IMDb-BEWERTUNG
6,8/10
16.597
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster ... Alles lesenA waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster for these fated lovers.A waitress hardly notices a shy busboy who secretly loves her; until one night she's attacked and he comes to her rescue. From there a relationship sparks but one secret could mean disaster for these fated lovers.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Joshua Schaefer
- Michael
- (as Josh Schaefer)
Empfohlene Bewertungen
As an audience we all grow more cynical and demanding, the more films that we see. Our expectations are constantly being upgraded and shifted to new levels of anticipation. I really did not expect 'Untamed Heart' to have quite the same impact today, as it did when I first saw it. I was wrong. I still cried. It's still the most heart warming, feel good, romantic comedy I've ever seen.
For those who are not familiar with the story, Christian Slater plays the part of the mysterious Adam who works as a busboy in a diner. All his life he's never physically come into contact with people, and he never speaks. You could say he lives in his own magic kingdom, hermetically sealed from the outside world-so much so that at the age of 26, he still believes in a fairy tale the nuns told him when he was growing up in an orphanage, involving magic rubies trickling down from a magic mountain, and being given a 'baboon heart.' Later, he even admits to possessing 'magic' records that he plays 'whenever the world doesn't agree with him.'
In real life it would be hard not to raise a smile at such an account, or at the very least be convinced the person was in need of some serious medication, but it's a testament to the power of the story that like Caroline(portrayed by the Marisa Tomei) rather then dismiss him, we start accepting his childlike understanding of the world. We overlook it when at the start of the film, Caroline asks him questions and he doesn't even respond. Anybody else would consider that plain rude. We forgive him when he creeps into Caroline's bedroom to watch her sleeping. We understand when he follows her home repeatedly, keeping at a safe distance to remain undetected. The reason we're able to make such adjustments, is that normal rules here do not apply, because in the world that he lives in, it's not inhabited by mere humans. He still occupies that fantastic world that we so readily discarded as children, because we had to embrace the darker reality of adulthood in order to cope with our new responsibilities. So Adam's character, while undoubtedly naive, offers no real threat. As an audience, we know where he's coming from. He's simply trying to make sense of the world around him, and does not understand how to behave any different.
Gradually, over the course of the film Caroline brings out more and more from Adam, and because of his unique perspective and vantage point, some of the things he says and does to convince Caroline of his love for her remain long after the credits roll.
If we've ever had our heart broken and as a result we try to 'tame' our heart so we don't get hurt again, this is the film we should watch, because it reminds us what love is, and what love can be. Any hurt that we may have felt is nothing compared to the joy we feel when we do get it right.
For those who are not familiar with the story, Christian Slater plays the part of the mysterious Adam who works as a busboy in a diner. All his life he's never physically come into contact with people, and he never speaks. You could say he lives in his own magic kingdom, hermetically sealed from the outside world-so much so that at the age of 26, he still believes in a fairy tale the nuns told him when he was growing up in an orphanage, involving magic rubies trickling down from a magic mountain, and being given a 'baboon heart.' Later, he even admits to possessing 'magic' records that he plays 'whenever the world doesn't agree with him.'
In real life it would be hard not to raise a smile at such an account, or at the very least be convinced the person was in need of some serious medication, but it's a testament to the power of the story that like Caroline(portrayed by the Marisa Tomei) rather then dismiss him, we start accepting his childlike understanding of the world. We overlook it when at the start of the film, Caroline asks him questions and he doesn't even respond. Anybody else would consider that plain rude. We forgive him when he creeps into Caroline's bedroom to watch her sleeping. We understand when he follows her home repeatedly, keeping at a safe distance to remain undetected. The reason we're able to make such adjustments, is that normal rules here do not apply, because in the world that he lives in, it's not inhabited by mere humans. He still occupies that fantastic world that we so readily discarded as children, because we had to embrace the darker reality of adulthood in order to cope with our new responsibilities. So Adam's character, while undoubtedly naive, offers no real threat. As an audience, we know where he's coming from. He's simply trying to make sense of the world around him, and does not understand how to behave any different.
Gradually, over the course of the film Caroline brings out more and more from Adam, and because of his unique perspective and vantage point, some of the things he says and does to convince Caroline of his love for her remain long after the credits roll.
If we've ever had our heart broken and as a result we try to 'tame' our heart so we don't get hurt again, this is the film we should watch, because it reminds us what love is, and what love can be. Any hurt that we may have felt is nothing compared to the joy we feel when we do get it right.
