IMDb-BEWERTUNG
5,9/10
17.873
IHRE BEWERTUNG
Er war kürzlich Zeuge der Ergebnisse eines streng geheimen Projekts, mit dem Tote wieder zum Leben erweckt werden sollen, und führt die Operation an seiner Freundin durch, die bei einem Moto... Alles lesenEr war kürzlich Zeuge der Ergebnisse eines streng geheimen Projekts, mit dem Tote wieder zum Leben erweckt werden sollen, und führt die Operation an seiner Freundin durch, die bei einem Motorradunfall ums Leben gekommen ist.Er war kürzlich Zeuge der Ergebnisse eines streng geheimen Projekts, mit dem Tote wieder zum Leben erweckt werden sollen, und führt die Operation an seiner Freundin durch, die bei einem Motorradunfall ums Leben gekommen ist.
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
Melinda Clarke
- Julie Walker
- (as Mindy Clarke)
Julian Scott Urena
- Mogo
- (as Fabio Urena)
Michael Deak
- Cop #1
- (as Michael S. Deak)
Zusammenfassung
Reviewers say 'Return of the Living Dead III' is a divisive installment, diverging from the comedic elements of its predecessors. It is lauded for its darker tone and poignant love story, alongside impressive gore and special effects. However, it faces criticism for inconsistent zombie behavior, plot inconsistencies, and pacing problems. Despite mixed reactions, many appreciate its effort to innovate within the franchise, though it struggles to replicate the original's appeal.
Empfohlene Bewertungen
Return of the Living Dead III is the type of horror film you can watch with your friends, or your girlfriend. It is a film with a romantic (yet tragic) edge to it that saves it from the muck of sequel overkill. The story follows a young man who, after seeing his girlfriend die who he loves so much, brings her back to life in a top secret facility with the gas that brings back the dead from part 1 (without them being able to get electricuted), but then strange things happen. Clever horror with a edge, with it's only problem not stopping too often and of course the sequel overkill. Still worth a look, especially for horror enthusaists who don't believe there's life after part 2. A-
Here we have the third installment in the ROTLD series. It is a Romeo and Juliet-ish tale about ill fated love. Curt is an army brat that met a girl that borders on beigg goth. Curt's father is in charge of a project that will use the trioxin to create an army of undead super soldiers. To impress his girlfriend Julie, they sneak into the army base and witness some experiments. Because these experiments end up failing epically, Curt finds out his father is being reassigned and they must move. Curt chooses Julie over his father and they flee. While on the road they are in an accident that claims Julie's life. Curt uses the trioxin to reanimate her and the zombie fun begins.
I liked this better than the first two installments. It was a different take on this subclass of zombie, and the humor was cut way down. Melinda Clark steals every scene she is in as Julie. The rest of the cast, the acting is on par with what one might expect from this kind of film.
The third movie in the Return of the Living Dead series marks a change in direction from horror comedy to tragic love story. The plot to this one has a teenage boy (J. Trevor Edmond) using the zombie gas from the first two films to bring his dead girlfriend (Melinda 'Mindy' Clarke) back to life, with horrifying results. This is easily the second best in the series, surpassed only by the first. The '90s wasn't a great time for horror fans. Most of what was being made was cheap straight-to-video stuff. I can count on one hand the number of decent horror movies from that time. This movie would make the cut. It has interesting direction from Brian Yuzna, a refreshing story, and a decent cast. Melinda Clarke is especially good. Definitely worth taking a look at if you want something different.
Return 3 starts off very poorly. Actors are pretending to be in the military in a very cheap looking set. As usual in many low budget horror movies, moronic teenagers decide to break into a top secret military facility for fun.... <sigh>, and naturally accidentally release whatever the base is trying to contain. I was prepared at that point for the worst and settled myself in for 90 minutes of frustration. Return of the Living Dead 2 was one of the worst sequels I had ever seen, so I really wasn't expecting much from Return 3. But then something happened, and Return 3 got better and better. There was a real story! The director actually tried for some character development! There was suddenly plenty of extremely well done gore! There were some moments of real horror!
