Operation Blue Sky

"Blue Sky" might've made for a great night of television had it premiered on HBO or Showtime as a cable-film. With somewhat reduced expectations coupled with the intimacy of watching the movie on the small screen, one might be inclined to forgive the film for its lack of scope. Set in Alabama in the mid-1950s, Jessica Lange plays an Army engineer's wife and the mother of two young girls who is tired of being dragged from one military base to the next. She harbors a dangerous, possibly manic-depressive side, and makes life difficult for everybody--leaving a trail of gossip and bad blood behind her. Tommy Lee Jones is her patient, loving husband, and Powers Boothe is Jones' newest Commanding Officer who sees only Lange's sexy externals and desires her. All three performances are very good (with Lange winning the Best Actress Oscar, possibly due to a slow year for women in film); however, the picture takes a wrong turn in its third act and finishes limply. Wolfish Boothe becomes a deceitful villain (as if being a cheating husband wasn't enough!), while Lange's volatile Carly is sent out on a limb to save her husband from the clutches of the ignorant, power-hungry government. Had the script stayed true to the character conflicts (which would have matched the film's modest budget), this may have been an effective little soaper. Unfortunately, too many ambitious ideas are cranked out in the picture's squashy final stages, the result being a dramatic film which is dramatically unfulfilling. **1/2 from ****

Shot in the Fall/Spring of 1989-90, "Blue Sky" wasn't actually released until 1994. The story involves a military family in the early 60s who move to an Alabama base. The wife (Jessica Lange) is erratic & bipolar and behaves like a loony Marilyn Monroe while the husband (Tommy Lee Jones) is unshakably faithful. The two daughters lament their mother's disorder, but the family's strong nevertheless. When the father goes to Nevada to work with bomb testing the commander of the base (Powers Boothe) has his eyes on the sexpot wife.

I don't follow film awards, but Jessica won an Oscar for her performance as the hysterical wife and she deserved it. For this reason many hail the first two acts of the film, and Tommy Lee as well. Unfortunately, her character comes across as unlikable and even scary. You start to feel sad for the daughters!

Some people criticize Boothe as being too dastardly of a villain. Don't believe it. Do these critics really think there aren't any high-ranking military personnel with a Genghis Khan complex? Men who think they're above the rules and can get away with anything their arrogant butts' desire? Boothe's character comes across as a solid military leader who's tempted by a subordinate's sultry wife and then does everything he can to save himself. This type of behavior is older than David and Bathsheba.

Some complain about how unbelievable the last act is. Two things: (1.) This is a movie and movies always amp up the dramatics. The filmmakers essentially have to do this because, well, it's a movie and they only have 2 hours to tell the story. (2.) Besides, the film's making a point about Lange's character and it's important to the story. ***SPOILER ALERT*** It shows that, as erratic and unlikable as she is in the first two acts, she redeems herself by literally risking everything for her husband. It's a powerful and necessary point. ***END SPOILER***

This is also a good film about life on a military base, like "The Great Santini" with some similarities to "Desert Bloom", albeit not quite as good as either.

The film was shot in Selma, Alabama, Florida and El Paso, Texas. It runs 101 minutes.

GRADE: B

The film is about the relationship of husband and wife, their troubles and how they cope with it. It also had a side plot about underground nuclear testing, which I don't think was that powerful or had that much of an impact for it to carry though as the finale, which also seem to be wrapped up uneventfully.

But the main story is their troubled relationship, and how through good, bad and worse they get through it with each other's support. Jessica Lange's performance as an unstable woman was amazing, not over the top in which it would have been typically done, but was portrayed truely and its fine nuance conveyed the subtle change in her mental state.

This film had some really interesting scenes that made me watch the movie twice but that was enough. The story overall is a bit too messy.

Jessica Lange was a hoot as the manic-depressive flirtatious wife of Army Major "Hank Marshall." Boy, poor Hank had his hands full with "Carly" as his wife. Lange plays the role a little over-the-top but that's what makes her interesting here. It turns out to be a military soap opera film, if there is such a thing.

The soap angle came in not just between the Major trying to control his out-of- control wife, but the couple's poor daughters who had to live with this under their roof. Amy Klempp and Amy Locane played the sympathetic daughters.

There's more to the story, such as incidental things like nuclear bomb testing but, believe-it-or-not, that takes a back seat to Jones and Lange's marital woes. Frankly. when I write this, over 10 years after seeing the film, I wonder why I bothered watching this twice. I was a big fan of Jones, and maybe that was it, plus Lange looked good back then playing the blonde bombshell. This is one of the last films in which she looked this good as her "Tootsie" days were starting to wan.

I have admired Jessica Lange's acting ability for years. She is able to convey a bimbo-like image with such intelligence and strength, an achievement that few actresses could pull off well. It's easy to see from BLUE SKY why Lange was chosen to play Blanche Dubois in the TV version of "A Streetcar Named Desire." She plays in this Oscar-winning role an emotionally unbalanced wife and mother named Carly, the type of woman that makes small-town wives fend for the safety of their marriages. She is very sensual, sometimes obnoxious, and definitely a show-stopper. Tommy Lee Jones is a nuclear scientist employed in the military during the early sixties, fearful of another meltdown. He also has to secure his wife's sexual appetites, which could easily get out of control, especially around a libido-driven sargent played by Powers Boothe. The nuclear storyline, almost a backdrop,gets in the way of the meat of the plot, that of the sensuous Lange and the two daughters. I'm not saying the actors in this film don't have power, they most certainly do, but they seem to be caught in a run-of-the-mill soap opera coloured by nuclear testing. Jessica Lange does have an award-worthy part to play, but it belongs with more powerful material, reminiscent of something like "Streetcar."