Body & Soul

This is a wonderful showcase for Kristin Scott Thomas' talent -- incroyable! Her Anna Gibson/Sister Gabriel is exquisitely conflicted. Her 1993 Chicago Film Festival win for this film was quite well-deserved. Amanda Redmond is fantastic as Anna's sister-in-law, Lynn, and I adored Madeleine Christie's Sister Godric. Must see!

This is one of my favorite Mini-Series, because of the storyline, and the acting. Kristen Scott Thomas is excellent and played the role naturally. One would not think that a story of a nun's life could be so dramatically and intelligently portrayed. I have not seen a storyline on the subject so compelling since A Nun's Story (1959) with Audrey Hepburn. Ms. Thomas like Ms. Hepburn, has a very expressive face, and can transmit an array of feelings without speaking.

Body and Soul is a story about the conflicts of duty to one's beliefs, one's family and one's self. Anna (Thomas), after many years of being a nun, has to help her family's floundering business. In the process, she learns some things about herself, and as a result is faced with some decisions. In some cases in stories like this, you can almost guess what will happen next. However, Body and Soul has a few surprises.

If you have not seen this mini-series, it is worth renting or buying.

What a wild career K.S. Thomas has had. I found this doing a 'Brit' search of Prime this week. There is a real woman sensibility apparent here. Adult, reasoned, understated yet effective. My mother took me to see The Nuns Story when I was age 6. Rather minimalist for a Catholic preadolescent but sacrifice for the spiritual life is kinda baked into the C cake! Some know of which I speak! 1993 is still early in Brit tv production value fortunes. The cinematography kinda sucks. Choices made can only be for budget constraints. I didn't dig the look. But Scott transcends every screen second. Don't believe me? Please just... I gotta go but more people should see this and not annoy me with clever non habit forming reasoning.

Boy, what a surprise this was. Who would have thought that a PBS Masterpiece production with one of the most celebrated of international leading ladies could be such a STINKER. Hackneyed and tedious almost from the get-go, and I stayed with it well past the get-go (in fact, 2 whole hours before I decided to get-going). I mean, one should have been prepared, I suppose, for something wonky when one is asked to accept Kristin Scott Thomas as a contemporary cloistered nun. Was it the (merely hinted it) Lesbian angle in the convent? Was it Thomas's anguished reaction when she stumbles upon a couple bonking in a shed? Was it the prune-faced nun who assaults her upon her return to the convent with the words "God doesn't want you here"? Was it the hunky young factory foreman with whom she allies herself when she decides to save the family textile mill? Now don't misunderstand, it's not that I actually want these questions answered…I was just wondering which WAS it that finally made me give up on this piece of overcooked tripe.

This was a superb story of a nun in conflict with her life choices and movement in her nunnery to her transitional departure due to family issues. Kristin Scott Thomas was superb as she ALWAYS is in whatever work she performs. The plot was intricate yet inviting as you moved through the 6 episodes or so of her life and choices. I felt the acting was very good by one and all, the setting interesting and unique and the storyline was really, really good in enticing us to watch more and stirring the desire to "finish" what was started. Pretty outstanding drama as MANY British productions tend to be these days COMPARED with those of Hollywood, USA. I don't know why this is but I continue to find it true.