The scenes where Julie starts cutting and impaling herself were difficult to watch, that's how well done they were. The movie moves from a cheap horror-comedy into a well put together love story with incredibly gory effects. I actually really felt for the main couple, even though she was slowly turning into a zombie! Normally, one of them would get whacked which would give the remaining person a few lame Arnold-type lines, and an excuse to obliterate whatever (or whomever) is supposed to be the bad guy. However, this movie doesn't follow that formulaic path. It takes a very weird turn halfway through and never looks back.
When Julie makes her transformed appearance in the sewer, it is truly an awe-inspiring site! They actually managed to make her look both incredibly repulsive and very sexy at the same time. This film reminded me a lot of the Ginger Snaps movies in the type of character development pursued within the confines of a horror movie. Very pleasant surprise.
8/10
The scenes where Julie starts cutting and impaling herself were difficult to watch, that's how well done they were. The movie moves from a cheap horror-comedy into a well put together love story with incredibly gory effects. I actually really felt for the main couple, even though she was slowly turning into a zombie! Normally, one of them would get whacked which would give the remaining person a few lame Arnold-type lines, and an excuse to obliterate whatever (or whomever) is supposed to be the bad guy. However, this movie doesn't follow that formulaic path. It takes a very weird turn halfway through and never looks back.
When Julie makes her transformed appearance in the sewer, it is truly an awe-inspiring site! They actually managed to make her look both incredibly repulsive and very sexy at the same time. This film reminded me a lot of the Ginger Snaps movies in the type of character development pursued within the confines of a horror movie. Very pleasant surprise.
8/10
I was reluctant to watch the third part of the series (I have no interest in the second) as I knew the character of Burt would no longer be joining us. The death of Burt in the first ROTLD is one of the most unfortunate things in all cinema and had me depressed for weeks. I had further reservations when the logic of the first one was changed significantly--people in this movie are turned into zombies when bitten by one, which was not part of the original at all (this was also not the case in "Night of the Living Dead," but Romero put it into the sequel. It seems to be a weird detail that was obliquely added to the zombie genre and is now taken for granted). There is also some uncertainty as to why the resurrected character Julie even wants brains. In the first one, the zombies can feel themselves decomposing and only brains can relieve the pain--in this one, she is just inexplicably hungry, and brains... make her full, or something. This leads to a rather hilarious scene in which she's stuffing all sorts of food into her mouth at a gas station and had me wondering if the movie was going to be idiotic, but at that moment the director hits the clutch and the plot veers into full throttle awesomeness. (And in retrospect it's not that big a plot hole; maybe she can't feel herself rotting yet but her body knows it's happening and desires brains.)
We begin following Julie and her boyfriend Curt (weird side note: these are the names of my aunt and uncle!) as they aimlessly run through the streets while pursued by a gang, with Julie becoming more insatiably hungry by the minute. It's top-notch horror. A lot of horror movies have you wondering, "Why don't they just get HELP or something," but here it is clearly impossible for the police or medics to do anything, and you're as stumped about what the characters should do as they are. There's no feeling superior to them, a hard trick to pull off in a horror movie. Eventually, Julie attempts suicide and is rescued by a black man dressed like a Jedi Knight, and here I was no longer sad that Burt wasn't around because this new fellow actually out-awesomes Burt. He takes them to a room in a sewer which he has converted into some sort of temple and announces, "YOU CAN CALL ME... RIVERMAN," whereby I was able to conclude that if I were somehow put in charge of the MPAA rating system, I would rate every movie based on whether or not Riverman was in it (Riverman being played by cult actor Basil Wallace, best known as Screwface from the badass action movie "Marked for Death"). It is while in Riverman's lair that Julie discovers extreme pain can take her mind off brains, leading to the famous scene wherein she mutilates herself beyond recognition (some may see this as another plot hole, since the original ROTLD zombies needed brains to take their minds off pain, but I believe Julie still has enough of a conscience that she prefers the pain to killing). The astute viewer will realize here that all this eating and cutting on Julie's part seems to be referencing some actual real-life issues, although I'm not entirely sure what the point of it is. It might be just a joke, but the tone is dark enough that it makes a sobering addition to an already depressing story.
