New York Undercover

This series was without a doubt, the best police drama made in the 90's. It was action packed, contemporary, well written, cutting edge material. The show evolved around the characters of J.C.Williams & Eddie Torres who were so connected with the gritty streets of N.Y.C., it made them naturals for the undercover work that they were assigned. Lt. Cooper was perfect as the no nonsense commander of the unit who gave them just enough flexibility to get the job done. The story lines read out of the newspaper of the day and every week, they would have whoever was the top current musical artist perform at "Natalie's", so the show stay current with the times.

The show went south when the stars tried to pull a "Friends" and demand higher salaries and wanted their contracts renegotiated. The producers responded by killing off Torres and replacing Cooper. It was a shame, because the show was a hit. After DeLorenzo & D'Arbanville left the show, it only lasted one more season, and it was not as good as the first three seasons. I'm not sure if it is on DVD, but if it is, it's worth the price.

This was one of those unique shows that should have acquired more praise. While white-dominated cop shows seem to be the norm, this show broke new ground with a diverse cast and minority related issues. Sadly, the whiteness of Hollywood was far too much to overcome in regards to the shelf life of this show. Malik Yoba and Michael DeLorenzo were especially excellent in this series, demonstrating their talent as they were constantly torn between race, culture and the police force. I especially felt the opening montages to the show provided quite a trademark within the series, using no words and only the pulsating beats of contemporary hip-hop and R&B artists to tell the story in a neo-silent film fashion. Whenever I can catch this show at 1 a.m. (and this is only on the weekends), I am rarely disappointed.

Dick Wolf struck gold in this 90s drama centering around the personal and professional lives of two New York cops. Realistic, gritty, clever, and so hip it was almost ahead of its own time, New York Undercover did for inner city minorities what the Cosby show did for middle class minorities in the 80s and 90s: It depicted strong non-stereotypical characters living through reality.

Guest stars, particularly musical guest stars, were the punch-line to almost every episode; the smooth buttercream frosting on the cake. And Natalie's was the perfect place to showcase all the talent. Gladys Knight, B.B. King, Notorious B.I.G.--on any given night anyone could be at Natalie's--and you sure didn't want to miss it. In fact, the way the characters flocked to Natalie's provided a fun parallel for the way we all flocked each week to the show. Smiles on our faces, ready to be entertained, wondering what was in store tonight. And who could forget Ice T's non-musical stint as the deliciously criminal Danny-Up? I never have, and probably never will, see a television villain more believable and more entertaining than this one, and the story line he brought to the show was a masterpiece.

It was hard to see the show go. Possibly even harder, though, was that last season after Detective Torres was killed off and they tried to revamp the show into something else. New characters, new focuses, a new feel. It had lost its spark, its magic. The lights were dimming, the music had stopped. It was time to go. I like to imagine the season before that as having been the last one. Watching Eddie die, seeing J.C.'s face, knowing what it all meant. Those were the characters we loved and the ones we would miss because we knew them. Dick Wolf, you did something right, and thanks for that. It WAS hard to see the show go. But it's just like leaving the club: it was a wonderful night and you're tired, but that last song is still in your head. And you can't stop singing it.

My show is gone to re-runs to never be returned. This was the excitement of television on Thursday nights along with the shows that came on before it. The story lines were believable, the cast really bonded, and the music (the bomb) set the mood. Natalies' became a forefront for artists of all genre to show their stuff. The clothes were hip, the acting was excellent (until season 4, that is) and the blend made you come back for more. USA is threading the re-runs to pieces by chopping off scenes to make the hour. Cheap shots to Femme thing and their so called movies make/made watching the re-runs unbearable. I miss those days when 'Lou' was hollering at anybody who moved, Michael was confused per usual with the girls and Malik and Chantel or Sandy was going head to head about something. Adding Lauren to the cast was sketchy at first and then she worked in very well. As for Lapaglia, well, leave it alone. He tried, he had a job for a minute. The ever increasingly new faces (some came back as other characters) was well played in to work right along the toe-to-toe cast of old. Boy do I miss this show. Boy do I wish I had taped them, I would have something to treasure. Dick Wolf you truly messed up a good thing just for ratings and little black boxes sakes.

I am currently streaming NYU on Peacock and this show is EXCELLENT. I'm not sure who or why they inexplicably destroyed this show by killing Det. Torres and adding McNamara, and then axing Lt. Cooper. It appears that it intentionally harsh...they way they killed off Torres. I only watched like 2 episodes of season 4., and I guess everybody else agreed that season 4 was awful since there are only 13 episodes 😂. I've read that this show was the number one show in Black & Hispanic households and I believe it! The show had action, strained relationships, a dysfunctional family...it has it all. I don't think a reboot could recapture this magic.