Füge eine Handlung in deiner Sprache hinzuMaysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."Maysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."Maysles brothers documentary covering the first arrival of "Beatlemania" in the U.S., as well at the band's historical appearances on "The Ed Sullivan Show."
- Auszeichnungen
- 1 Nominierung insgesamt
John Lennon
- Self
- (Archivfilmmaterial)
Paul McCartney
- Self
- (Archivfilmmaterial)
George Harrison
- Self
- (Archivfilmmaterial)
Ringo Starr
- Self
- (Archivfilmmaterial)
Cynthia Lennon
- Self
- (Archivfilmmaterial)
Brian Epstein
- Self
- (Archivfilmmaterial)
Ed Sullivan
- Self
- (Archivfilmmaterial)
Ralph Renick
- Announcer (The Ed Sullivan Show)
- (Synchronisation)
Murray the 'K'
- Self - DJ, New York
- (Archivfilmmaterial)
The Beatles
- Themselves
- (Archivfilmmaterial)
Geri Miller
- Self
- (Archivfilmmaterial)
Brian Sommerville
- Self - Beatles Press Officer
- (Archivfilmmaterial)
Walter Cronkite
- Self - CBS News
- (Archivfilmmaterial)
- (Nicht genannt)
Chet Huntley
- Self - The Huntley-Brinkley Report
- (Archivfilmmaterial)
- (Nicht genannt)
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It was madness, a frenzy, a pop-music explosion that still has barely been topped in the US for sheer virtuosity and awareness. After holding off on an official US mini-tour until they got some top 10 hits- and then suddenly getting THREE that were simultaneously number 1- 72 million people, more or less depending on who's reporting, watched the Beatles on the Ed Sullivan show when they finally played in New York city on his nightly program (the filmmakers, Al and David Maysles, couldn't get permission to film in the CBS studio, so they just went across the street and found an apartment with a family watching it instead). In short, Hard Day's Night wasn't quite as zany fiction but a skewed documentary.
For The First US Visit, on the fly and almost by total luck, the Maysles capture the Beatles in all their personal humor, affability, and knack with dealing with the press or the common fan (or just a little girl at one down-to-earth moment). It was the start of their particular, wonderful style of "cinema truth", where there are barely any interviews, the camera and sound is so technologically simple that they can film practically anywhere, and it verged on being a home movie. There are moments when it does become a home movie, which might be a flaw not really either the Beatles or the Maysles' fault. The approach is so new that the Beatles themselves- according to Al on the extras on the DVD- were utterly curious about how the equipment worked, and would sometimes, as would be the case during the first thrust of "Beatlemania", be self-conscious and look at the camera.
But the feeling for the most part is so natural and cool that we get to just see what the Beatles were like... which, of course, are the Beatles in all their fun, their minor moments of seriousness, their whole bewilderment at how MAMMOTH their coming to America had become. The Maysles can capture that and little details (i.e. a woman in the background of a radio station playing a song and grooving along), which is great since the documentary is inter-cut with footage from the two Sullivan appearances (NYC and Miami) and a concert at Washington DC, shot live at times like a boxing match from afar. It's the 'early' period, and it's loaded with the crying and screaming girls, and those wonderful hits "I Wanna Hold Your Hand", "She Loves You", "Twist and Shout." It's all very sweet nostalgia and fun for the Beatles fan. 9.5/10
For The First US Visit, on the fly and almost by total luck, the Maysles capture the Beatles in all their personal humor, affability, and knack with dealing with the press or the common fan (or just a little girl at one down-to-earth moment). It was the start of their particular, wonderful style of "cinema truth", where there are barely any interviews, the camera and sound is so technologically simple that they can film practically anywhere, and it verged on being a home movie. There are moments when it does become a home movie, which might be a flaw not really either the Beatles or the Maysles' fault. The approach is so new that the Beatles themselves- according to Al on the extras on the DVD- were utterly curious about how the equipment worked, and would sometimes, as would be the case during the first thrust of "Beatlemania", be self-conscious and look at the camera.
But the feeling for the most part is so natural and cool that we get to just see what the Beatles were like... which, of course, are the Beatles in all their fun, their minor moments of seriousness, their whole bewilderment at how MAMMOTH their coming to America had become. The Maysles can capture that and little details (i.e. a woman in the background of a radio station playing a song and grooving along), which is great since the documentary is inter-cut with footage from the two Sullivan appearances (NYC and Miami) and a concert at Washington DC, shot live at times like a boxing match from afar. It's the 'early' period, and it's loaded with the crying and screaming girls, and those wonderful hits "I Wanna Hold Your Hand", "She Loves You", "Twist and Shout." It's all very sweet nostalgia and fun for the Beatles fan. 9.5/10
It's as if you're along for the ride as a spectator in the Beatles' entourage. A revealing look at the hoopla from their prospective. The behind the scenes footage has an intimate feel as there is no narrative to distance you from what's happening. The continuity flows seamlessly, though one wonders if the Maysles may have fabricated some of the ambient dialogue in the editing.
Shown here as part of BBC2's Beatles' night, this vibrant documentary is the real-life alter-ego of the "A Hard Day's Night" Beatles' stereotypes and shows that the Fab Four were quite witty and offbeat enough, without fictional embellishment.