There's more awesomeness that I don't want to spoil here--I will only say that the freaky zombies from the first movie make an appearance at the end, bringing it all to a chaotic conclusion. Mindy Clarke is AMAZING as Julie--she makes a believable performance out of a role that is far different than the usual teen-horror "scream queen." The doomed bond between her and Curt works as both straight horror and tragedy, and the slick direction and elaborate set pieces make this a fine action flick as well. It's not quite as fun as the first in the series, but it's definitely impressive on its own, and I can honestly rate it as one of the better movies of the 80's. Check it out. 7/10.
We begin following Julie and her boyfriend Curt (weird side note: these are the names of my aunt and uncle!) as they aimlessly run through the streets while pursued by a gang, with Julie becoming more insatiably hungry by the minute. It's top-notch horror. A lot of horror movies have you wondering, "Why don't they just get HELP or something," but here it is clearly impossible for the police or medics to do anything, and you're as stumped about what the characters should do as they are. There's no feeling superior to them, a hard trick to pull off in a horror movie. Eventually, Julie attempts suicide and is rescued by a black man dressed like a Jedi Knight, and here I was no longer sad that Burt wasn't around because this new fellow actually out-awesomes Burt. He takes them to a room in a sewer which he has converted into some sort of temple and announces, "YOU CAN CALL ME... RIVERMAN," whereby I was able to conclude that if I were somehow put in charge of the MPAA rating system, I would rate every movie based on whether or not Riverman was in it (Riverman being played by cult actor Basil Wallace, best known as Screwface from the badass action movie "Marked for Death"). It is while in Riverman's lair that Julie discovers extreme pain can take her mind off brains, leading to the famous scene wherein she mutilates herself beyond recognition (some may see this as another plot hole, since the original ROTLD zombies needed brains to take their minds off pain, but I believe Julie still has enough of a conscience that she prefers the pain to killing). The astute viewer will realize here that all this eating and cutting on Julie's part seems to be referencing some actual real-life issues, although I'm not entirely sure what the point of it is. It might be just a joke, but the tone is dark enough that it makes a sobering addition to an already depressing story.
There's more awesomeness that I don't want to spoil here--I will only say that the freaky zombies from the first movie make an appearance at the end, bringing it all to a chaotic conclusion. Mindy Clarke is AMAZING as Julie--she makes a believable performance out of a role that is far different than the usual teen-horror "scream queen." The doomed bond between her and Curt works as both straight horror and tragedy, and the slick direction and elaborate set pieces make this a fine action flick as well. It's not quite as fun as the first in the series, but it's definitely impressive on its own, and I can honestly rate it as one of the better movies of the 80's. Check it out. 7/10.
Wusstest du schon
- WissenswertesAccording to Brian Yuzna's commentary, Trimark did not require the film to use the same actors or have the same comedic elements as the previous two films but they did require the zombies (including Julie) crave and eat brains.
- PatzerWhen they are first testing the Trioxin gas, one of the signs that it's working is that the corpse attains a heartbeat. Yet, in the first movie, the two characters who were first exposed to the gas *lost* their heartbeats, yet were still mobile. Therefore, heart rate should not be used as an indicator of Trioxin's effectiveness.
- Zitate
Curt Reynolds: Julie, are you eating him? You should stop it.
- Alternative VersionenThe Trimark/Lionsgate DVD is the heavily censored R-rated version. The uncut, unrated version has since surfaced on the 2016 Vestron Blu-Ray.
- VerbindungenFeatured in Durch die Nacht mit...: Pierre Woodman und Brian Yuzna (2007)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Return of the Living Dead 3
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.207 $
- Eröffnungswochenende in den USA und in Kanada
- 14.810 $
- 31. Okt. 1993
- Weltweiter Bruttoertrag
- 54.207 $
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