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Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.
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Jeff Brunner, who ran multi million dollars of investment capital for Howard Gilman (Gilman Paper Company) was talked into producing this series. Jim Goldman, a Wall Street investment banker told Brunner that this was the next Teenage Ninja Deal. Brunner was to invest Gilman's money and Gilman was non too happy about any of this happening. Brunner funded this show with $27,000,000 He, Gilman was a lover of Ballet and funded much in that world. Grove TV ran by Richard Grove completed the deal buy getting the show cleared in 97% of the Country. Amazingly it was cleared at 1 thru 3AM when the target audience as fast asleep. Even better was a ploy that was sheer comedy. Brunner paid WPIX Channel 11 to play the show on Saturday night at 11:30PM. Need I remind anyone that this was up against Saturday Night Live and Brunner paid $50,000 for the time. Brunner had never watched anything other than PBS on TV and was completely clueless. Brunner was fired and all the people who worked for him were also. I have files of paperwork sitting 3 feet from me as a remembrance. The worst part of all was Gilman Paper of St. Mary GA is no longer as a direct result. Thousand of people lost their job.
Space Precinct harked back to a time when the best thing on tv was Thunderbirds with the terrible special effects but this time Anderson used real actors! Always criticised and rarely praised the show really wasn't that bad - it has fans and deserved a second season. And now you can get it on VHS and DVD in the UK!!! The show is receiving something of a revival at the moment. How lucky are we!!!!!!!!!!
I just cannot understand why there are people who say 'Space Precinct' isn't worth watching, as it is a very good SF-series!
Yes, of course the aliens look a bit ridiculous, but that's actually part of the series' charm. Along with good stories, very obvious chemistry between Rob Youngblood (Officer Jack Haldane) and Simone Bendix (Officer Jane Castle) ànd nice sfx, this is a SF-series worth watching.
It's a shame, though, that only one season was made.
Yes, of course the aliens look a bit ridiculous, but that's actually part of the series' charm. Along with good stories, very obvious chemistry between Rob Youngblood (Officer Jack Haldane) and Simone Bendix (Officer Jane Castle) ànd nice sfx, this is a SF-series worth watching.
It's a shame, though, that only one season was made.
I first started watching the show in '98, when it was aired on our local Sci-fi themed television station. I must say, it wasn't that bad, and was easy to get caught up in.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
I caught this show by accident one Saturday night while overshooting SNL (it had no advertising I ever saw). It was funny. From the silliness of the bug-eyed alien gangster running for political office to the balls-to-the-wall action of the time travel episode, I just enjoyed watching.
The special effects hadn't changed much since "UFO" and "Space: 1999" (same producer for all 3 series), and some of the actors couldn't handle light comedy or romantic tension, but Ted Shackelford, Nancy Paul and a few others made this an enjoyable show, doing for police in the future what "Baywatch" did for lifeguards in the present.
There were several American actors in this British production because the United States was the country of first publication.
The special effects hadn't changed much since "UFO" and "Space: 1999" (same producer for all 3 series), and some of the actors couldn't handle light comedy or romantic tension, but Ted Shackelford, Nancy Paul and a few others made this an enjoyable show, doing for police in the future what "Baywatch" did for lifeguards in the present.
There were several American actors in this British production because the United States was the country of first publication.
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- WissenswertesThe series was shot 16:9 on Super 16 film to "future-proof" it, but then entirely post-produced in 4:3 "centre cut-out", effectively chopping off vast chunks from the edges of the image. No widescreen versions, or even letterbox versions, were ever made.
- Zitate
Officer Jack Haldane: Call me stupid, but...
Officer Jane Castle: Oh, don't tempt me
- Crazy CreditsThe opening credits include scenes from that week's episode. Gerry Anderson previously used this gimmick in "Thunderbirds" (1964) and "Space: 1999" (1975).
- VerbindungenReferenced in Mirrorball (2000)
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