You are hereby forewarned:if you are a tough guy (at least on the outside,like me)DO NOT WATCH THIS MOVIE with another human being! Except maybe, your wife or steady girlfriend, with proper discretion.The characters said things one to the other about their feelings of love for each other that were so deep and tender and with so much passion and detail, that the words felt like things I have felt and said to women I have loved and lost.They were haunting words and feelings, so strong and overwhelming that your heart feels it will explode if you don't say them and love so passionate, you feel as though you might faint if it weren't for the adrenelin in your blood!I had the same kind of life as the character Caroline, albeit, women who walked out or cheated, so it was personal too.Untamed Heart is a perfect example why many men hate these movies!They destroy all pretense to our toughness and macho if viewed with others,ie:("no I'm not crying,I just got something in my eyes").Not only that,we don't like to feel what this movie makes us feel,at least when it comes to the ending.I did not know how the movie ended before I saw it and had I known, I would not have watched it,for I'm really not the tough,hard nosed guy I portray myself to be.This is not a "they lived happily ever after" movie,which are the only love stories I like,but at least the character's relationship and love for each other remained intact.I want husbands and wives, girlfriend and boyfriend to love each other AND grow old together.Since I can't have that in real life,I want it in my movies.So....be forewarned,this movie "hurts so much here"(pointing to MY heart).
UNTAMED HEART tells the story of the romance between a lovelorn diner waitress (Tomei) and shy busboy (Slater). It is a sad, sweet movie without the usual gloss and pretension that ruin so many filmed love stories. These are working class people living working class lives. Tomei is touching as a woman who has been hurt once too often but who still holds out hope. Slater gives one of his best performances as the virtually mute busboy with both social and health problems. A heart-tugging vignette at the very beginning, involving the busboy as child in a Catholic orphanage, foreshadows later events in the film. Slater underplays beautifully, and thankfully so as this is Tomei's film all the way. She never looked more beautiful than she does here. Watch for the Christmas morning scene. Tomei wakes up to a special magic thanks to her busboy pal, and magnificently conveys her sense of wonder. Beware, however: UNTAMED HEART (BOY WITH A BABOON HEART would have been a better title) is a two-box of Kleenex.
When I was married, my then wife dragged me to see this movie on Valentines' Day weekend, when it first released. I agreed to go based on the fact that one of my favorite actresses appeared in it, Marisa Tomei. The most I'd seen of Christian Slater was in 'Robin Hood', and didn't care much for him in that.
What a change one movie can make for opinions on an actor.
I was engaged with this movie from frame one.
Cliff Eidelman's score is captivating and very moving in this movie, flowing along effortlessly with the film. Marisa Tomei is pure magic, and Rosie Perez is just right as the screechy best friend.
What surprised me most was Slater's performance. Here, he gives a very introspective and introverted performance, that, in my opinion, was worthy of an Oscar nod. The mannerisms with which he portrays Adam as the shy orphan who seems unsure of himself are dealt with great detail and care. He hasn't had a better performance before or since.
That doesn't overshadow Tomei's performance in this film. She is simply beautiful, no matter what part she is portraying. She has the Minnesotan accent down pat, and you believe you are in the Twin Cities while watching the film. I feel her performance in this movie was a step above "My Cousin Vinny". Too bad the Academy didn't agree.
And when Slater and Tomei occupy the frame together, it is, for a lack of a better term, absolute glory. The chemistry between these two actors on screen is so thick you couldn't cut it with a chainsaw.
The cinematography, by Jost Vacano, who also did movies like "Das Boot" and "Robocop", while not visually stunning, is very technical, with the use of pull-pans/push-pans and ground perspective shots. A very well-done film all the way around, from Bill's directing to Mia Goldman's seamless editing. Too bad some wiseacre reviewer gave the ending away in a review of the film before release and literally killed it's box office.
I own the DVD now, and I can offer one warning: Gentlemen, if you watch this movie with your wife/significant other, be prepared to offer up excuses like 'there is something in my eye', or 'it must be my allergies', if you're not comfortable admitting letting the waterworks go. The proclamations of affection between these two are so charming, yet not heavy handed. It's the kind of things you would have wish you'd said to that 'one that got away'.
My rating: 9 (no movie has ever gotten a 10 from me, but this one almost had me reconsidering)
What a change one movie can make for opinions on an actor.
I was engaged with this movie from frame one.
