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In their harsh world, the regulars on the Boulevard engage in a minute to minute struggle against each other. The story presents action and reaction, with no intellectual depth or analysis. The Boulevard boasts a selection of hookers, drag queens, junkies, pimps, cops, murderers and rapists, all mistrusting each other, all dangerously defensive. Despite this, the most violent and sexually explicit scenes are those of Jennifers flashbacks to her messy past, before she came to the Boulevard. Jennifer lands homeless after a series of traumatic events; she's just given birth, adopted her baby out, run away from her abusive partner, and given up all her money for a bus ticket to Toronto. A local working girl feels sorry for her so takes her in. Performance ranks as one of the better features of Boulevard. I've never seen Kari Wuhrer play a part so well. Lance Henriksen and Lou Diamond Phillips were damn memorable. Hahah. The quality of the film crashes when it comes to relationship development. Broad insults, verbal abuse, sex and physical violence sum up almost all character interaction. Even the budding 'love' between Jennifer and Ola seemed more like a convenient, mutually-rewarding 'arrangement'. The ugly ending only exemplified Boulevard as one of the cheaply effective 90's-classic tragedy genre. But still, quite good.

Lou Diamond Phillips and Rae Dawn Chong, two players known for three names, star in this Canadian production about a woman fleeing from her abusive husband and winding up on the mean streets of Toronto. But neither Lou or Rae is playing that part. Oh come now, Lou Diamond Phillips did do drag in Hollywood Homicide.

Kari Wuhrer plays that part the abused woman fleeing from a real loser of a husband in Joel Bissonette. But before long after she arrives in Toronto, Kari's got reason to think about that old saying concerning the devil you know. She makes the acquaintance of prostitute Rae Dawn Chong who is a street prostitute and pretty soon she'll be required to join the stable of pimp Lou Diamond Phillips. He's far worse than the wife beating husband she fled from.

The saving grace is her relationship with Chong as the two of them discover they've got more feelings for each other than the abusive men they've known.

In fact other than Toronto cop Lance Henriksen the men in this film are one scurvy sampling of the species.

The players all do fine in their roles, especially Phillips who has done the dark side in a few of his movies. Lou was never darker in any film however than he is in Boulevard.

I'd like to say that Boulevard was a serious film about lesbianism because Chong and Wuhrer are a touching couple. But this is a movie that will be far better appreciated at Hooters than at any women's film festival.

Not since "Ramrod", Wings Hauser, in the ultra violent "Vice Squad" (1982), has a pimp been more memorable than the sadistic "Hassan", played with gusto by Lou Diamond Phillips, in "Boulevard" (1994). This film is the real deal, with Kari Wuhrer playing a small town girl on the run from her abusive boyfriend. Winding up in the Toronto "red light district" , she is befriended by a sympathetic prostitute (Rae Dawn Chong), while being pursued by the pimp and her old boyfriend. Lance Henriksen is a vice detective who tries to keep things from getting out of control on the hooker infested streets. This is without question one of the best exploitation movies dealing with pimps and ho's, and makes something like "Angel" (1984) seem like Disneyland. - MERK

Boulevard (1994) is a Canadian film 🇨🇦 that I recently watched on Tubi. The storyline follows an abused woman with no family, forced to live on the streets. A prostitute takes her in and offers her a place to stay until she gets back on her feet. However, the young woman decides to become a prostitute herself, and when the harsh realities of the street catch up with her, both women's lives are put at risk. Meanwhile, her abusive ex-boyfriend is on her trail.

Directed by Penelope Buitenhuis (Tokyo Girls), the film stars Rae Dawn Chong (The Color Purple), Lou Diamond Phillips (Courage Under Fire), Kari Wuhrer (Eight Legged Freaks), and Lance Henriksen (Aliens).

This is one of those unpredictable films that keeps you hooked because you genuinely want to see how it unfolds. While it's far from perfect-with poor cinematography and some odd camera angles-the strong cast and authentic sense of desperation make it compelling. Rae Dawn Chong is stunning in this role, and as expected given the subject matter, there's plenty of nudity. The subplot involving the abusive ex-boyfriend feels a bit far-fetched and frustrating at times, but it does keep you invested in how it resolves. The violence is gritty and realistic, adding weight to the story, and the ending ties everything together in a satisfying way.

In conclusion, Boulevard exceeded my expectations and was an engaging watch. I'd rate it a 7/10 and recommend it if you're in the mood for something a bit different.

Small town girl Jennefer (Kari Wuhrer) escapes from her abusive boyfriend J-Rod (Joel Bissonnette) to the big city of Toronto after giving up her newborn baby for adoption. She ends up sleeping on the streets encountering prostitute Ola (Rae Dawn Chong) and pimp Hassan (Lou Diamond Phillips). Ola finally relents and takes her in. Hassan kills one of his girls which is witnessed by Ola and another guy. Police detective McClaren (Lance Henriksen) investigates.

This is an odd little exploitation movie. It tries to be hard and gritty. However, it comes off as a knockoff of a dirty 70's B-movie. Hassan is walking around with his cane and pimp gear. Even some of the cars are more 70s and 80s. The Chinese witness is in his stereotype kitchen gear. People are warming themselves with trash fires. Hookers are walking the streets. It's like a 70s movie dropped in the middle of 90s Toronto. The acting is uneven. I like Rae Dawn Chong. Kari Wuhrer is trying too hard to be the damsel in distress. The two women have some good moments and had potential to be something more. Lou Diamond Phillips is ridiculously pimplicious. This is definitely a B-movie.