Die Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt w... Alles lesenDie Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt war.Die Pläne eines erfolgreichen Gesetzeshüters, sich anonym in Tombstone, Arizona, zur Ruhe zu setzen, werden durch die Art von Gesetzlosen durchkreuzt, die zur Strecke zu bringen er berühmt war.
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From the opening scene, narrated by the legendary Robert Mitchum, a nod to the great Hollywood Westerns of the past is evident; a gang of outlaws calling themselves 'The Cowboys' break up a Mexican wedding in a small town, ruthlessly killing nearly all the men, including village priest Pedro Armendáriz Jr. (son of the legendary Western actor), in a scene reminiscent of ONCE UPON A TIME IN THE WEST, and THE MAGNIFICENT SEVEN. Led by two of Hollywood's flashiest character actors, swaggering Powers Boothe, and coldly psychotic Michael Biehn (playing Johnny Ringo), the presence of such pure evil sets the stage for the Earps' arrival in Tombstone.
A powerful cast is essential for a great Western, and you couldn't find a better group of actors as the Earp brothers; Kurt Russell, chiseled, squinty-eyed, and razor-thin, is an ideal Wyatt; Sam Elliott, one of Hollywood's best Western actors, plays Virgil with a growl but a twinkle in his eye; and Bill Paxton, soon to achieve stardom in APOLLO 13 and TWISTER, makes a terrific Morgan. Then there is Val Kilmer, as Doc Holliday...While Dennis Quaid, in WYATT EARP, gave the most realistic portrayal of the dying dentist-turned-gambler/gunfighter ever recorded on film (he was superb), Kilmer, relying on bloodshot eyes, an ambiguous sexuality, and a Brando-esque line delivery, literally steals TOMBSTONE, and has become the 'Doc' everyone remembers. He is so charismatic that you nearly forget that the Earps are the focus of the story! Watch for his early scene confronting a shotgun-wielding (and chubby!) Billy Bob Thornton (three years before SLING BLADE), out to kill Wyatt, and you'll see my point.
The events leading up to the famous Gunfight at the O.K. Corral are clearly and decisively presented, from Wyatt's first meeting with future wife Josie (Dana Delany), to the murder of Tombstone's Marshal (Harry Carey, Jr., son of another legendary Western star, and a staple of many John Ford films), which leads to Virgil taking the badge and making his brothers (in Wyatt's case, reluctantly) deputies, to the friction with Ike Clanton (GODS AND GENERALS' Stephen Lang) that explodes into the short but bloody shootout that became legendary.
Where TOMBSTONE and WYATT EARP both excel is in presenting the aftermath of the gunfight. Unlike MY DARLING CLEMENTINE or GUNFIGHT AT THE O.K. CORRAL, the true story doesn't tie up neatly with a happy ending at the Corral, but becomes darker and bloodier. The Earps are placed under house arrest, and after they are acquitted in court, friends of Clanton (in TOMBSTONE, Ringo and other Cowboys), cold-bloodedly murder Morgan and cripple Virgil. Wyatt explodes, and grimly sets about, with Holiday and a small band of gunmen, to execute every possible Clanton ally he can find ("You tell him I'm coming! And hell's coming with me!"). Becoming a wanted fugitive himself, he only stops his mission of vengeance long enough to take the ailing Holiday to a friend's cabin (Charlton Heston has a brief but memorable cameo as the rancher), but the gambler returns in time for the gunblazing climax of the film.
TOMBSTONE is the kind of Western that critics love to say aren't made anymore, a throwback to the golden days of Ford and Hawks, when Good and Evil were clearly defined. Director George P. Cosmatos grew up on those films, as well as those of Sergio Leone, and he said, of TOMBSTONE, that it was made to honor the Westerns he loved so much.
It is his love of the Western that makes TOMBSTONE a truly superior film!
There are a lot of good actors as both good guys and bad guys. Kurt Russell may not be the most impressive of the lot but he does a solid job. Val Kilmer is really hamming it up. He steals the movie with his memorable performance. Other than him, this is a straight western without much comedy. It's not camp. If there is any problem, it's that the movie is too ambitious. There are a lot of characters. It tries to be grand. It's quite a western. It's slightly better than the even longer Lawrence Kasdan's Wyatt Earp which came out 6 months later.
