Burton would direct this and even more appropriate that Johnny Depp would play the lead character as this story profiles an unusual subject: the worst director of films, perhaps, in Hollywood history....and one of its strangest characters.

As interesting as the story is, I found the black-and-white photography to be the best aspect of the film, but that's no surprise since Burton usually excels in making great visual films. Depp was hilarious as "Ed Wood." The eternal optimistic attitude and silly smile on his face in this film always makes me laugh and actually is inspiring in parts. You can't help but like poor Ed.

The most dramatic figure is Bela Lugosi, played memorably by Martin Landau, who deservedly won many awards for this performance. What a tragic figure.

To no surprise, there is a cheap shot against Baptists, who are made to look like meddling fools, something Hollywood loves to portray when it comes to any Christian character. Other than that, it's a fascinating film and portrait of a weirdo that only real-life weirdo Johnny Depp could do justice!