IMDb-BEWERTUNG
6,8/10
16.491
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster ... Alles lesenA waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster for these fated lovers.A waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster for these fated lovers.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Joshua Schaefer
- Michael
- (as Josh Schaefer)
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Young, outgoing waitress Caroline (Marisa Tomei) still lives at home with her parents and younger brother. Although she has had her heart broken numerous times, she has not become cynical about love. Adam (Christian Slater) is a busboy at the same restaurant as Caroline; he is, however, a shy recluse who doesn't relate to people very well. Yet, when a crisis occurs, it is Adam who comes to Caroline's rescue. For the first time, she sees him in a different light and they begin a loving relationship. Caroline is finally experiencing the happiness she deserves and Adam is opening his life to someone else. Still, something from Adam's past comes forward to haunt them. Will they find a happy ending?
This is an extremely touching and humorous love story about working-class people. The movie has many candid scenes about restaurant life and the people who work there. Also, Tomei gives a sweet, irresistible performance that warms the heart. Although one may need a kleenex or two before the film is over, its loving atmosphere will remain with the viewer for a long time. Recommended for everyone searching for a film to provide a feel-good-about-life day at the movies.
This is an extremely touching and humorous love story about working-class people. The movie has many candid scenes about restaurant life and the people who work there. Also, Tomei gives a sweet, irresistible performance that warms the heart. Although one may need a kleenex or two before the film is over, its loving atmosphere will remain with the viewer for a long time. Recommended for everyone searching for a film to provide a feel-good-about-life day at the movies.
A childhood illness leaves a young man with a serious health problem and a somewhat odd outlook on life. Being rather retiring, he was considered strange by his fellow employees; causing them to shy away from him. Despite all this, he gets to know one of the girls better after he helps her out of a sticky situation. They manage to have a brief yet fulfilling relationship. Very romantic, I loved it.
This movie is an hour and a half song of joy for romantics everywhere.
Marisa Tomei as Caroline is a gentle romantic who falls in love completely and without pretense. She gradually brings out the shy and quiet Adam giving him the love and tenderness he so desperately needs.
Two of my favorite scenes were seeing the joy on Caroline's face when she awakens and sees the Christmas tree Adam put in her room on Christmas morning. Also when they meet on opposing escalators and Adam gently touches her hand as they pass. Neither speak, their facial expressions make the scene work beautifully. This film is unashamedly tender, heartbreaking, romantic, soulful and life affirming. This little gem will pull your heartstrings much more than most big Hollywood movie "romances" could ever hope to.
Marisa Tomei as Caroline is a gentle romantic who falls in love completely and without pretense. She gradually brings out the shy and quiet Adam giving him the love and tenderness he so desperately needs.
Two of my favorite scenes were seeing the joy on Caroline's face when she awakens and sees the Christmas tree Adam put in her room on Christmas morning. Also when they meet on opposing escalators and Adam gently touches her hand as they pass. Neither speak, their facial expressions make the scene work beautifully. This film is unashamedly tender, heartbreaking, romantic, soulful and life affirming. This little gem will pull your heartstrings much more than most big Hollywood movie "romances" could ever hope to.
You are hereby forewarned:if you are a tough guy (at least on the outside,like me)DO NOT WATCH THIS MOVIE with another human being! Except maybe, your wife or steady girlfriend, with proper discretion.The characters said things one to the other about their feelings of love for each other that were so deep and tender and with so much passion and detail, that the words felt like things I have felt and said to women I have loved and lost.They were haunting words and feelings, so strong and overwhelming that your heart feels it will explode if you don't say them and love so passionate, you feel as though you might faint if it weren't for the adrenelin in your blood!I had the same kind of life as the character Caroline, albeit, women who walked out or cheated, so it was personal too.Untamed Heart is a perfect example why many men hate these movies!They destroy all pretense to our toughness and macho if viewed with others,ie:("no I'm not crying,I just got something in my eyes").Not only that,we don't like to feel what this movie makes us feel,at least when it comes to the ending.I did not know how the movie ended before I saw it and had I known, I would not have watched it,for I'm really not the tough,hard nosed guy I portray myself to be.This is not a "they lived happily ever after" movie,which are the only love stories I like,but at least the character's relationship and love for each other remained intact.I want husbands and wives, girlfriend and boyfriend to love each other AND grow old together.Since I can't have that in real life,I want it in my movies.So....be forewarned,this movie "hurts so much here"(pointing to MY heart).
When I was married, my then wife dragged me to see this movie on Valentines' Day weekend, when it first released. I agreed to go based on the fact that one of my favorite actresses appeared in it, Marisa Tomei. The most I'd seen of Christian Slater was in 'Robin Hood', and didn't care much for him in that.
What a change one movie can make for opinions on an actor.
I was engaged with this movie from frame one.
