Die Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt w... Alles lesenDie Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt war.Die Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt war.
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There are a lot of good actors as both good guys and bad guys. Kurt Russell may not be the most impressive of the lot but he does a solid job. Val Kilmer is really hamming it up. He steals the movie with his memorable performance. Other than him, this is a straight western without much comedy. It's not camp. If there is any problem, it's that the movie is too ambitious. There are a lot of characters. It tries to be grand. It's quite a western. It's slightly better than the even longer Lawrence Kasdan's Wyatt Earp which came out 6 months later.
It opens with Earp ending his stint as a Kansas law officer and heading for Tombstone with his brothers Virgil and Morgan and their families in toe. Upon arrival they meet up with their good friend and Ally Doc Holliday and before long they've acquired a share in a thriving little saloon and card game. A group of ruthless bandits ironically titled 'The Cowboys', also inhabit the town and they take an immediate disliking to the retired lawman's reputation and moral attitudes. So far, Wyatt had done well to keep himself clear of any kind of feuding or trouble, but one fateful night a barbarous act forces him to arrest Curly Bill Brocious the leader of the desperadoes. This eventually results with the historic showdown at the OK Corral and a quest to rid the land from the curse of these malevolent outlaws.
On his audio commentary for the Tom Cruise drama Vanilla Sky, Cameron Crowe describes Kurt Russell as 'Hollywood's best kept secret'. Showing flashes of Clint Eastwood, but without ever looking like he's trying to imitate him, he provides a competent lead and proves that there's certainly a lot of truth to that statement. From his humorous will they won't they yearnings for Jose, to his anguished rage as he screams, `.Hell's coming with me' into the stormy night sky, Russell's on top form. His excellence can't help but play second fiddle to a scene stealing Val Kilmer, who has some of the best dialogue since Mr Blonde shared breakfast with a group of crimms in black suits. Hitting a career high, it's seems surprising that the Academy didn't acknowledge such a worthy portrayal. The camaraderie between he and Earp is one of Cinema's most pleasurable buddy pairings and no one can deny the pathos he creates in his tragic exit. His rivalry with an underused but adequate Michael Biehn as Johnny Ringo is compelling and their dual makes for an irresistible climax. Dana Delaney also shines as the Marshall's 'other' love interest, but frankly with a cast studded with cameos from so many familiar faces - even Charlton Heston - you could give a gibbon the megaphone and the results would probably still feel fairly acceptable!
The set locations are the standard cowboy fare, but director Cosmatos manages to make good use of them. The stormy night scenes when Morgan is attacked are crafted to create an electric atmosphere that is superbly lighted and the same can be said for the suspense made in the neatly staged shoot-outs. Clearly accomplished as an action director, Cosmatos certainly was the right Man for this rootin' tootin' ride through the Wild West. He shows a flare for building tension that runs smoothly throughout the beautifully shot set pieces.
The only complaint that can be made about Tombstone is the lack of any real depth found within the story. Where as genre classics like Unforgiven offer an emotionally charged drama that snuggles so neatly with the always-ungratuitous gunplay, Kevin Jarre's story falls into the 'popcorn western' category. Along with its contemporaries Young guns or The Quick and the Dead, the movie aims more for blockbuster appeal than a deep and endearing dramatic approach. Still, fans of a six-shooter will find plenty to be impressed by - in this admirable character-led mix of gunplay, companionship, romance and even just the right amount of pathos. Fans still ask which is the better of the two accounts of Wyatt Earp's life that were strangely released around the same time. Well I guess the answer really depends on your personnel taste in movies. If you like the more dramatic western and have no problem with an epic runtime, then Costner and co's biopic maybe the one for you. However if you're looking for a 'popcorn' take on the lawman's life then you need look no further. Tombstone's your movie! It may not have a deep heart, but it's a hell of a lot of fun! 8/10
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- WissenswertesThe line quoted by Doc at the end of the fight at the O.K. Corral is historically true, and was reported in the Tombstone papers reporting the fight. When confronted by one of the cowboys at point blank range, the cowboy reportedly said, "I got you now Doc, you son of a bitch!", to which Doc gleefully retorted, "You're a daisy if you do!"
- PatzerSome scenes show electrical lights over the pool tables. Light bulbs were invented in 1878 but Tombstone did not have electricity until 1902. Furthermore, pocket billiards as we know it today (using striped, numbered object balls) would not have been played in the American West of the 1870s, having only been developed in the early decades of the twentieth century; the immediate forerunner of pocket billiards (using solid-colored, unnumbered balls) wasn't invented until around 1900.
- Zitate
Johnny Ringo: My fight's not with you, Holliday.
Doc Holliday: I beg to differ, sir. We started a game we never got to finish. "Play for Blood," remember?
Johnny Ringo: Oh that. I was just foolin' about.
Doc Holliday: I wasn't.
- Crazy CreditsFor Birgitta C.
- Alternative VersionenA "Vista Series" director's cut was released in February 2002. Just under five minutes of never-before-seen footage were restored. The most noticeable are:
- a scene showing the depths of Mattie's addiction to laudanum and her jealousy over Josephine;
- a somber soliloquy by Doc quoting Kublai Khan;
- a scene explaining Kate's sudden disappearance from the film, with Doc stressing the importance of friendship;
- a scene with McMasters and the Cowboys meeting one last time. A small scene showing the graphic result of that meeting has been re-inserted, with the line "They got McMasters!" being moved into this small insert.
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.505.065 $
- Eröffnungswochenende in den USA und in Kanada
- 6.454.752 $
- 26. Dez. 1993
- Weltweiter Bruttoertrag
- 56.505.065 $