Raining Stones

Like many, I often found the accents hard to decipher. But I think it speaks to Loach's formidable talent that it's never really in question as to what's happening: we get the story in visible strokes, and we get the emotional feeling in the most minute, detailed way possible. To use a clichéd phrase, it has the drama of life, and Loach has a loving touch, even though the outer view of his work is rough and hard: he doesn't separate the funny bits from the painful bits, he lets it all run together. And despite the fact that some find him an "uncinematic" director, I think that's mostly baloney. No, he doesn't impress with his visuals, but that doesn't mean that they're uncinematic; he's working in a way that's more interested in recording emotions (and he still tells a story) and that is cinematic.

The film espouses a wonderful philosophy -- love and prayer is enough. Yet while the film is sympathetic to the emphasis the family places on communion (getting into Heaven), at times it feels like a condemnation of Catholic greed and pie-in-the-sky fantasies of those relying on God to solve their earthly troubles -- after all, He doesn't buy communion dresses. I think that's why the film works so well. It never spells out how intelligent it is, because that's not Loach's intention. Yet what he does is incredibly smart. (Likewise, you can see the politics behind the film, and that's why they work, too: they're behind it, not in your face.) The ending might seem a little too cheery (though cheery is perhaps the wrong word), but I think it works in the tradition of great humanism: things WILL be alright in the end, if you just believe. And because it's humanism, it's true: everything else might be awful, but you're alive, you have a family, you're fighting to go on: that's wonderful.

Loach makes a brilliant choice with the car crash, because it solves something and yet it makes the moral universe of the film more complex: Is he scott free now? Who is the bad guy here? And Loach of course includes the most pragmatic priest in the movies -- pray for the worthless soul as any good Christian would, but realize that he who causes fear in the hearts of good people is not a life worth wrecking yours over. Consider the car crash an act of God (which indirectly benefits God, by supporting a family of followers), rewarding he who believes yet still exists in the practical world trying to make things work (he who doesn't just lay around waiting for God to save him). THIS is Catholic cinema. I'm agnostic, and this touched my soul. It gets at the roots of what real religion does, or is supposed to do: heal, protect, love -- not preach, frighten, or intimidate. So I think even though he opts for a "faith" film (that is, he does not offer a text book on how to solve your problems), Loach's "realism" and pragmatic philosophy still suggests that the everyday is important -- keep at it. It's what leads to the faith, it's what's needed for the faith to work. 9/10

This film I saw when it first came out in 1993. It made such an impression that I can still recall many scenes and the whole story. Ken Loach creates really believable characters who might live next door. He builds and presents the story so the viewer really becomes involved in the cast's problems. It remains my favourite Ken Loach film. An excellent film in its category.

Raining Stones is directed by Ken Loach and written by Jim Allen. It stars Bruce Jones, Julie Brown, Ricky Tomlinson, Tom Hickey, Mike Fallon and Jonathan James. Music is by Stewart Copeland and cinematography by Barry Ackroyd.

Northern England and as unemployment bites hard, Bob (Jones) frets about finding the money for his daughter's communion dress...

It's classical Loach, an awareness of the lower to working class lifestyle during a politically turbulent time. As is the great director's want, realism leaps out from every frame, earthy humour is evident and Loach draws you into his kitchen sink world with ease. Raining Stones has no political agenda as such, it's primary focus is the people, specifically examining how a basically honest hard working man has pride in abundance but little brains in accompaniment. And we all know what pride comes before...

The structure is simple, an hour of film lets us know the principal players, their surroundings and their beliefs. Humour dominates the narrative at this point, be it nutty ideas like stealing a sheep off of the Moors to sell to the butcher - Bob's date with a sewer drain - and Tommy (Tomlinson) showing his ass and genitals to an overhead police helicopter! There are scenes and snatches of dialogue that genuinely bring the laughs. Yet lurking in the background is the palpable sense of things about to turn bad, which is the case of course, and the film shifts for its last third into dramatic thriller mode.

Religion is a feature, but again it's not something that Loach wants to use as a tool for head beating. In fact it's refreshing that the portrayal of Father Barry (Hickey excellent), who is the glue that binds his unemployed flock together, is not about pious pontificating, he's very aware of the times and happy to share a glass of whiskey with Bob and offer up some surprising advice. Cast performances are across the board great, something which is another trait of Loach's direction, while Ackroyd's photography around the Middleton, Rochdale locale is suitable stripped back to reveal a climate of struggle.

A must for anyone with a kink for Loach's type of story telling, Raining Stones is another fine entry on his considerable CV. 8/10

Christ this film is set in Middleton, pretty much where I live. I remember seeing this when I was about 10 years old and being taken aback at it's accuracy. Everything about it is working-class Manchester, portrayed objectively for the most part. Mancunians appreciate honesty, self mockery and self reflection. My dad and my brother both like this film and I can see why - they're part of it in a sense, as am I. It's not all about struggling to pay the rent, queueing up in the dole office and chugging through the drizzle ridden streets in a Ford Transit - it's about looking at your own life and your own culture being represented by a director who tries to keep things as organic as possible. It's about recognising your environment, where you have come from.

Raining Stones is a gritty urban tale of life with no money or hope! Bob Williams(Bruce Jones) has to raise the cash for his daughters first communium dress! He's determined to get the best one, which is the dearest, ably followed with his long suffering wife(Julie Brown) and his best mate Tommy (Ricky Tomlinson). From gutting drains to stealing turf and sheep! He struggles to raise the cash and has to visit a loan shark- 'Tansey' , with devastating consequences! Bob's a survivor, but will it all come good in the end?! Another Brilliant film from Ken Loach! 8/10