Codename - Nina

An excellent example of Hollywood's ability to ruin a good movie concept. The original version ('La Femme Nikita') was far more gritty and realistic. The main character is offered a choice between death, or the life of an assassin. As such, she spends most of the film trying to find a way out of her situation. Unfortunately the overuse of high-tech props, sets and special effects have made the entire experience so sanitised that by the end of the film I found myself wishing that a corrupt government would come and kidnap me.

I thought this flick was good, and I'm SO glad that the film didn't resort to the typical Hollywood ending that other American remakes do (though it differed just a bit from the original "Nikita").

Admittedly, I'm biased in that I'm getting to be a big Bridget Fonda fan. And I agree with another reviewer that Fonda played a more likable character than the one in the French original.

Plus, the DVD's sound is great, though the picture is grainy.

All in all, a good film that doesn't deserve all the mudslinging it has gotten.

You can't truly appreciate how good La Femme Nikita was until you have seen Point of no Return. Bridget Fonda stars as Maggie, the drug addict who is sentenced to death after killing a cop but is given a second chance if she will train to be a secret agent. The film is pretty much remade scene for scene from Nikita with a few small changes here and there except this time all of the original's artistic integrity is sacrificed for mindless action sequences and unneeded sex scenes. Fonda is good as a female action lad but fails to capture the inner struggle Nikita faced from having to live a double life. Also the burning sexual tension from the original is now reduced to nothing more than petty conflict between Maggie and her boyfriend. Bob from the original film was played with a stern sense of hope, you knew he was there for nothing more than to train these people but you could tell in his actions that he did care. Here Gabriel Byrne does not seem tough and uncaring making any feelings he could have had for Maggie seem rather meaningless. Even the line "I will never kiss you again"seems rather out of context, Not only that but most of the other more important scenes from Nikita mean next to nothing, for instance when Nikita pulled the gun out of the bath tub while crying, symbolizing the toil of having to secretly live as someone else. Harvey Keitel is a good actor but is given a thankless role here as Victor the cleaner, coming nowhere close to Jean Reno's dramatic intensity and dark sense of humour. Probably the most disappointing aspect of the film is that there are no cameos from original cast members or no homage paid to Luc Besson's artistic masterpiece, it is just a remake made to suit the modern masses. The ending of the film is basically the same except made a little more accessible but also losses the sense of tragedy, lessening the overall impact of the film in general. The only reason I could see people enjoying this film is if they have not seen La Femme Nikita or those who found the original hard to follow due to the subtitles. Other than that there was really no need for this film to be made or for people to watch it.

The English version of the French movie La Femme Nikita. I think it is quite well done, and I enjoyed it.

A druggie girl kills a cop and is sentenced to death. She is given the "opportunity" to live, if she does what they say, and becomes an assassin. To the rest of the world she died.

She is determined, and she doesn't play well with others, but if she doesn't start playing their game, she really will be in her grave.. I'm not giving away any more.

But I would recommend it, it's worth seeing. Especially if you like Bridget Fonda, who kicks arse in this movie.

I've never seen the French film, Nikita, on which this is based, but it sounds superb. What drew me into this film was the presentation of the story, which focuses less on her as a professional killer and more on her humanity. In the French film, Nikita looks very forceful and aggressive. Fonda in "Point" seems more sensitive and feminine. I'm just going to have to see the French one. I'm not easy to impress and this film drew me in. Nikita must be awesome.

BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak.

HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance.

GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.