Amateur

At times hilarious and at others mind numbingly boring and dull, this is certainly something different. Your milage with the affected acting, long pauses, deadpan delivery, and scattershot plot may vary, but it's usually interesting. Check it out if you want something off the beaten path.

I just adore this movie.I like to remember its precious lines and, particularly, its superb acting. The idea of an ex-nun writing pornography sounds an interesting one, as does her relationship with an amnesiac and an ice-cold porn star. The mystery plot is quite risible but by then you are already so inside the film that the wonderful performances manage to keep you interested. Hartley's rich creation of each of the 3 main characters finds a perfect response in each of the performances carried out by Isabelle Huppert, Martin Donovan and Elina Lowensohn, creating an incredibly touching sense of vulnerability, interdependence already suggested by the opening credits and its unforgettable music.

The conception of the characters finds great help in the paused acting and staticism of the actors, making the most of each single move of their faces. This finds its parangon in Huppert's stunning turn. We already knew how great the red-haired was (see Une affaire de femmes, to name one), but she deals here with a character which could have resulted grotesque in other hands. She provides innocence, freakiness, sympathy and a thousand more in one, making it inevitable to want to embrace her when the curtain is down and tears go down your face. Isabelle, you are the greatest!!!

A month after seeing this movie, I cannot remember how it ends. A waste of time. Some interesting characters - a nun writing porno, yuppie hit men - but they are never developed. Instead, they are stock, quirky types. You never get a feel of their inner lives.

Quirky, odd, brilliant. This is the best use of deadpan delivery I've ever seen. Martin Donovan is excellent. If you're going to rent a Hal Hartley movie you should start with this one; it's the most accessible and the funniest, and also the least stagey.

Hal Hartley's "Amateur" is an engagingly offbeat take on the "crime thriller" genre. It is also perhaps the most quietly thoughtful handling of amnesia (not as a plot trick, but as a subject) you're ever likely to see. But be warned: Hartley's refreshingly non-mainstream, detached, minimalist style takes quite some getting used to, and the ending is needlessly downbeat. (**1/2)