Cliff Eidelman's score is captivating and very moving in this movie, flowing along effortlessly with the film. Marisa Tomei is pure magic, and Rosie Perez is just right as the screechy best friend.
What surprised me most was Slater's performance. Here, he gives a very introspective and introverted performance, that, in my opinion, was worthy of an Oscar nod. The mannerisms with which he portrays Adam as the shy orphan who seems unsure of himself are dealt with great detail and care. He hasn't had a better performance before or since.
That doesn't overshadow Tomei's performance in this film. She is simply beautiful, no matter what part she is portraying. She has the Minnesotan accent down pat, and you believe you are in the Twin Cities while watching the film. I feel her performance in this movie was a step above "My Cousin Vinny". Too bad the Academy didn't agree.
And when Slater and Tomei occupy the frame together, it is, for a lack of a better term, absolute glory. The chemistry between these two actors on screen is so thick you couldn't cut it with a chainsaw.
The cinematography, by Jost Vacano, who also did movies like "Das Boot" and "Robocop", while not visually stunning, is very technical, with the use of pull-pans/push-pans and ground perspective shots. A very well-done film all the way around, from Bill's directing to Mia Goldman's seamless editing. Too bad some wiseacre reviewer gave the ending away in a review of the film before release and literally killed it's box office.
I own the DVD now, and I can offer one warning: Gentlemen, if you watch this movie with your wife/significant other, be prepared to offer up excuses like 'there is something in my eye', or 'it must be my allergies', if you're not comfortable admitting letting the waterworks go. The proclamations of affection between these two are so charming, yet not heavy handed. It's the kind of things you would have wish you'd said to that 'one that got away'.
My rating: 9 (no movie has ever gotten a 10 from me, but this one almost had me reconsidering)
What a change one movie can make for opinions on an actor.
I was engaged with this movie from frame one.
Cliff Eidelman's score is captivating and very moving in this movie, flowing along effortlessly with the film. Marisa Tomei is pure magic, and Rosie Perez is just right as the screechy best friend.
What surprised me most was Slater's performance. Here, he gives a very introspective and introverted performance, that, in my opinion, was worthy of an Oscar nod. The mannerisms with which he portrays Adam as the shy orphan who seems unsure of himself are dealt with great detail and care. He hasn't had a better performance before or since.
That doesn't overshadow Tomei's performance in this film. She is simply beautiful, no matter what part she is portraying. She has the Minnesotan accent down pat, and you believe you are in the Twin Cities while watching the film. I feel her performance in this movie was a step above "My Cousin Vinny". Too bad the Academy didn't agree.
And when Slater and Tomei occupy the frame together, it is, for a lack of a better term, absolute glory. The chemistry between these two actors on screen is so thick you couldn't cut it with a chainsaw.
The cinematography, by Jost Vacano, who also did movies like "Das Boot" and "Robocop", while not visually stunning, is very technical, with the use of pull-pans/push-pans and ground perspective shots. A very well-done film all the way around, from Bill's directing to Mia Goldman's seamless editing. Too bad some wiseacre reviewer gave the ending away in a review of the film before release and literally killed it's box office.
I own the DVD now, and I can offer one warning: Gentlemen, if you watch this movie with your wife/significant other, be prepared to offer up excuses like 'there is something in my eye', or 'it must be my allergies', if you're not comfortable admitting letting the waterworks go. The proclamations of affection between these two are so charming, yet not heavy handed. It's the kind of things you would have wish you'd said to that 'one that got away'.
My rating: 9 (no movie has ever gotten a 10 from me, but this one almost had me reconsidering)
Wusstest du schon
- WissenswertesTo help her with her Minneapolis accent, Marisa Tomei asked that her driver be a native of the city. The first driver was sacked when she found out that he was from New Jersey, as was the second one when it transpired that he was originally from Texas.
- PatzerWhen Caroline watches Adam put his sweater on he has nothing on underneath it. When she goes in to talk to him moments later, he has an undershirt sticking out from underneath the sweater, but as he was putting it on you could see he put both the sweater and undershirt on together.
- Alternative VersionenA scene where Marisa Tomei took off her brassiere was re-shot at a different angle. The scene from the front showing her topless was only for broadcast on European television. However, the front topless has been viewed in the United States. So Comcast Cable must be running European versions even though USA version was supposed to be PG-13-rated. The March 2019 U.S. Blu-ray release and Vudu Streaming have the European version with the topless scene.
- SoundtracksThis Time Of The Year
Written by Cliff Owens and Jesse Hollis
Performed by Brook Benton
Courtesy of PolyGram Special Markets, a division of PolyGram Group Distribution, Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Untamed Heart
- Drehorte
- Joe's Coffee Shop - 326 Central Ave SE, Minneapolis, Minnesota, USA(Jim's coffee shop)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.898.806 $
- Eröffnungswochenende in den USA und in Kanada
- 4.125.556 $
- 15. Feb. 1993
- Weltweiter Bruttoertrag
- 18.898.806 $
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