Die Wahrheit führt zum Tod

When i first saw this movie was a few years ago because i had it on VHS.Back then i thought that the movie deserved 5/10 (Average) but i bought the DVD with good image and sound it made to give this movie a 7. The music score is excellent and the movie (instead of having some minor flaws) is very entertaining.In this film Mark Wahlberg made his debut and you can tell but he is acceptable because of his charisma&attitude.Amanda Donohoe has done the biggest role in her career in this movie.But this just my opinion.Watching this movie you'll not be disappointed because Amanda Donohoe is Bete Davis of our times.

A viewer praised the score by Gerald Gouriet (never heard of him, I guess he is a Canadian). Question is: If the music was supposed to be a homage to Bernard Herrmann (the composer of Hitchcock's Vertigo, Psycho, North by Northwest, Marnie) then Mr Gouriet did a great job. Otherwise, it is just too much musically a copycat. Perhaps director Donovan prescribed the similarity on purpose, as many visual passages in this film have been resolved in the non-realistic -almost oneiric- way Hitchcok staged some scenes in his films. A case in point: when Josh is reading the newspaper microfilms at the library, titles (in red) are superimposed over the pages of the newspaper. When Josh is dreaming, color turns red. When the camera shoots down on the smiling and hopeful faces of students is another moment where viewers realize a professional director is holding the reins. All in all, as a TV movie is clearly above average. Watchable, well acted by everybody.

I must admit, I am usually a bit dubious when looking at TV movies, as in most cases they are quite poor, but in this case I was pleasantly surprised. This was mainly due to the superb performance of Amanda Donaghue, who made a convincing & sympathetic psychotic killer (why is it every feature film has to have a British nasty? I know they are always good, but come on), which makes a change from the usual one diminsional characters. The rest of the cast played the part too, & were quite good, making you at least believe in them, though there was the usual nonsense of ancient pupils, who were in alot of cases not much younger than Amanda Donaghue. Ignoring this hilarity, the plot though not exactly thought provoking was at least adequate, & was everything else. So although the film had nothing that hadn't been seen before, it is not bad, & worth a look if only for Miss Donaghue. Now, why didn't I have a horny teacher like her when I was at school.

I was curious about "The Substitute" because it was Mark Whalberg's debut as an actor but I couldn't have imagined the pleasures that this off beat melodrama had to offer. Elegantly told with unexpected holes in the narration here and there but with a thrilling central performance by Amanda Donohoe that left me kind of breathless. There is also a visual intention that is both surprising and deeply engrossing. Amanda Donohe looking at herself in the mirror at different times of her shattering journey gives you clues as to were her mind is. What does she actually see when she looks into the mirror? She was always a positive human being that was pushed into an infernal situation and instead of getting herself out she gets in deeper and deeper. I felt sympathy for her and at the same time she terrified me. The superb Hitchcockian score is another major plus.

As awkward as this film is, there are moments that can only be described as, sublime. The moments are pinpointed by faces. If you read the film through the faces of its characters you'll have a memorable experience. The pain and anger in Amanda Donohue's face is as entertaining and shattering as anything Bette Davis has ever done. Mark Whalberg ambles down into the film scene with a bang, looking straight into the camera, inviting us to "get busy". The faces of the students, Molly Parker and Martin Cummins among them, tell us, in beautiful close ups, how much their murderous teacher has done for them. Then the teacher tells them how much they mean to her, we see the kids faces from above as her point of view. It is just wonderful. Last but not least is the amazing score by Gerald Gouriet (Madame Souzatska, Seeds of Tragedy) All in all I had the feeling that a genial mind was at work here, but chained to some kind of wall of mediocrity. As rarities go, this is the "rariest". Worth the trip.