IMDb-BEWERTUNG
7,2/10
9782
IHRE BEWERTUNG
Direktorin Nanni Moretti wirft einen beißenden Blick auf das italienische Leben anhand von drei antologischen Vignetten, die als Kapitel eines offenen Tagebuchs präsentiert werden.Direktorin Nanni Moretti wirft einen beißenden Blick auf das italienische Leben anhand von drei antologischen Vignetten, die als Kapitel eines offenen Tagebuchs präsentiert werden.Direktorin Nanni Moretti wirft einen beißenden Blick auf das italienische Leben anhand von drei antologischen Vignetten, die als Kapitel eines offenen Tagebuchs präsentiert werden.
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- 13 Gewinne & 20 Nominierungen insgesamt
Empfohlene Bewertungen
Interesting look on life, funny and sad. Not a movie for the action-seekers or the shallow. Movie follows main character (autobiography) on his wanderings through Rome and the Liparian Islands. Very nice camerawork. Simple but effective.
Not a standard film by any means but well done. The movie is broken into three parts, each part shares no relation with each other. In the first part we follow the director on his Vespa throughout Rome as his voiceovers talk about his impressions of Rome. Great selection of music for this part and Moretti's expressions watching "Henry, Portrait of a Serial Killer" are hilarious. The second part, is of a more surreal bent as Moretti and a friend tour the islands surrounding Italy. Enjoy it for the scenery as for some of tongue in cheek commentary on the people living there. The third part follows a more linear plot as we follow Moretti trying to find the cause of his ailments. Generally lighthearted throughout this part turns rather serious at the end but since it has already happened, there is no concern for the future. A good introduction to one of the better Italian directors.
What sheer audacity it must take to write, direct and star in your own film. And on top of that, he cast himself in a sympathetic role. Okay, it was somewhat autobiographical. But this film (and in other ways his film The Son's Room) seems like Moretti's testament to his own fortitude, appreciation of simple things, humbleness, and ability to elicit sympathy. Why say these things about yourself? Why not wait for someone else to say them about you? That aside, the real things that ruin the film are Moretti's face and his manor. He looks and acts pompous, like Donald Trump or something. He horribly mis-cast himself! Only see this film if you want to appreciate/ridicule Moretti's sheer audacity and pomposity.
Nanni Moretti turns the camera on himself as he explores his hang-ups and obsessions via three chapters. The first chapter has him take us - the audience - for a humorous journey on his vespa, admiring the beauty and ugliness of suburban Rome. His next journey is through the Islands, searching for solitude to write a script. An hilarious chapter that saves the film, because by the third part we have had enough of Moretti. But we still thank him for taking us through his diary.
This is one of my all time favorite movies. The feeling of the whole film is just cozy and lovely. I first saw this movie on IFC and watched every time after that that I saw it was on. I could watch it a million times. I highly recommend it!
Wusstest du schon
- WissenswertesIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- PatzerNanni and Gerardo are welcomed to Stromboli by the mayor of the island. Actually, Stromboli does not have any mayor, as it is part of the municipal authority of Lipari, which includes all Aeolian Islands except Salina.
- Zitate
Nanni Moretti: If it depends on me, I'm sure I won't make it.
- VerbindungenFeatured in Le clone (1998)
- SoundtracksInevitabilmente
Written by Luigi Schiavone (as L. Schiavone) and Enrico Ruggeri (as E. Ruggeri)
Performed by Fiorella Mannoia
Ed. Musicali Merak - Il Ponte
Sony Music
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