IMDb-BEWERTUNG
6,5/10
44.592
IHRE BEWERTUNG
Ein Dichter aus San Francisco, der Angst vor Engagement hat, vermutet, dass seine Freundin ein Händchen dafür hat, ihre Lebensgefährten zu töten.Ein Dichter aus San Francisco, der Angst vor Engagement hat, vermutet, dass seine Freundin ein Händchen dafür hat, ihre Lebensgefährten zu töten.Ein Dichter aus San Francisco, der Angst vor Engagement hat, vermutet, dass seine Freundin ein Händchen dafür hat, ihre Lebensgefährten zu töten.
George F. Mauricio
- Butchershop Customer
- (as George Mauricio)
Luenell
- Police Records Officer
- (as Luenell Campbell)
Empfohlene Bewertungen
I saw this film on cable not long after its release and remember enjoying it. But like most films, it didn't leave a lasting impression. For some reason I have had a DVD copy of the film in my collection for some time now, probably a b-day gift or some such, and I never watch it
Last night, sixteen years after it first appeared, I watched it again.
Sometimes, a piece of art takes time and multiple exposures for its audience to fully appreciate its quality. This is definitely the case with this film. For me, a film should show me new characters or new settings or give me a new way of looking at a recognizable situation. So often films just give their audience the same tired stereotypical content; Characters that differ in name only from other films and plot lines that so closely follow previous successful productions that I'm surprised there aren't more lawsuits between artists. Such is not the case with "So I Married an Axe Murderer". With the tiny exception of the girlfriend of the chief supporting character, every role can accurately be described as unique. A butcher shop owner/operator (Nancy Travis) for a leading lady that may be wielding her cleaver in the off hours plus her curiously flighty sister (Amanda Plummer). A suburban San Francisco family of intensely Scottish decent that includes the youngest son with an enormous head and a Mother (Brenda Fricker) who has no qualms about French kissing her eldest son's best friend just to assure herself he's good at it. There's a light aircraft charter pilot (Steven Wright) that probably shouldn't have been awarded a license and a slightly embittered, slightly maniacal former Alcatraz guard/now tour guide (Phil Hartman) who makes me laugh just to look at him on screen. There's an undercover cop best friend (Anthony LaPaglia) that wanted to be Starsky or Hutch but instead learns the job really entails filling out a lot of forms and his boss (Alan Arkin) who, if it wasn't for Mike Myer's performance, would have stolen the movie with his portrayal of a Police Chief that can only be described as the antithesis of that character that we've seen so many times in films and TV.
About Mike Myers: Intensely likable. Free and easy on film at a young age he creates two wonderful characters that make us laugh hard throughout. As the lead Charlie McKenzie and as his father Stuart, Myers keeps the film moving with his paranoid yet irresistible charm from Charlie and his Robin Williamsesque quips that flow from his two characters accomplishing the most difficult task for such a performance; namely, entertain without distracting from the story.
I've added this film to my "Favorites" list and recommend it highly. If you liked "You Can't Take it With You" you'll love this more contemporary yet equally quirky film of love and family.
Sometimes, a piece of art takes time and multiple exposures for its audience to fully appreciate its quality. This is definitely the case with this film. For me, a film should show me new characters or new settings or give me a new way of looking at a recognizable situation. So often films just give their audience the same tired stereotypical content; Characters that differ in name only from other films and plot lines that so closely follow previous successful productions that I'm surprised there aren't more lawsuits between artists. Such is not the case with "So I Married an Axe Murderer". With the tiny exception of the girlfriend of the chief supporting character, every role can accurately be described as unique. A butcher shop owner/operator (Nancy Travis) for a leading lady that may be wielding her cleaver in the off hours plus her curiously flighty sister (Amanda Plummer). A suburban San Francisco family of intensely Scottish decent that includes the youngest son with an enormous head and a Mother (Brenda Fricker) who has no qualms about French kissing her eldest son's best friend just to assure herself he's good at it. There's a light aircraft charter pilot (Steven Wright) that probably shouldn't have been awarded a license and a slightly embittered, slightly maniacal former Alcatraz guard/now tour guide (Phil Hartman) who makes me laugh just to look at him on screen. There's an undercover cop best friend (Anthony LaPaglia) that wanted to be Starsky or Hutch but instead learns the job really entails filling out a lot of forms and his boss (Alan Arkin) who, if it wasn't for Mike Myer's performance, would have stolen the movie with his portrayal of a Police Chief that can only be described as the antithesis of that character that we've seen so many times in films and TV.
About Mike Myers: Intensely likable. Free and easy on film at a young age he creates two wonderful characters that make us laugh hard throughout. As the lead Charlie McKenzie and as his father Stuart, Myers keeps the film moving with his paranoid yet irresistible charm from Charlie and his Robin Williamsesque quips that flow from his two characters accomplishing the most difficult task for such a performance; namely, entertain without distracting from the story.
I've added this film to my "Favorites" list and recommend it highly. If you liked "You Can't Take it With You" you'll love this more contemporary yet equally quirky film of love and family.
The sad thing is that this is Mike Myers' lowest grossing film, which shows just what most people know. It's absolutely his best one though, with more likeable wit than the 2 Austin Powers pics and better characters and plot than the Waynes World movies.
Myers can only really do about 4 voices (Himself, Wayne, Austin and a Scotsman, which he's doing AGAIN in Shrek now) and he gets to show them all off here, which is actually great. He's great as his miserable dad, and the whole thing is just great fun, a really good film. Nancy Travis and Anthony LaPaglia as his insecure cop buddy support Myers well all the way through. Mike Myers and this movie just rule.
Myers can only really do about 4 voices (Himself, Wayne, Austin and a Scotsman, which he's doing AGAIN in Shrek now) and he gets to show them all off here, which is actually great. He's great as his miserable dad, and the whole thing is just great fun, a really good film. Nancy Travis and Anthony LaPaglia as his insecure cop buddy support Myers well all the way through. Mike Myers and this movie just rule.
This has been my favorite movie since it came out. I watched it twice and thought it was O.K., then I started to really get it. Every time I watched it, I caught more jokes. I know nearly every line by heart, I have seen it so many times. I am not a nerd, or some crazy person. Just someone who appreciates hilarious movies. The best scene is when Charlie's father (Mike Myers) tells Tony (his best friend) about the "secret society". I laugh to the point of tears at that part. I still can't help but say "Fine. Go. You've stayed your hour." every time someone leaves my home. It's just the perfect, crazy ending to a visit, isn't it? Brilliance, Mike Myers. Brilliance.
In this greatly under-rated film, Mike Myers plays a man scared of commitment, until that is he meets Harriet and they fall in love, but does she have a rather macabre secret?
This film flows wonderfully, carrying you along before you realise it, right until the end.
Some of the better comedic moments, though, come from the cameos, especially by Steven Wright and Charles Grodin, who is always wonderful, whatever film he is in, although the poetry scenes are quite funny too.
For some reason this film was not as successful as other Mike Myers' efforts such as the Wayne's Worlds, and it does appear that audiences prefer Myers in character than as himself, and indeed you will come out liking Myers better as his father than as his main role, but nevertheless a great movie!
This film flows wonderfully, carrying you along before you realise it, right until the end.
Some of the better comedic moments, though, come from the cameos, especially by Steven Wright and Charles Grodin, who is always wonderful, whatever film he is in, although the poetry scenes are quite funny too.
For some reason this film was not as successful as other Mike Myers' efforts such as the Wayne's Worlds, and it does appear that audiences prefer Myers in character than as himself, and indeed you will come out liking Myers better as his father than as his main role, but nevertheless a great movie!
So I Married an Axe Murderer is a fantastic little movie, hilarious in places and solidly funny throughout. Mostly carried by the likability of the cast and their ability to carry off what is a very limited premise and make it funny. Mike Myers is superb as Charlie McKenzie a commitment phobe 20something who meets his ideal woman only to become convinced shes the deadly Mr's X. Assisted by the his friend who longs to be a cop in the mould of Starsky and Hutch, played by Anthony La Palgia, Charlie has to overcome his fears surely she can't be the deadly Mrs X can she? I would recommend this to any comedy fan and it can be a useful date movie a romantic comedy light on the slushy romance.
7/10
7/10
Wusstest du schon
- WissenswertesMike Myers's performance as Stuart Mackenzie was based on the mannerisms of his own father.
- PatzerIn the Alcatraz scene, cells are shown with swing doors, some of which are open. All of the cells in Alcatraz have sliding doors.
- Zitate
Stuart Mackenzie: I'm not kidding, that boy's head is like Sputnik; spherical but quite pointy at parts! Now that was offside, wasn't it? He'll be crying himself to sleep tonight, on his huge pillow.
- Alternative VersionenAn alternate take is used for the USA TV version: When Phil Hartman's character is telling his story in the jail, he refers to the prisoner's victim as a "girlfriend" instead of the more profane "bitch" used in all other versions.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksThere She Goes
Written by Lee Mavers (as L.A. Mavers)
Produced by Boo! Productions
Performed by The Boo Radleys
Courtesy of Creation/Columbia Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Una novia sin igual
- Drehorte
- Dunsmuir House & Gardens - 2960 Peralta Oaks Court, Oakland, Kalifornien, USA(Poet's Corner Hotel; interior and exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.585.483 $
- Eröffnungswochenende in den USA und in Kanada
- 3.466.930 $
- 1. Aug. 1993
- Weltweiter Bruttoertrag
- 11.585.483 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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