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Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.Die außerirdischen Abenteuer des ehemaligen NYPD-Detective Patrick Brogan, der jetzt Leutnant bei der Polizei von Demeter City auf dem Planeten Altor ist.
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Jeff Brunner, who ran multi million dollars of investment capital for Howard Gilman (Gilman Paper Company) was talked into producing this series. Jim Goldman, a Wall Street investment banker told Brunner that this was the next Teenage Ninja Deal. Brunner was to invest Gilman's money and Gilman was non too happy about any of this happening. Brunner funded this show with $27,000,000 He, Gilman was a lover of Ballet and funded much in that world. Grove TV ran by Richard Grove completed the deal buy getting the show cleared in 97% of the Country. Amazingly it was cleared at 1 thru 3AM when the target audience as fast asleep. Even better was a ploy that was sheer comedy. Brunner paid WPIX Channel 11 to play the show on Saturday night at 11:30PM. Need I remind anyone that this was up against Saturday Night Live and Brunner paid $50,000 for the time. Brunner had never watched anything other than PBS on TV and was completely clueless. Brunner was fired and all the people who worked for him were also. I have files of paperwork sitting 3 feet from me as a remembrance. The worst part of all was Gilman Paper of St. Mary GA is no longer as a direct result. Thousand of people lost their job.
Gerry Anderson has created a terrific cop show in space!!!! The first few episodes establish the characters and setting, then the show takes off with great stories and super effects!!!!! The dvds from England are spectacular with outstanding sound and picture quality. Fans of Gerry Anderson, and other science fiction shows will love this one.
Okay, so Gerry Anderson is a genius, let's get that out of the way first. Thunderbirds, Captain Scarlet, Stingray, even Terrahawks were all in a league of their own. Anderson's patented "Supermarionation" technique was, for its time, highly advanced. The problem started when he branched out into the live action stuff, like Space 1999 and UFO. It just didn't work for me. Space Precinct came along when I was about 16, 17 years old and I loved it from the start. It didn't initially register that it was a Gerry Anderson product, I thought it was so great. It certainly passed forty-five minutes on a Wednesday evening (the slot previously belonging to Star Trek: The Next Generation) and I thought it worked well at the time. When the series was released on DVD I decided to buy it to remind myself of how good it was...oh dear, not quite what I remembered. The real snag with the series is that the ideas and the finished article don't seem to have gelled. There are some great ideas (the co-operation between the three different species represented by the heroes does not always extend to the lower levels of Demeter City, for example) in the series, but it's hampered by the fact that the producers didn't seem to know whether they were making something for pre-teens or young adults. For instance, in one episode the cops have to hunt for this centuries old creature with a penchant for killing nubile young dancing girls and which can "hide" in the bodies of living beings, while at the same time you have a sub-plot concerning two other officers discovering an alien orang-utan in a rubbish skip with predictably humorous and slapstick results. This completely destroys any serious credibility the main story had as these two buffoons lark about "Every Which Way But Loose"-style with this ET-monkey while their colleagues face death at the hands of an ethereal and downright scary adversary. A clearer mission statement would probably have made this show run for longer than two seasons, especially if it had been darker and grittier. That said, not a bad show in all. The execution of good ideas just wasn't up to scratch. Sorry, Gerry...not your best work.
By the time I found out about his show, it was very hard to find. It would be broadcast somewhere in the wee hours of the night (around 2 to 5 am). I would check the TV Guide, set my alarm, and go to bed hoping some infomercial wouldn't bump it. Was this a great series? No. What it finely scripted? No. I could answer "No" to a lot more questions... but... I loved this show!! It was goofy & corny, but there was a charm about it, a "heart" that what some might call "better" shows lacked. The aliens and sets were fun and it even had a family in it! And the cherry on top of this sci-fi-sundae; there were all of those great Gerry Anderson models... COOL!!! It was a great way to spend a middle-of-the-night-half-hour! Sci-Fi Channel: GET IT!!!! (please?)
I first started watching the show in '98, when it was aired on our local Sci-fi themed television station. I must say, it wasn't that bad, and was easy to get caught up in.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
The show was done by Gerry Anderson (Thunderbirds, Stingray, etc), but not only did it use the same types of models, it also combined live action, and instead of CG aliens, masks and makeup were used. The concept was different than most shows out there; the idea of a Space Police department, where aliens and humans work together. The "space car" designs were done well. The special effects weren't that great, but they weren't cheesy either. (like Captain Power or Power Rangers)
The idea may seem like something a younger person would find interesting, but with the violence, mild-cursing and adult situations, it was apparent that this was an adult oriented show, almost like NYPD Blue meets Star Trek. The characters were well developed, and the plots kept you wanting to watch, each episode or 2-part saga having its own twists and turns.
All in all, a great show to get attached to. I taped all the episodes, so its a really good show to watch on a lazy Sunday afternoon instead of Golf or auto-racing.
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- WissenswertesThe series was shot 16:9 on Super 16 film to "future-proof" it, but then entirely post-produced in 4:3 "centre cut-out", effectively chopping off vast chunks from the edges of the image. No widescreen versions, or even letterbox versions, were ever made.
- Zitate
Officer Jack Haldane: Call me stupid, but...
Officer Jane Castle: Oh, don't tempt me
- Crazy CreditsThe opening credits include scenes from that week's episode. Gerry Anderson previously used this gimmick in "Thunderbirds" (1964) and "Space: 1999" (1975).
- VerbindungenReferenced in Mirrorball (2000)
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By what name was Space Cops - Tatort Demeter City (1994) officially released in India in English?
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