It's amazing how well this film turned out considering all the rumors of a troubled history. Credit must be given to director Cosmatos and the actors. It's a fairly huge cast, with numerous speaking roles, and everyone seems to have at least one good moment during the story. Then there's Kilmer as Doc, who is good or great in every scene he's in - this is easily Kilmer's best role. Doc is already sick as the movie begins but he manages to stay in the game to the very end, more dangerous than any 2 cowboys, using supernatural willpower & sardonic wit to distract everyone and himself from the fact he's nearly a walking ghost. Russell is just super-solid as Wyatt; he conveys a strength, tapped from unknown sources (whereas Doc draws from within), standing tall when other tough guys quake in the knees. These two make a terrific team; it's not the usual buddy stuff of most pictures. All the supporting cast is fine, including Elliott and Paxton as Wyatt's brothers, though there are some overly obvious moments. Earp's on - off relationship with the actress (Delany) has its ups & downs, there's not much room for subtlety as Earp's wife looks on quite upset as Delany strikes another of her bemused expressions. Also, due to the large number of characters, some of their stories have a heavily truncated feel (Priestley's, for example). The Vista director's cut special edition DVD has some restored footage to improve this problem. The better scenes are the confrontations between the men, the threats swung high & low, and the sheer thrill of watching Russell slap an overweight Billy Bob Thornton silly.
And we have the villains, ah yes, the villains. I've already mentioned a couple of them - another one is Lang as Ike Clanton in a deliciously cheesy, hammy yet mesmerizing performance. By the last 3rd of the movie, I was so wishing he would get his - please, someone - Earp, Holliday, anyone ! - blow this bastard away! Ike is one of the great unsung villains of movie history, a tribute to Lang's abilities. The conflict in this true-life story stemmed from the notion that there were no real villains. It was a matter of which faction had the rights, based on gun power and political ambition. In other words, the Earps were just making a political power play in the view of some and there was little difference between them and The Cowboys. But this film wastes no time in establishing Wyatt and his brothers as the decent side of the coin and when you have characters like Ike, there's no mistaking which side are the bad guys. For a different take on this piece of history, check out the original Star Trek episode "Spectre of the Gun" from '68. Oh yeah, there are also other films like the Lancaster - Douglas opus from 1957. But the Gunfight at the OK Corral in "Tombstone" was just one set piece out of many.
Val Kilmer has been in a lot of films but only half of them were good and this goes into one of his best along with Oliver Stone's The Doors and Willow without doubt has to get a mention. There is a superb cast here which makes up of Bill Paxton, Sam Elliot, Michael Biehn, Powers Boothe, Stephen Lang, Billy Zane and of course Charlton Heston. I could go on for even longer mentioning some of the great actors that star in this but the sheer action of vengeance of it make it one of the best action westerns. There are your two type of westerns like High Noon and The Searchers which are very calm but intense films. Then you have The Wild Bunch and Tombstone which are just blood thirsty with plenty of action to cater for all tastes of films.
I am not to familiar with the director but he is surely missed as far as making a western like this is concerned.
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- WissenswertesThe line quoted by Doc at the end of the fight at the O.K. Corral is historically true, and was reported in the Tombstone papers reporting the fight. When confronted by one of the cowboys at point blank range, the cowboy reportedly said, "I got you now Doc, you son of a bitch!", to which Doc gleefully retorted, "You're a daisy if you do!"
- PatzerSome scenes show electrical lights over the pool tables. Light bulbs were invented in 1878 but Tombstone did not have electricity until 1902. Furthermore, pocket billiards as we know it today (using striped, numbered object balls) would not have been played in the American West of the 1870s, having only been developed in the early decades of the twentieth century; the immediate forerunner of pocket billiards (using solid-colored, unnumbered balls) wasn't invented until around 1900.
- Zitate
Johnny Ringo: My fight's not with you, Holliday.
Doc Holliday: I beg to differ, sir. We started a game we never got to finish. "Play for Blood," remember?
Johnny Ringo: Oh that. I was just foolin' about.
Doc Holliday: I wasn't.
- Crazy CreditsFor Birgitta C.
- Alternative VersionenA "Vista Series" director's cut was released in February 2002. Just under five minutes of never-before-seen footage were restored. The most noticeable are:
- a scene showing the depths of Mattie's addiction to laudanum and her jealousy over Josephine;
- a somber soliloquy by Doc quoting Kublai Khan;
- a scene explaining Kate's sudden disappearance from the film, with Doc stressing the importance of friendship;
- a scene with McMasters and the Cowboys meeting one last time. A small scene showing the graphic result of that meeting has been re-inserted, with the line "They got McMasters!" being moved into this small insert.
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- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.505.065 $
- Eröffnungswochenende in den USA und in Kanada
- 6.454.752 $
- 26. Dez. 1993
- Weltweiter Bruttoertrag
- 56.505.065 $