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6,4/10
1114
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Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.
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By the time I found out about his show, it was very hard to find. It would be broadcast somewhere in the wee hours of the night (around 2 to 5 am). I would check the TV Guide, set my alarm, and go to bed hoping some infomercial wouldn't bump it. Was this a great series? No. What it finely scripted? No. I could answer "No" to a lot more questions... but... I loved this show!! It was goofy & corny, but there was a charm about it, a "heart" that what some might call "better" shows lacked. The aliens and sets were fun and it even had a family in it! And the cherry on top of this sci-fi-sundae; there were all of those great Gerry Anderson models... COOL!!! It was a great way to spend a middle-of-the-night-half-hour! Sci-Fi Channel: GET IT!!!! (please?)
Space Precinct I thought looked promising, it was an interesting little yarn with some interesting concepts and I liked the characters very much.
There were episodes with some pretty engaging plotlines though there were a few low points but this doesn't overshadow my opinion of the series which is a police series in outer space. There was a fair amount of chemistry which is clear in the cast. It was a series that had potential I was annoyed at its cancellation.
This was one of Gerry Anderson's promising works and I liked his work particuarly Captain Scarlett.
There were episodes with some pretty engaging plotlines though there were a few low points but this doesn't overshadow my opinion of the series which is a police series in outer space. There was a fair amount of chemistry which is clear in the cast. It was a series that had potential I was annoyed at its cancellation.
This was one of Gerry Anderson's promising works and I liked his work particuarly Captain Scarlett.
Space Precinct harked back to a time when the best thing on tv was Thunderbirds with the terrible special effects but this time Anderson used real actors! Always criticised and rarely praised the show really wasn't that bad - it has fans and deserved a second season. And now you can get it on VHS and DVD in the UK!!! The show is receiving something of a revival at the moment. How lucky are we!!!!!!!!!!
Okay, so Gerry Anderson is a genius, let's get that out of the way first. Thunderbirds, Captain Scarlet, Stingray, even Terrahawks were all in a league of their own. Anderson's patented "Supermarionation" technique was, for its time, highly advanced. The problem started when he branched out into the live action stuff, like Space 1999 and UFO. It just didn't work for me. Space Precinct came along when I was about 16, 17 years old and I loved it from the start. It didn't initially register that it was a Gerry Anderson product, I thought it was so great. It certainly passed forty-five minutes on a Wednesday evening (the slot previously belonging to Star Trek: The Next Generation) and I thought it worked well at the time. When the series was released on DVD I decided to buy it to remind myself of how good it was...oh dear, not quite what I remembered. The real snag with the series is that the ideas and the finished article don't seem to have gelled. There are some great ideas (the co-operation between the three different species represented by the heroes does not always extend to the lower levels of Demeter City, for example) in the series, but it's hampered by the fact that the producers didn't seem to know whether they were making something for pre-teens or young adults. For instance, in one episode the cops have to hunt for this centuries old creature with a penchant for killing nubile young dancing girls and which can "hide" in the bodies of living beings, while at the same time you have a sub-plot concerning two other officers discovering an alien orang-utan in a rubbish skip with predictably humorous and slapstick results. This completely destroys any serious credibility the main story had as these two buffoons lark about "Every Which Way But Loose"-style with this ET-monkey while their colleagues face death at the hands of an ethereal and downright scary adversary. A clearer mission statement would probably have made this show run for longer than two seasons, especially if it had been darker and grittier. That said, not a bad show in all. The execution of good ideas just wasn't up to scratch. Sorry, Gerry...not your best work.
I first started watching the show in '98, when it was aired on our local Sci-fi themed television station. I must say, it wasn't that bad, and was easy to get caught up in.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
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- WissenswertesThe series was shot 16:9 on Super 16 film to "future-proof" it, but then entirely post-produced in 4:3 "centre cut-out", effectively chopping off vast chunks from the edges of the image. No widescreen versions, or even letterbox versions, were ever made.
- Zitate
Officer Jack Haldane: Call me stupid, but...
Officer Jane Castle: Oh, don't tempt me
- Crazy CreditsThe opening credits include scenes from that week's episode. Gerry Anderson previously used this gimmick in "Thunderbirds" (1964) and "Space: 1999" (1975).
- VerbindungenReferenced in Mirrorball (2000)
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