Cliff Eidelman's score is captivating and very moving in this movie, flowing along effortlessly with the film. Marisa Tomei is pure magic, and Rosie Perez is just right as the screechy best friend.
What surprised me most was Slater's performance. Here, he gives a very introspective and introverted performance, that, in my opinion, was worthy of an Oscar nod. The mannerisms with which he portrays Adam as the shy orphan who seems unsure of himself are dealt with great detail and care. He hasn't had a better performance before or since.
That doesn't overshadow Tomei's performance in this film. She is simply beautiful, no matter what part she is portraying. She has the Minnesotan accent down pat, and you believe you are in the Twin Cities while watching the film. I feel her performance in this movie was a step above "My Cousin Vinny". Too bad the Academy didn't agree.
And when Slater and Tomei occupy the frame together, it is, for a lack of a better term, absolute glory. The chemistry between these two actors on screen is so thick you couldn't cut it with a chainsaw.
The cinematography, by Jost Vacano, who also did movies like "Das Boot" and "Robocop", while not visually stunning, is very technical, with the use of pull-pans/push-pans and ground perspective shots. A very well-done film all the way around, from Bill's directing to Mia Goldman's seamless editing. Too bad some wiseacre reviewer gave the ending away in a review of the film before release and literally killed it's box office.
I own the DVD now, and I can offer one warning: Gentlemen, if you watch this movie with your wife/significant other, be prepared to offer up excuses like 'there is something in my eye', or 'it must be my allergies', if you're not comfortable admitting letting the waterworks go. The proclamations of affection between these two are so charming, yet not heavy handed. It's the kind of things you would have wish you'd said to that 'one that got away'.
My rating: 9 (no movie has ever gotten a 10 from me, but this one almost had me reconsidering)
Young, outgoing waitress Caroline (Marisa Tomei) still lives at home with her parents and younger brother. Although she has had her heart broken numerous times, she has not become cynical about love. Adam (Christian Slater) is a busboy at the same restaurant as Caroline; he is, however, a shy recluse who doesn't relate to people very well. Yet, when a crisis occurs, it is Adam who comes to Caroline's rescue. For the first time, she sees him in a different light and they begin a loving relationship. Caroline is finally experiencing the happiness she deserves and Adam is opening his life to someone else. Still, something from Adam's past comes forward to haunt them. Will they find a happy ending?
This is an extremely touching and humorous love story about working-class people. The movie has many candid scenes about restaurant life and the people who work there. Also, Tomei gives a sweet, irresistible performance that warms the heart. Although one may need a kleenex or two before the film is over, its loving atmosphere will remain with the viewer for a long time. Recommended for everyone searching for a film to provide a feel-good-about-life day at the movies.
This is an extremely touching and humorous love story about working-class people. The movie has many candid scenes about restaurant life and the people who work there. Also, Tomei gives a sweet, irresistible performance that warms the heart. Although one may need a kleenex or two before the film is over, its loving atmosphere will remain with the viewer for a long time. Recommended for everyone searching for a film to provide a feel-good-about-life day at the movies.
Wusstest du schon
- WissenswertesTo help her with her Minneapolis accent, Marisa Tomei asked that her driver be a native of the city. The first driver was sacked when she found out that he was from New Jersey, as was the second one when it transpired that he was originally from Texas.
- PatzerWhen Caroline watches Adam put his sweater on he has nothing on underneath it. When she goes in to talk to him moments later, he has an undershirt sticking out from underneath the sweater, but as he was putting it on you could see he put both the sweater and undershirt on together.
- Alternative VersionenA scene where Marisa Tomei took off her brassiere was re-shot at a different angle. The scene from the front showing her topless was only for broadcast on European television. However, the front topless has been viewed in the United States. So Comcast Cable must be running European versions even though USA version was supposed to be PG-13-rated. The March 2019 U.S. Blu-ray release and Vudu Streaming have the European version with the topless scene.
- SoundtracksThis Time Of The Year
Written by Cliff Owens and Jesse Hollis
Performed by Brook Benton
Courtesy of PolyGram Special Markets, a division of PolyGram Group Distribution, Inc.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Untamed Heart?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Untamed Heart
- Drehorte
- Joe's Coffee Shop - 326 Central Ave SE, Minneapolis, Minnesota, USA(Jim's coffee shop)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.898.806 $
- Eröffnungswochenende in den USA und in Kanada
- 4.125.556 $
- 15. Feb. 1993
- Weltweiter Bruttoertrag
- 18.898.806 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen