Als Serienmörder liegt Lothar Schramm im eigenen Blut im Sterben, schreckliche Erinnerungen an sein erbärmliches Leben voller Paranoia, Selbstverletzung und Ablehnung blinken vor seinen Auge... Alles lesenAls Serienmörder liegt Lothar Schramm im eigenen Blut im Sterben, schreckliche Erinnerungen an sein erbärmliches Leben voller Paranoia, Selbstverletzung und Ablehnung blinken vor seinen Augen. Ein tragischer Blick in den Geist eines Borderline Personality Disorder Psychopathen.Als Serienmörder liegt Lothar Schramm im eigenen Blut im Sterben, schreckliche Erinnerungen an sein erbärmliches Leben voller Paranoia, Selbstverletzung und Ablehnung blinken vor seinen Augen. Ein tragischer Blick in den Geist eines Borderline Personality Disorder Psychopathen.
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The movie gives us a real look inside the head of a serial killer/rapist/necrophiliac. We see his weird fantasies of extreme violence and sex but we also see his fantasies of how he truly wants to be. The movie doesn't present its main character as a deranged psycho but more as a man who can't help being the way he is. He's struggling with it himself at points but in the end he just can't help being the man that he is. With self mutilation he tries to fight the feelings and punish himself for the deeds he has done but it's all in vein.
Yes, it's a quite odd movie, due to its themes and the way it's being brought to the screen. Jörg Buttgereit often picks the artistic approach and uses some symbolism and metaphors. For this movie he obviously got inspired by Luis Buñuel's work. Jörg Buttgereit is like the German Luis Buñuel and Takashi Miike, though not all of his movies work out as well as this one does.
It shows the world as a dirty place. Not only with it's extreme violence or people living in it but also with its almost depressing settings. The main characters apartment looks like it's an outdated '70's bachelor shack, in the middle of a bad and poor neighborhood.
It's a movie that works on so many levels with its themes and with the story it tries to tell. Jörg Buttgereit always aspires all of his movies to be like this but not all of his work works out as well and successful as this one does though.
9/10
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Moreover, and mainly because of the obvious improval of the technic (it LOOKS much more professional than, say, Nekromantik, even if it's not, and I know because I watched the special edition where we see how they filmed this thing) , this film might appeal to other people as well, apart from sickos and people on weird / gore films.
I can imagine that some serious cinema-lovers could take this very seriously and consider it a great film as it is.
Schramm is, as most already know, based on a lonely psycho with issues, many of which revolve around women and 'unrequited love' as someone else put it. While I understood the base and idea behind the film, I was left wanting.
Schramm managed to pique my interest but did little more. There is nothing here to flesh out the serial killer; just hints of his self-loathing and dementia. I would have liked some kind of inner monologue at points in the movie, to hear what the killer was thinking during and after his murders. Did he hate his body or did he just enjoy pain? Was he afraid of women or really just somewhat of a necrophiliac? Did he hate was he was doing, though he could not stop, or was he laughing maniacally on the inside? What exactly drives him? Many questions, few answers. Perhaps that was the point though, to leave one thinking and drawing their own conclusions. Maybe not.
In the end, I found this film did not live up to the hype. It wasn't necessarily bad, but it most certainly could have been better.
For those interested in 'gore', find something else. Schramm will not entertain you.
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- WissenswertesThe movie tells the story of a man who has been known in the media as the 'Lipstick Killer'. In reality, there was a serial killer who was given that nickname and because of this, people often think that the film is based on the same serial killer. However, this is a common mistake as there is no correlation between the two.
- VerbindungenFeatured in The Making of 'Schramm' (1995)
- SoundtracksSchramm Ist Tot (Intro)
Written by Max Müller & Gundula Schmitz
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- Schramm: Into the Mind of a Serial Killer
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- 1 Std. 5 Min.(65 min)
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- 1.33 : 1