Covering their arrival in the States in early 1964, just as "I Want To Hold Your Hand raced up the charts as their debut US hit and taking in concerts in Washington and Miami, interspersed with their historic and record-breaking appearances on the Ed Sullivan Show, we get a first hand glimpse of the punishing schedule the Beatles endured in their bid to break America. Their youthful exuberance and enthusiasm gets them through and it's obvious that they take delight in their new-found celebrity in the homeland of rock 'n' roll, from where they took so much early inspiration. This of course was to pall, so that within two short years they'd exert their collective wills to get off the constant grind of globe-trotting touring.
Their infectious, unscripted witticisms raise many a smile at their numerous press conferences and it's easy to see them unconsciously debunking the myth of fame and cult of personality which was the norm amongst pop idols of the pre-Beatle era, notably a certain Mr Presley, of course.
The music's terrific, all the early classics turned out with vim and skill, again before their growing tiredness and cynicism, allied to their inability to hear what they were playing, conspired to drag down their performing standards.
My only criticism is that a certain Mr Lennon is strangely absent from much of the backstage proceedings, perhaps because he required to attend to the needs of his wife, she unsurprisingly hidden away (you just see her in one scene) in the background while Paul refers to him at another point as "the married one"). That said, Paul George and particularly Ringo put themselves about entertainingly, so that in the end you never doubt that America will catch the British wave and propel them to super-stardom.
As a long-term Beatles fan, who admittedly finds the later era Beatles a much more interesting proposition as people and musicians than the lovable mop-tops on show here, this was a fascinating insight into how four provincial lads would become world figures and mostly deserving of everything that came their way through personality, hard work and of course, loads of talent.
Covering their arrival in the States in early 1964, just as "I Want To Hold Your Hand raced up the charts as their debut US hit and taking in concerts in Washington and Miami, interspersed with their historic and record-breaking appearances on the Ed Sullivan Show, we get a first hand glimpse of the punishing schedule the Beatles endured in their bid to break America. Their youthful exuberance and enthusiasm gets them through and it's obvious that they take delight in their new-found celebrity in the homeland of rock 'n' roll, from where they took so much early inspiration. This of course was to pall, so that within two short years they'd exert their collective wills to get off the constant grind of globe-trotting touring.
Their infectious, unscripted witticisms raise many a smile at their numerous press conferences and it's easy to see them unconsciously debunking the myth of fame and cult of personality which was the norm amongst pop idols of the pre-Beatle era, notably a certain Mr Presley, of course.
The music's terrific, all the early classics turned out with vim and skill, again before their growing tiredness and cynicism, allied to their inability to hear what they were playing, conspired to drag down their performing standards.
My only criticism is that a certain Mr Lennon is strangely absent from much of the backstage proceedings, perhaps because he required to attend to the needs of his wife, she unsurprisingly hidden away (you just see her in one scene) in the background while Paul refers to him at another point as "the married one"). That said, Paul George and particularly Ringo put themselves about entertainingly, so that in the end you never doubt that America will catch the British wave and propel them to super-stardom.
As a long-term Beatles fan, who admittedly finds the later era Beatles a much more interesting proposition as people and musicians than the lovable mop-tops on show here, this was a fascinating insight into how four provincial lads would become world figures and mostly deserving of everything that came their way through personality, hard work and of course, loads of talent.
This is essentially a re-edit of the Maysles brothers' documentary about the Beatles' first visit to the US. About 20 minutes from the TV movie version ("What's Happening! The Beatles in the U. S. A.") have been dropped and live footage from their Ed Sullivan Show appearances and their concert at the Washington Coliseum have been inserted.
So, here's the thing. This isn't like most Maysles projects in that they only had a small window to film the band, so the Beatles are constantly aware of and playing to the camera. To be frank, their incessant capering started to get on my nerves, and coupled with the nearly constant sound of young women shrieking at them made this a pretty tough watch. It's an invaluable document, but not one I really enjoyed.
So, here's the thing. This isn't like most Maysles projects in that they only had a small window to film the band, so the Beatles are constantly aware of and playing to the camera. To be frank, their incessant capering started to get on my nerves, and coupled with the nearly constant sound of young women shrieking at them made this a pretty tough watch. It's an invaluable document, but not one I really enjoyed.
I thought the movie was absolutely marvelous (an inside joke to anyone who has seen the movie). This one is definitely a keeper. The footage captures the innocence of the Beatles during the begining of their career. It is full of laughs and great fun. Any beatle fan would enjoy this one and I personally would go to any lengths to get a hold of it.
Wusstest du schon
- WissenswertesThe Beatles fans gathered together at the airport are singing the song "We Love You Beatles" by The Carefrees which was a single released in 1964.
- PatzerThe end credits on the original video release of THE BEATLES: THE FIRST U.S. VISIT erroneously gave the composer credit for "Till There Was You" to Richard Rodgers. Subsequent releases corrected this credit and accurately gave Meredith Willson credit for composing the song.
- Zitate
[At a press conference at Kennedy Airport.]
Girl: Can you please sing something for us?
The Beatles: No!
Reporter: Is it because you can't sing?
John Lennon: No, we need money first.
- VerbindungenEdited from What's Happening! The Beatles in the U.S.A. (1964)
- SoundtracksAll My Lovin
Written by John Lennon and Paul McCartney
Courtesy of EMI Blackwood Music, Inc.
ATV Music (Maclen)
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Details
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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