Frontline
- Fernsehserie
- 1994–1997
- 30 Min.
IMDb-BEWERTUNG
8,7/10
1377
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuBased on the making of a fictitious Australian CURRENT AFFAIRS show, Frontline blends invented events with REAL LIFE events. A true reflection of THE TIMES we live in.Based on the making of a fictitious Australian CURRENT AFFAIRS show, Frontline blends invented events with REAL LIFE events. A true reflection of THE TIMES we live in.Based on the making of a fictitious Australian CURRENT AFFAIRS show, Frontline blends invented events with REAL LIFE events. A true reflection of THE TIMES we live in.
- Auszeichnungen
- 9 Gewinne & 7 Nominierungen insgesamt
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I'm not from Australia, but this show is one my favorite all-time television satires. It does a better job showing the venality, cynicism and amorality of the broadcast news business than anything I've ever seen. It's also wickedly dark, and it succeeds in one crucial aspect that sinks many lesser comedies: it's got great characters, acted with impressive naturalism by a fantastic cast.
From ignorant airhead anchor Mike Moore (Rob Sitch) to the perpetually harried line producer Emma (Alison Whyte), to the cruel yet resourceful reporter Brooke (Jane Kennedy) and the apathetic senior reporter Marty (Tiriel Mora), there's a great cast of characters here who start out by conforming to type and then, as the series goes on, actually reveal a surprising amount of nuance. Like many comedies (Seinfeld, Always Sunny, Archer etc.) the characters are essentially jerkoffs, but you come to like them and - sometimes! - even see things from their point of view. Each of the three seasons also features a different executive producer character, from the sage Bruno Lawrence to the ratings-driven Kevin J. Wilson to the gleefully boorish Steve Bisley.
The naturalistic acting and cinéma vérité-style camerawork makes it all feel like a real newsroom. It's a great example of how (what was obviously) a low budget can still yield something special when you have great acting and writing.
And the writing really is that good here, with plenty storylines following our amoral news team as they report on such sensitive issues as immigration, hostage situations, sexual harassment, Nazis, little kids getting open heart surgery and more. There's plenty of references to Australian news events and media scandals, and some fun cameos from the likes of Harry Shearer and real-life Aussie politicians.
Overall this is a phenomenal comedy, and clips from it should be shown in journalism, media literacy and ethics classes around the world.
From ignorant airhead anchor Mike Moore (Rob Sitch) to the perpetually harried line producer Emma (Alison Whyte), to the cruel yet resourceful reporter Brooke (Jane Kennedy) and the apathetic senior reporter Marty (Tiriel Mora), there's a great cast of characters here who start out by conforming to type and then, as the series goes on, actually reveal a surprising amount of nuance. Like many comedies (Seinfeld, Always Sunny, Archer etc.) the characters are essentially jerkoffs, but you come to like them and - sometimes! - even see things from their point of view. Each of the three seasons also features a different executive producer character, from the sage Bruno Lawrence to the ratings-driven Kevin J. Wilson to the gleefully boorish Steve Bisley.
The naturalistic acting and cinéma vérité-style camerawork makes it all feel like a real newsroom. It's a great example of how (what was obviously) a low budget can still yield something special when you have great acting and writing.
And the writing really is that good here, with plenty storylines following our amoral news team as they report on such sensitive issues as immigration, hostage situations, sexual harassment, Nazis, little kids getting open heart surgery and more. There's plenty of references to Australian news events and media scandals, and some fun cameos from the likes of Harry Shearer and real-life Aussie politicians.
Overall this is a phenomenal comedy, and clips from it should be shown in journalism, media literacy and ethics classes around the world.
This series is just marvellous, another gem by the great team of Santo Cilauro, Rob Sitch, Tom Gleisner etc.
It is basically a satirical look at the ficticious current affairs program 'Fronline'. It has a great cast of characters including Mike Moore, the slightly naive host of the show.
Each episode revolves around a storyline, usually involving the team trying to chase a big story or, for example, their night at the Logie awards. Each episode is carried along brilliantly by it's humour, sometimes subtle but none-the-less excellent.
Definently a must see.
It is basically a satirical look at the ficticious current affairs program 'Fronline'. It has a great cast of characters including Mike Moore, the slightly naive host of the show.
