Der Sprung nach oben

I just watched this movie again, and I still love it from when I was a kid. (I know everyone loves some stinkers when they're kids, but bear with me.) This movie was as entertaining now as it was back then.

I know the plot can be predicted almost to the detail, but if that doesn't immediately and absolutely put you off it, it's a real treat. The acting and script are sincere, but even more so, the whole movie just has an innocent sincerity to it that's actually a rare find (even in a kids' movie). If this movie were a romance, it wouldn't hold up at all with this kind of sentimentality, but in a fun movie that's (technically) a sports drama, it really lends something to the whole affair that can put you in a good mood every time you watch it.

I'm sure part of this is Maina's performance, which is so sweet you can't help but like it -- this is coming from a usually-cynical moviegoer who dislikes "sappy" movies.

All in all, it's a charmer.

Paul Michael Glasser's "The Air up There" is a fun film to watch, knowing full well what to expect. It doesn't break new barriers, or brings anything new to this type of film, but it is a totally harmless time in front of the television. Not having seen it in its commercial run, we had a chance to enjoy it the other night when it turned up on cable.

The best thing, as usual, going for this film is Kevin Bacon. Mr. Bacon makes anything he plays in an enjoyable experience. No matter what he does, he is totally believable, as is the case with his role as this coach, Jimmy Dolan, who will go to any extreme in order to get a good basket ball player for his team at Saint Joseph's.

His African journey gives Jimmy Dolan a first eye view of the poverty and hardship the young men in the remote village have to endure. He realizes the potential, especially in Saleh, the young man he wants to bring back to America.

Both Mr. Bacon and Charles Gitonga Maina, who plays Saleh, have an easy time together bonding in a hostile environment. Their inter action makes the film enjoyable. Also, the mostly unknown supporting cast compliment the movie.

Granted, this is a film to watch only for entertainment and to enjoy Kevin Bacon at his most charming self.

Kenya -1990s. St Joe's basketball team is famous but runs into a double crisis. For one, the acclaimed coach is going to retire and must name his successor. Moreover, the team is in dire need of a hoop star. Jimmy Dolan, ex-player and deputy coach, has therefore no choice but to find the star: his career is at stake. On a short video of a mission in Winabi (Kenya), he sees the star he needs. How to get there, to identify the player and to convince him to go back to the USA with him will however be quite a challenge! The spectator should not expect anything remotely intellectual or an even slightly probable description of Africa. But Kevin Bacon is good and the movie hilarious at times. A very entertaining, light movie, which beyond the classical story of friendship between two young men of different cultures (for once not too patronizing), shows quite interesting scenes of beautiful basketball and demonstrates a bit the incredible cult Americans make of sports in the environment of what is supposed to be tertiary education.

Kevin Bacon totally dominates this film. In fact, he's the only "name" actor in it. You won't recognize anybody else in here.

The story is lightweight entertainment with the most notable aspect being the African music, which is very good and a small tour of Kenya, which is interesting, both with beauty and poverty.

Bacon plays as basketball assistant coach, an ex-point guard, who goes to Africa to recruit this great player "Saleh" (Charles Gitangra Marina) for his team back in the States. The adventures of the trip pretty much are the story.

One negative: another irreverent slam to get a few cheap laughs at the Catholic church. A nun in here uses profanity and gives Bacon a big kiss on the lips. It's one more example of trying to make clerical people appear worldly like the rest of us.

What makes this movie above all is the delightful acting of the Africans, especially Mr. Charles Gitongo Maina. I read that he went on actually to play basketball at a US college, but his acting in this film was what made it believable. Kevin Bacon was fun to watch playing at a typecast basketball coach, although his physical presence belied the role. Without the physical presence of Maina, this film would have fallen apart, but his warmth and verisimilitude as an teenager torn between sworn duty and aspiration made this viewer a believer. Suspension of disbelief is a basic prerequisite to the enjoyment of this kind of moral tale, and Charles Gitonga Maina made it seem real. The film uses cliché throughout, but it is the acting of all the cast of characters which brings this small film alive. It is a film of bits and pieces but well acted bits make them endearing. It is not a great work of art, but it is filled with a genuineness which transcends itself, including some truly beautiful scenes and scenery and music. The style, grace and dignity of the African actors make the whole film a delight to watch. Speaking of its bits and pieces, the one truly discordant note in the whole story was the misuse of the quotes from Quran which really had no point or place or meaning in the story. It just perplexed me. It sticks out with a pointlessness in an otherwise heart warming story. The "Bismillah" was beautiful but out of another time and culture and milieu, and still leaves me wondering (?)