Die Geschichte von Sängerin Tina Turners Aufstieg zum Ruhm und wie sie den Mut gewann, sich von ihrem gewalttätigen Ehemann Ike Turner zu befreien.Die Geschichte von Sängerin Tina Turners Aufstieg zum Ruhm und wie sie den Mut gewann, sich von ihrem gewalttätigen Ehemann Ike Turner zu befreien.Die Geschichte von Sängerin Tina Turners Aufstieg zum Ruhm und wie sie den Mut gewann, sich von ihrem gewalttätigen Ehemann Ike Turner zu befreien.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 3 Gewinne & 16 Nominierungen insgesamt
- Young Anna Mae
- (as Rae'Ven Kelly)
- Choir Member
- (as Dorothy Thornton)
Empfohlene Bewertungen
Packed with plenty of brutally-fierce drama, and high-energy musical numbers - Both actress, Angela Bassett, and actor, Laurence Fishburne gave convincing, top-notch performances as a pair of dynamic performers and ill-fated lovers whose repeated head-on collisions with each other could only lead to one final conclusion.
All-in-all - I recommend this picture, highly.
*Trivia notes* - Angela Bassett's singing was all dubbed by Tina Turner.
Director, Brian Gibson died in 2004.
But the real reason I watch the movie over and over (especially when I'm trying to get motivated to work out) are the musical numbers. They include among others "A Fool in Love", "Rock me Baby" a great montage to "Make me Over", but the centerpiece of the film has got to be the perfect recreation, right down to the choreography, of the Ike and Tina Turner Revue's "Proud Mary". It is full of so much energy and rocks so much that your jaw will just hang open in amazement when Tina and the Ikettes start going into their dance moves. I never get tired of watching that scene (almost as good as the real thing). I'm still trying to figure out how they kept their wigs on when they were whipping their upper bodies back and forth, they danced so hard. Oh, and the costumes (especially on the Ikettes and the "Proud Mary" fringe dress) and period detail are not only accurate but To Die For. I can't recommend this movie enough. She should have got the Academy Award, not just the Golden Globe, and the movie should have got the Oscar for best picture of 1993.
On the most part, 'What's Love Got To Do With It' does. Sure, 'What's Love Got To Do With It' is a little obvious and over-simplified dramatically and a few of the musical scenes stop the flow at times that slows the film down. With that being said, 'What's Love Got To Do With It' has got a lot to recommend it.
Its biggest asset is the lead performances, two lead performances that one would describe as powerhouse. Angela Bassett gives a beautifully observed and deeply felt performance in the title role, her performance feels incredibly real and does not fall into the trap of being an impersonation. Every bit as good is Laurence Fishburne as Ike, on terrifying form. Both characters are very much convincing and have strong chemistry together.
'What's Love Got To Do With It' is nicely filmed and designed, as well as sympathetically directed. As predicted, the songs are terrific and well staged and performed. The script on the most part is heartfelt and avoids falling into making the characters clichéd caricatures or descending into over-heated melodrama. The story also mostly grips and can be very touching and illuminating.
On the whole, intriguing and very well done with powerhouse lead performances that carry the film faultlessly. 8/10 Bethany Cox
Music plays a huge part in the film and all of it is good. Though I'm only 12, I truly appreciate Tina's music and am always in awe when she sings "Proud Mary" (one of my favorite scenes in the film.) As Roger Ebert pointed out, one of the most triumphant scenes is where, after Tina and Ike have had a vicious and bloody fight, Tina runs away to the Ramada Inn where they take her in. It is one of the best acted scenes of this decade and I never tire of it when I see the film again.
"What's Love Got to Do With It" is one of the best films of 1993 (one of the greatest movie years in history- "Schindler's List", "The Piano") and one the most passionately and skillfully performed films of the decade.
**** out of **** (A)
Wusstest du schon
- WissenswertesLaurence Fishburne turned down the role of Ike Turner five times. When he learned that Angela Bassett had won the role of Tina Turner, he changed his mind.
- PatzerIn a scene dated 1968, Ike and Tina open for the Rolling Stones, doing "Proud Mary." The Stones didn't do any concerts in 1968; Ike and Tina opened for them in 1969. Creedence Clearwater Revival's original version was released in 1970.
- Zitate
Tina Turner: [Walks up to the hotel counter bruised and bloodied] I need to speak with your manager.
Hotel Clerk: Yes ma'am, right away. George!
Tina Turner: [George turns around] I'm... I'm Tina Turner. My husband and I just had a fight. I'm suppose to open at the Academy tonight. I have 36 cents and a Mobil card, but if you would give me a room, I SWEAR I will pay you back.
[She starts removing her jewelry]
George (the Ramada Inn Manager): No, no, no, that won't be necessary. Ms. Turner, I'd... I'd be honored, really. We'll take care of you.
Tina Turner: Thank you.
George (the Ramada Inn Manager): Nick, let's give Ms. Turner a room.
- SoundtracksTina's Wish
Written by Ike Turner and Tina Turner
Published by Striped Horse Music and Zebra Discorde Music Group, Inc.
Performed by Tina Turner
Top-Auswahl
- How long is What's Love Got to Do with It?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Tina, la verdadera historia de Tina Turner
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 39.100.956 $
- Eröffnungswochenende in den USA und in Kanada
- 1.222.718 $
- 13. Juni 1993
- Weltweiter Bruttoertrag
- 39.100.956 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1