Each episode revolves around a storyline, usually involving the team trying to chase a big story or, for example, their night at the Logie awards. Each episode is carried along brilliantly by it's humour, sometimes subtle but none-the-less excellent.
Definently a must see.
As I am so far the only non-Australian to post a comment, I'll assume no-one in the UK knows much about this gem of a show. In fact I happened to catch it when I was on holiday and haven't seen it anywhere in Britain, whether it be on Sky or terrestrial TV.
Anyway, to get a flavour, it is 'The Larry Sanders Show' crossed with 'Drop The Dead Donkey'. It doesn't have a laughter track but unlike 'DTDD', there is no attempt to make it topical ('DTDD' had segments that were filmed the day before to get a current, satirical comment in the script).
The real star of this show was Bruno Lawrence (such a shame to hear he died in 1995), who was simply hysterical as the Executive Producer Brian Thompson. He was the first person I saw as EP and so far (I've only seen him and Sam Murphy) the best by far.
The script is tight, although sometimes, albeit very occasionally, it does decend into pure sit-com territory. While this does not prevent the show from being funny, I feel that the show succeeds more as a satire.
I feel that it could work in Britain as the humour is very similar to British humour, although we do not have these daily tabloid current affairs programmes that seem so popular in the USA and Australia. So assuming no-one in the UK has bought it already, SOMEONE GET THE RIGHTS AND SHOW THIS DAMN FUNNY COMEDY! NOW!!!
Now I'm off to watch 'The Castle'. I'll let you know...
Anyway, to get a flavour, it is 'The Larry Sanders Show' crossed with 'Drop The Dead Donkey'. It doesn't have a laughter track but unlike 'DTDD', there is no attempt to make it topical ('DTDD' had segments that were filmed the day before to get a current, satirical comment in the script).
The real star of this show was Bruno Lawrence (such a shame to hear he died in 1995), who was simply hysterical as the Executive Producer Brian Thompson. He was the first person I saw as EP and so far (I've only seen him and Sam Murphy) the best by far.
The script is tight, although sometimes, albeit very occasionally, it does decend into pure sit-com territory. While this does not prevent the show from being funny, I feel that the show succeeds more as a satire.
I feel that it could work in Britain as the humour is very similar to British humour, although we do not have these daily tabloid current affairs programmes that seem so popular in the USA and Australia. So assuming no-one in the UK has bought it already, SOMEONE GET THE RIGHTS AND SHOW THIS DAMN FUNNY COMEDY! NOW!!!
Now I'm off to watch 'The Castle'. I'll let you know...
Our local public TV station showed this, though a change of title was necessary ("Frontline" is the title of a very serious investigative/documentary series produced by PBS). It didn't attract a lot of attention (and wasn't heavily promoted), but for those who caught it, many laughs were to be had. The satire was sharp and very funny, but perhaps the most surprising aspect of the show was that just about every character, from the pompously moronic host through the crew of pranksters to the earnest producer (and the Machiavellian Exec producers) managed to remain largely sympathetic. If this makes its way around again, I encourage all to watch it.
This show came to Canada via PBS in the mid 90s and I really, really loved it then. Even 10 yrs later watching the various news networks, I cant help but think of the cynical manipulation that goes on in the name of ratings and the various "show ponies" we all see on TV as depicted in various Frontline episodes. The scripts are tightly written and the actors all have impeccable comic timing and none of it is encumbered by an idiotic laugh track. There is a lot of funny material here really well executed and we don't need to be told when to laugh and what to laugh at. I don't understand why this show never took off in North America as its truly a gem! I was really excited to see the DVDs available, even though they are PAL format. I figured I would rip them to my computer and then watch the converted files. I took a chance and ordered it from ABC
6 to 8 weeks later, I had all 3 seasons. Even better it worked on my NTSC DVD player. I suspect any player bought in the past 2 yrs that does xvid/divx will play them. Great stuff! 10 yrs later the episodes all hold up really well! You don't need to know anything about Australian politics to get the humor as it will all be familiar to western audiences. My wife and I had a 10 day Frontline fest and are still chuckling weeks later after watching all 39 episodes
Wusstest du schon
- WissenswertesThe USA title was changed to "Breaking News" when it aired on PBS, so viewers wouldn't confuse it with the network's real news program "Frontline".
- Zitate
Brooke Vandenberg: Would you be able to cry again?"
- VerbindungenReferenced in The Chase Australia: Folge #1.62 (2015)
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